Saturday 15 May 2021 marks exactly one year since Mayor Femke Halsema opened the Amsterdam Museum's digital exhibition Corona in de Stad. A digital exhibition about the effects of the corona virus on the city of Amsterdam and its inhabitants. To commemorate 1 year of Corona in the City, the Amsterdam Museum will be showing from 15...
In October, the Blazers and Bart Moeyaert will tour again with De Schepping, the first part of this successful musical theatre trilogy. During this performance, Bart Moeyaert (winner of the 2019 Astrid Lindgren Memorial Award, the 'Nobel Prize for children's literature') tells the story using a self-written text to this old, but never performed this way, music by Haydn.
Last night we received the following press release, requesting that it be posted only at 06 o'clock, out of piety to those affected. We are posting this, even though Paradiso is not a member, because of the social importance. follows here is the text of the press release Due to the ongoing corona crisis and the limited opportunities offered by a 1.5-metre society in the coming period...
'The spontaneous breeze should be planned at least 15 minutes in advance. After all, you have to buy tickets for a block of time. When you enter our venue, you immediately see all the security measures we have taken to protect staff and visitors. There are huge screens to separate the flow of visitors. There's a chance you won't get lost in... this time.
Just like in the world outside culture (call it capitalism), in the cultural sector itself you also see a huge payment gap between creators and 'the plush'. Only you can't talk about that taboo without being seen as a traitor.
'Thea, have you heard that new piece yet? It's beautiful!' And there plopped another wetransfer in with a recording by Kate Moore, Pete Harden, Calliope Tsoupaki or any other composer. Frans Curvers was at the front of every (world) premiere. Whether it took place at Paradiso in Amsterdam, De Doelen in Rotterdam, TivoliVredenburg in Utrecht or a backstreet church somewhere....
From Thursday 23 January, the Netherlands Wind Ensemble (NBE) will play 9th Beethoven. The tour will take in venues in Amsterdam, Enschede, Tilburg, Wageningen, Drachten, Oss, Utrecht, Heerlen, Haarlem and Arnhem. In this great Beethoven year, the NBE chooses one of his most iconic works: the ninth symphony, with its famous ode Ode to Joy, on lyrics by Friedrich Schiller. In the political turmoil of around 1800, it was clear where Beethoven's sympathies lay: he was...
Art at a music festival often degenerates into decoration, but that certainly does not apply to Groningen's CLASH. 'We don't want art to be left out of the programming, but rather to be given full attention. We think it deserves that,' says organiser Milou de Boer. Fifty per cent of CLASH's programming budget goes to the arts, and that was too...
On Wednesday 16 January, Reinbert de Leeuw will present his cycle Im wunderschönen Monat Mai at Paradiso. A unique opportunity to see him at work once more in his globally believed masterpiece. In 2003, he surprised friend and foe alike with this composition inspired by songs by Schumann and Schubert. Was that not swearing in church? Arnold Schoenberg had the Romanticism...
Eight cultural institutions started the first Zero Waste Expedition Culture this year. During this expedition, the first steps were taken in terms of waste separation and waste prevention. The Maaspoort in Venlo, Kunstlinie Almere Flevoland, Luxor Theatre Rotterdam, Museon, Paradiso, Tivoli/Vredenburg, the Zuiderzeemuseum and the Van Abbemuseum are the frontrunners in the expedition, setting an example for their...
Less supply of subsidised art is good for the country. Antoinette Laan, culture spokeswoman for the governing VVD party, has thought so for at least eight years. Back in 2011, then still as alderman in Rotterdam, she stated that she did not understand why art institutions were open on weekdays. After all: everyone was at work then and so couldn't come and have a look anyway. Listen here...
In the documentary 'It is seen', they read and discuss Gerard Reve's defence against the charge of 'narrow blasphemy' 50 years ago. On the basis of their own experiences, they examine the state of freedom of art today. In anticipation of the later broadcast, film theatres will organise screenings followed by discussions.
On Tuesday 13 March, the Opera Forward Festival opens with Hans Werner Henze's Das Floss der Medusa. This 1968 oratorio fits seamlessly with the third edition's theme of Fate and Conscience. It was inspired by a true story from 1816, when the French frigate Méduse ran aground on the African coast. Those on board were left to their fate;...
