In 2014, The Cutter published a review of De Wereld Draait Door. What not many people will know is that prior to that moment, there was a weeks-long battle behind the scenes over this publication. De Wereld Draait Door tried with all its might to stop the episode by not giving permission to quote the footage. Initially,...
Whether we want to speak only of 's-Hertogenbosch from now on. Apparently, a last vestige of decency has bravely survived in the provincial capital of Brabant. Nazmiye Oral, master of ceremonies at a party at Den Bosch's citadel on 9 June, forgot right the first time. City marketers and old nobility fight hand in hand for a respected name to trump the vernacular....
'We think we can think diversely, but ultimately there has to be an exchange in that thinking. Then you also have to let other perspectives come in. So you don't have to come up with it all by yourself.' Samora Bergtop has views on theatre criticism and how it could come out of its white bubble. Marijn lems and yours truly enter the conversation
Godfried Bomans died half a century ago. Almost immediately afterwards, the Netherlands' best-loved writer sank into oblivion. It is time for a reappraisal of Bomans' literary work and even his political views. I delved into the archives, also looking for the few traces of Bomans in Amersfoort. First some round figures. Seventy years ago, he delivered a lecture...
After more than six years as director, Viktorien van Hulst is leaving Stichting Theaterfestival Boulevard 's-Hertogenbosch and Stichting Bosse Nova. She will start on 1 July as director-director at the Fonds Podiumkunsten, where she will succeed Henriëtte Post. The Performing Arts Fund supports all forms of professional performing arts on behalf of the central government and has an annual budget of 62 million euros available for this purpose. Peggy Olislaegers...
The exhibition The Golden Coach opens at the Amsterdam Museum on Friday 18 June. After a restoration of more than five years, the Golden Coach is back on public display for the first time. The carriage will be on loan to the Amsterdam Museum until February 2022. With this, the carriage temporarily returns to the city that used it in...
A good friend calls me, sounding like he wants to share and check something important. He was talking to his sister this week about the Nieuwsuur headline: Black Lives Matter: Was it a turning point or a hype? His sister stumbles over the title and notices that important parties are left out of this item and that stings. On the...
Wopke Hoekstra, would-be boss of the Netherlands, stood last week on the ice of an ice rink that was closed to all but Sven Kramer. Because of Corona. The CDA frontman received a justified storm of criticism. After Grapperhaus, the country's second top executive who thinks his own rules only apply to others. Last week, Laura van Dolron, played...
On 24 December 2020, the provincial hearing and objection committee issued an opinion to the Provincial Executive of the province of North Brabant in response to eight submitted objections. Then -only a month later- on 26-1-2021, a communication dated 26-1-2021 from the Board of GS to Provincial Councils and a press release to the cultural institutions that submitted an application 2021-2024 appeared....
On Friday 12 February 2021 from 12:00-17:00, the Amsterdam Museum, together with its various partners, is organising the Refresh Symposium on the Amsterdam art climate. A symposium in which makers such as Bas Kosters, Massih Hutak and Raquel van Haver together with representatives of cultural institutions such as NDSM-werf, AFK and Amerpodia will critically examine the art climate in the city. The symposium...
Four years ago at the Winternachten Festival in The Hague, we spoke about it with Egyptian writer Alaa al Aswani, who was disarmingly upbeat despite the fact that he can barely publish in his own country. On lack of freedom of expression and fiction in times of fake, this year's theme, Al Aswani could have a word. 'Freedom of expression is even worse now than under dictator Mubarak.'
A sleek, snow-white art temple in the middle of the Congolese interior. What does that mean? Renzo Martens talks about his new documentary White Cube, and the art project that allows plantation workers to buy back their land. Premiering at IDFA and in Lusanga, Congo.
On Thursday morning 12 November, the culture spokespersons of Christen Unie, VVD, D'66 and Groen Links entered into a debate on culture. However, the debate organised by LACK (Landelijk Kennisinstituut Cultuureducatie en Amateurkunst) Kunsten '92, the Fund for Culture Participation and the Boekman Foundation did not become scintillating for a moment.
Strictly speaking, prioritisation is another word for wielding a saw line, but it feels different. 'Prioritisation within the applicable criteria', as stated on the site, smacks of possible arbitrariness, as nowhere is it indicated which criteria were given how much weight.
Under the leadership of Viktorien van Hulst, Boulevard Theatre Festival has grown into a regionally rooted festival of national importance. Each year, Boulevard manages to strike a smart balance between entertainment with substance and joyful innovation, with a keen eye on inclusivity.
The cultural centre of gravity in Limburg has been in the south for years. However, to encourage southern institutions to programme outside the region, only 1 extra point is available. Examples of the problem of geographical spread also exist at the Council of Culture and the Performing Arts Fund.
More than 20 years ago, David Grossman's phone rang. A woman by the name of Eva Panić Nahir had something to say about an article he had published in an Israeli newspaper. Grossman smiles at the memory. 'What my piece was about I don't remember, except that she thought I had not gone far enough in my criticism of the government. I did find it refreshing to be attacked for once by someone from the left, instead of - as usual - the right wing.'
Things can change. In 1979, Iran changed from a Western-oriented secular state to a spiritual dictatorship, where Islamic leaders call the shots. Women must henceforth go through life veiled and music is banned as extremely sinful. Four decades later, three women founded the Iranian Female Composers Association. In America, though. 'Music is like a drug, those who feel...
On Monday 29 June, the Lower House will discuss the advice of the Council for Culture. An advice that, as the Volkskrant rightly noted on Friday 26 June, receives much more criticism than previous advice. In doing so, the newspaper reaffirms what we already wrote down immediately after its release on 4 June: there is a total lack of transparency, a...
2.6 billion euros. It is a sum so large that it means nothing to anyone. It is less than the tax support KLM gets, though. Today Kunsten 92, the arts-wide lobbying organisation, in an unprecedented collaboration with all interest groups and industry associations, brought out that that 2.6 billion is the damage to the arts sector caused by the restrictive measures....
The Council for Culture acted contrary to all policy agreements, its own advice and rules when it reduced the subsidy for the Holland Festival by over five hundred thousand euros. The Holland Festival, which is in serious trouble as a result, is now expressing its anger in a letter that went to the Lower House today. The organisation even speaks of "improper administration": a...
In its advice for the BIS period 2021-2024, the Council for Culture strongly criticises Cinekid. What does director Heleen Rouw think of this?
As a professional art visitor, I rarely find myself in empty halls. Premieres are always full, so are press viewings and vernissages. Full is of course really cool. Although those full rooms I am in then usually cost more money than they bring in, because the tickets are free and the drinks on the house. Outside the premiere, but especially outside the premiere city, the...
With the Movies That Matter award-winning Stop Filming Us, Joris Postema examines the tension between Western imagery and Congolese reality. And does not remain out of touch himself.
"We are hopeful," is the reply when I speak to a colleague just before the start of the Berlin film festival. For curious as to how the choice of Carlo Chatrian as the new artistic director has fallen among German critics. Chatrian, previously director of the leading arthouse festival in Locarno, lies well, I understand. Whether this 70th Berlinale will see all that new momentum...
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