With 'A monument to the BKR', Fransje Kuyvenhoven has indeed written a tribute in her "history of a high-profile artists' scheme (1949-1987 )". If only because the first hundred pages contain no text, but a chronological showcase of artworks from the BKR. By Karel Appel, Corneille, Constant, Lucebert, Jan Wolkers, Kees van Bohemen, Ger Lataster, Armando, among others. And because there are...
The most recent bulk of cultural rescue money was distributed to municipal councils without the obligation to actually spend that money on culture. Indeed, that so-called 'earmarking' was too cumbersome and time-consuming, according to now outgoing culture minister Ingrid van Engelshoven. (Malicious parties suggest that this way Rutte and Wiebes were willing to cross the bridge, because the money would not...
On Friday 12 February 2021 from 12:00-17:00, the Amsterdam Museum, together with its various partners, is organising the Refresh Symposium on the Amsterdam art climate. A symposium in which makers such as Bas Kosters, Massih Hutak and Raquel van Haver together with representatives of cultural institutions such as NDSM-werf, AFK and Amerpodia will critically examine the art climate in the city. The symposium...
Holland Festival's Supervisory Board appoints Carolien Gehrels as its new chair from 1 March 2021. Carolien Gehrels (1967) is well known to the Holland Festival as a regular visitor of performances and concerts and through her role as Amsterdam alderman responsible for art and culture from 2006 to 2014.
Earlier this year, Cinekid was in danger of dropping out of the basic cultural infrastructure due to a 'no, unless' advice from the Culture Council. An updated application has now changed the Council's mind. If the minister adopts it, Cinekid can go full steam ahead for four years. An interview with Cinekid director Heleen Rouw.
A sleek, snow-white art temple in the middle of the Congolese interior. What does that mean? Renzo Martens talks about his new documentary White Cube, and the art project that allows plantation workers to buy back their land. Premiering at IDFA and in Lusanga, Congo.
The hybrid German-English model combines the best of three worlds. But it also involves major changes. Artists will no longer all live in Amsterdam, but in one of eight or 10 urban cultural regions.
As this is D66 culture minister Van Engelshoven's presumably last budget year, the press release once again emphasises that a total of 95 million extra has now come into the culture budget during her tenure. It is too early to draw far-reaching conclusions.
How nice it would not be if the Culture Council really 'got its hands on' supporting freelancers and self-employed people! There is an opportunity.
A fire letter from the United Performing Arts Festivals. One of more than a hundred lobbying organisations in the arts, but a very important one. After all, the festivals are the place where audiences were introduced to arts and entertainment in its full breadth. That doesn't happen anywhere else. And beautiful: they stand up for all performing arts, because, as loyal readers of this site know: they are quite the hare, and become even more the hare with every half-hearted rescue.
Under the banner 'Sender Boulevard', the organisers of Theatre Festival Boulevard signed up for six weeks of live encounters in 's-Hertogenbosch. More than 40 different projects delivered an extraordinary variety of performances, performances and installations. Based on the theme 'Nader de ander' (Closer to the other), Boulevard more than ever entered into dialogue with makers and audience, which led to an intense dialogue with results.
On top of the general support measures, the cabinet is allocating an additional 482 million euros for the cultural sector. The cultural and creative sector can also draw on the general support measures, so over 700 million is expected to be available for culture.
That they came up with a one-and-a-half billion support package for the arts in Britain last month seemed like very good news for a while. For a country of almost 67 million people, such a rescue package, which also consists of three quarters of loans and advances, is proportionately much smaller than what there is in the Netherlands in terms of support for the arts. How keen...
Immediately after the lockdown was declared in March 2020, Vincent Wijlhuizen, co-founder (along with Annette van Zwol and Ieme Soes) and director of the What you See Festival, set to work to come up with alternatives for the festival, which takes place in the autumn. 'We made several plans. We already had an ordinary plan, which went to all the funds...
On Monday 29 June, the Lower House will discuss the advice of the Council for Culture. An advice that, as the Volkskrant rightly noted on Friday 26 June, receives much more criticism than previous advice. In doing so, the newspaper reaffirms what we already wrote down immediately after its release on 4 June: there is a total lack of transparency, a...
In recent days, tentative proposals for a new system to fund the arts in the Netherlands have appeared in various places. Tricky pieces, and so far not attesting to very much incisiveness. In Het Parool, a number of prominent figures, including Tinkebel and advertising man Kessels, think that we should think less in pigeonholes, and that, besides quality, we should also...
Let's just start with the good news: De Staat is a regular fixture in the Netherlands from now on. And so we are talking about the band De Staat. Who make fantastic music videos these days. They have been promoted from a four-year grant with the Performing Arts Fund to a four-year grant according to the Cultural Basic Infrastructure (BIS). With 55 other newcomers. All weighed...
Just like in the world outside culture (call it capitalism), in the cultural sector itself you also see a huge payment gap between creators and 'the plush'. Only you can't talk about that taboo without being seen as a traitor.
It is high time for collective action, now that arts organisations have closed and activities are at a standstill. Plea for a support fund for culture, to which governments, funds and companies contribute in unison. We all notice it: live cultural offerings are at a standstill due to the coronavirus. Much has been written and talked about the importance and value of culture in recent weeks. That...
Right now they are all still zooming or in an MS Teams meeting, the dozens of advisers and committee members appointed to assess the hundreds of grant applications for the new arts plan 2021-2024. But in all likelihood, they are no longer talking about the applications, but about how to deliver the news that the procedure is stalled. The province of Zeeland...
Earlier this week, Minister Van Engelshoven appealed to the public to start donating en masse "to your favourite (cultural) institution". She also hinted at her willingness to explore within the cabinet the extent to which donations to cultural institutions can be made extra attractive as an income tax deduction at this very moment. Meanwhile, however, within...
Director Noël Fischer, artistic director of HNTJong, Het Nationale Theater's youth club, learned a week ago just before the first try-out that she and Trojan Wars would not be allowed on stage for the try-out, nor for Saturday's premiere. No ordinary performance but a marathon performance with three parts, with fodder for the mind (music) and the...
When I tried to explain to secondary school students the other day how little the orchestra members who perform the musical surprise act at the Eurovision Song Contest were paid, they looked at me in bewilderment. After all, it was more than you earn as a 16-year-old as a stock boy at the average grocery store. So what was really the problem? So now let's do some other maths, thanks to the...
I am sitting at the dinner table at my parents' house. We are celebrating my mother's birthday with the whole family. I am there, but I am not quite there. In fact, I am so incredibly tired at the moment. As I jokingly tell my friends, "I can't say boo or boo anymore and am running on my gums". Suddenly, the conversation turns to...
On 23 October, website Theaterkrant.nl wrote a piece on the future of the performing arts. A future that is black and gloomy when you, as a creator, count on growth, or even survival at all. In short: so much money is going away from the Performing Arts Fund, that from next year only between 50 and 60 applications can be honoured, in...
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