Joel Fried, artistic director of the Royal Concertgebouw Orchestra visibly startled for a moment. I asked him if there is really only one female composer scheduled in the 2018-19 season. Indeed, during the presentation on Monday 26 February at the Concertgebouw, I only heard the name of Lotta Wennäkoski. Indeed the Finn appears to be the only one to defend the honour of composing women....
Well, we're not big on hypes and traditions here, but still. The dark days around Christmas are very dark this year, so why not something with lists. This year, no list of toppers from the editors, but random entries from random readers, in random, if slightly alphabetical order. Motto of the readers' question was: which things...
Hey H., Tonight I went with J.P. to see Peter Perrett & Band at Paradiso, Small Hall. Sold out! I've told you about J. before, he was the deejay who gave me a 'crash course' in sincere music at the Eindhoven Bakery when I was 15 (1988). Before I tell you about Peter Perrett and why his music is worth...
On the fringes of Amsterdam Dance Event, I saw two music documentaries that expose why this genre is often problematic for the cinephile. Both films have their fine moments, but ultimately fall short for those who desire more than mere information transfer in television format. A sympathetic Goth Are 'friends' electric? is title and big hit (1979) by British synth-pop pioneer Gary Numan,...
High up in a posh flat, Lavalu (stage name of Marielle Woltring, Cleveland, Ohio, 1979) recently gave a try-out of her new programme at Eindhoven's FlatFest festival. For the first time now, she will tour without a band, solo with piano, in small venues where there is a good grand piano. On that Sunday afternoon in Brabant, it soon became clear that somewhere, something was...
Opening speeches. Every festival has one. Or two. You have to go through them. As a guest, but also as a host. Something should be found on it. Of course a point has to be made, a flag raised, a champagne bottle bang introduced. And also the sponsors should be thanked. In these times of a retreating government, there are more of them every year. And.
Last summer, French-Colombian collective Pixvae was the sensation of the Haarlemmer Houtfestival. Their debut was recently released through the prestigious French label Buda Musique. This week there are two Dutch shows. You can't start a day better than with Pixvae's first CD. Eight pieces only, but the energy that oozes from it is irresistible. The music of...
Ruth Mackenzie has achieved an enormous amount in the short time she has been boss of Holland Festival. I've experienced the festival now since the late 1990s and watched it evolve from something very personal and sometimes obscure (under Ivo van Hove), to an ethereal feast of sizzling aesthetics (with Pierre Audi), to what it...
'Many people find contemporary dance difficult. Especially performances by young makers who experiment and seek new ways. At the Moving Futures festival, everyone can discover how dance can touch you. We do this not only by showing good performances by young makers. We also offer activities around it, context programmes. By doing so, we give the audience tools to make a connection with...
From 19 to 23 October, more than two thousand music professionals gathered in Santiago de Compostella for the 22nd World Music Expo (WOMEX). I was there and came back with mixed feelings. My first music fair experience was the WOMEX in Rotterdam. In 2001, the Maas city was the cultural capital of Europe and thus had extra resources at its disposal. The Berlin organiser of...
'At the time, under the influence of the populists, we perhaps went too far in our attack on art subsidies.' So declared Jeroen Hatenboer, VVD member and culture alderman of the municipality of Enschede, during the annual Paradiso debate at the end of the Uitmarkt 2016. In the context of the current cabinet's sorry campaign, quite an interesting footnote, and entirely appropriate in the upcoming...
Diversity in the Amsterdam art world is not yet flourishing. The Amsterdam Fund for the Arts, which announced its grant awards today, is getting a bit tired of it: "Across most disciplines, committees note that cultural diversity of audiences, staff and governance is disappointing, as are efforts to change this. Outside specialised organisations for which cultural diversity is a core business, ambitions are still not high, despite two decades of cultural policy in this area. If the ambitions are there, organisations do not always manage to give them hands and feet. There often seems to be a certain discomfort or 'not knowing how'."
So to start with the good news: Marmoucha grows 398 per cent compared to the previous grant round. The capital's producer and promoter of performing arts in the field of North African and Middle Eastern arts and culture in the Netherlands was severely cut back in 2013, but the Amsterdam Fund for the Arts found its work over the past four years to be so good that the grant has been more than deserved. In the new round of awards which became known on 1 August they rise from 25,070 euros to a tonne, adding that perhaps they should not be so ambitious.
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