They were horrified by it. There in Rotterdam, at De Doelen. Because 'their' Valery Gergiev, former chief of the local orchestra and namesake of the prestigious festival that sometimes to be held in September, doesn't like gays. At least, that's what we all believed
Protests abound again tonight at a concert conducted by Valery Gergiev, this time at London's Barbican. Many of the protesters are demanding that the orchestra emphatically distance itself from the Russian star conductor and speak out openly against gay legislation in Russia.
Tonight and tomorrow night, the Royal Concertgebouw Orchestra kicks off the fourth season of the AAA series, with film music under the title 'Suspense'. But not everyone will immediately associate composers like Bartók, Lutyens and Schoenberg with cinema.
On the day that a vote was to be held in The Hague on the new Spui Forum, it has been announced that Robert van Leer is leaving as business director of Nederlands Dans Theater. Van Leer is resigning for purely "personal reasons", according to the press officer of the renowned dance company.
Still competing at the top and successfully entering Europe with 60 per cent less budget. Impossible, cries many. Only with a new stadium, argues another. And with extra investments in the winter break. But it can be done, according to a few.
Holland Festival
Holland Festival
Mary is arrested at a demonstration and thrown into a cell next to a heroin addict, while her sister Martha has just started a shelter for the homeless. And Lazarus, yes, Jesus brings him back to life here too, with downright breathtaking sounds. And we are not even halfway through.
Holland Festival
Forget all the fuss about the first ever 3D film opera, forget all the fuss in British newspapers. Michel van der Aa himself sighed in interview that, on reflection, he would have loved to have made the second 3D film opera. And perhaps he had
Holland Festival
They are gentlemen of age and therefore with a history. Grey or bespectacled or bald - or with a combination of all three. Their music has taken them everywhere. And now they are in a packed Carre: the Orchestre El Gusto. To their own delight, as they thank the audience for coming. The musicians from the kasbah of Algiers play the music as it is
In one year the AKO and Libris prizes? The front pages of newspapers would be full of it, not to mention the dozens of pages in book supplements. Composer Michel van der Aa has to make do with small announcements, tucked away in newspapers, while receiving the Grawemeyer Award and the Mauricio Kagel Music Prize is a never-before-seen double.
Lebanese writer Hanaan al-Shaykh (Beirut, Lebanon, 1945) opened Wrtiters Unlimited on Thursday 17 January with a blazing argument against Arab culture of shame. This, according to the writer whose books The story of Zahra, Women between sky and sand, Beirut blues and Only in London have been translated into Dutch, so deep in
Some artists age beautifully. Johnny Cash aged beautifully, Bruce Springsteen remains young in an absurd way and all members of the Rolling Stones turned into convincing zombies after their unnoticed deaths in the seventies
Being active on social media like Facebook or Twitter is now a must for any dance company. But broadcasting a dance performance (live) via 600 cinemas worldwide is no mean feat either. NDT (The Hague) has been chosen by Pathé theatres to join the illustrious list of The Metropolitan Opera (New York), The National Theatre (London) and the Bolshoi Ballet (Moscow) as a partner in high-level performing arts.
Emerging British-Indian dance idol Aakash Odedra manages to hook top choreographers with the programme Rising. The dance diptych premiered in London earlier this year and was shown at the India Dance Festival at Korzo dance theatre in The Hague on 14 October 2012. Rising consists of four solos danced by Aakash Odedra himself. In the first choreographed Nritta (A. Odedra), the young dance prince starts inconspicuously with...
On 12 August 2012, during the worst watched Summer guests-broadcast of all time (343,000 viewers) told trend forecaster Lidewij Edelkoort about The Johnny Cash Project. A great example of what crowdsourcing can do for creativity: in 2010, everyone was invited to add a drawing to an animated music video to Johnny Cash's latest song. We now know what and who is behind this:
Martin Barden realises that an old model works, where everyone is always clamouring for new forms. As marketing boss of the Tate museums in London, he created a large network of friends. So that museum has more than 100,000 members. people who feel part of the club, and whom you need to pamper.
We were somewhat mildly ironic about it, but hats off, meanwhile, to Toneelgroep Amsterdam's PR department and the audience, who responded remarkably well to the 'choose the reprise' campaign the company launched a few weeks back. We have the hard numbers we feared we would never see. And they are credible. We quote the press release: From 2 to...
"I can fire anyone here. Except the actors." Sam Walters, artistic director of London production house the Orange Tree Theatre does not mince words. "Everyone in the office could leave. The directors too. But without actors no performance." The actor is unequivocally central to this theatre. As a director, you only prove yourself here when you get top performances out of your...
That was a bit of a grind for British theatre critics. The celebrated director Deborah Warner (1959) recently pulled Richard Brinsley Sheridan's The School for Scandal out of the closet. A play from 1777, and an untouchable part of the British theatre canon. Building on the style of her earlier production Mother Courage (2009) Warner also indicated The School for Scandal - goddamn - a quirky, contemporary twist.
"With many video, light, music and noise - like a rock concert, " grins Warner in the office of the Barbican Theatre In London. "Mother Courage had an incredibly populist, exciting atmosphere. I love that arrogant theatricality immensely, and I wanted to continue that style in The School for Scandal. For me, the big challenge was to explore the Brechtian theatre style of Weimar - which I got through Mother Courage had discovered again - to collide with an eighteenth-century theatre text."
There is an interesting 'drone' underneath, and that may strike someone as menacing. In any case, the video at the end of this article has more meaning than many culture lovers might think. The fact is that the sweeping cuts made by the UK government through their 'Arts Council' have met with hardly any protests in retrospect, while the disproportionality in the cut...
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