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'Look, there's someone letting his pineapple out!' How journalist Lex Boon fell in love with the queen among fruits

Everyone has seen them before, those pineapple plants from Ikea. Many people keep them in the room for a while, until they die and end up in the dustbin. But for journalist Lex Boon (35), the moment he received such a plant as a gift from his (ex-)girlfriend was a turning point in his life. He became hooked on the crowned fruit and flew... 

Three CDs you wouldn't have wanted to miss in 2018

The end of the year is approaching. So the lists fly around our ears again with 'most beautiful', 'best', 'most unforgettable', 'most moving'... fill in the blanks. I think compiling top-soaps is actually a typically male thing, but I'm not that bad. Here are three CDs you wouldn't have wanted to miss this year - in no particular order. Louise Farrenc: Variations for Piano Biliana Tzinlikova,... 

How do you film a hero? A quest in 3 parts.

How do you make a beautiful and personal documentary about a hero? And what if your hero is a filmmaker and has already made beautiful footage himself? How free can you be with your subject matter? For a long time, my problem with IDFA has been that the documentaries are so well behaved, so focused on the subject and not on the medium itself. In... 

PODCAST! We, Man. Frank Westerman's fascinating latest book uncovers our own unexpected history

Once upon a time, someone was the first. The first to walk upright, to use his front legs for something other than walking. But who was that, and what did the first human focus on? Frank Westerman takes on that question in his latest book. In a fascinating journey that starts in Leiden, and ends in Flores, or maybe actually in the Mediterranean.... 

Planet Tim Burton lands in Flanders: 'A pressure cooker full of bizarre and disruptive ideas'

The Flemish waffle baker at the Willy Wonka Wafl Factory in the Burton Cafe has seen all the Tim Burton films, he says from between a sleek hipster beard. 'Especially since you had to prepare the menu,' I say. The menu at the - temporary - Burton Cafe in exhibition space C-min includes: Charlie Chocolate Wafl, Scissorhands Wafl, Oompa Loopa Wafl, Beetlejuice... 

Dancer disappears into black hole with 'From Molenbeek with Love'

You'd better live in Molenbeek. For years, tensions have reigned in this Brussels neighbourhood. The no-go area is even directly linked to the Paris and Brussels attacks. Relations among themselves will not be gentle there either. Dancer/choreographer Yassin Mrabtifi is from there. He must be a dented personality. When I read the cheerful title of his... 

How drinking beer and Haute Couture go together just fine at the Fashion + Design Festival Arnhem

When I thought of fashion, I pictured an elite group at the catwalk: catty models and hostile designers. After my visit to the Fashion + Design Festival Arnhem, all those images have been completely adjusted. In the month of June, everyone in fashionable Arnhem seems to be working together. Fashion designers walk fraternally with each other in a fashion parade, sharing studios, catwalks and celebrating... 

Gisèle Vienne performs at @hollandfestival on rave culture: 'Violence and aggression are not necessarily negative.'

French-Austrian theatre maker Gisèle Vienne is showing her latest work Crowd at the Holland Festival. Vienne takes the rave party as a starting point for subtle observations on what moves people during a night out. Besides the ecstatic pleasure of dance and trance, the performance also stages all kinds of nocturnal self-loss, awkwardness, loneliness and aggression. Acid The wonderful mix of acid, trance and... 

Swinging parachutes and twitching muscles at Playful Arts Festival: 'If the visitor does nothing, the work does not exist'

Occasionally it chafes at Playful Arts, an intimate festival that brings play and art together. It's all about interaction, doing it yourself, experiencing it. Some visitors have to cross a threshold. But then something does happen. Those dancers must be in really good shape," I hear someone behind me mutter reverently. On the other side of the street, a man points to... 

Ruth Mackenzie's latest Holland Festival promises to be just one of the most exciting

Here it is. The one and only interactive Culture Press Holland Festival Special. A special that has already been deployed over the past few months, and will be added to in the coming month. During the festival, we have regular reviews and reports, and podcasts. A new edition of this Special will appear every week. On Mondays. And then you can also subscribe via... 

Touching each other is taboo. Anne Nguyen brings breakdance and capoeira, vulnerable men and video games in Kata @hollandfestival

In Kata, the latest work by French breaker and choreographer Anne Nguyen, hip-hop men transcend the clichés of hip-hop. Toughness, untouchability and the usual frontal relationship with the audience are exchanged for indirect gestures, delayed effects, diagonals and laterals, double entendres and irony. Nguyen, herself an adept practitioner of capoeira, ming chun and breakdance, challenges her dancers to show their... 

'Saigon' director (@hollandfestival) seeks extreme emotions: 'I don't want any more distance between the story and the audience.'

'Never, never would I make a performance about my mother, or about myself. Jamais.' Caroline Guiela Nguyen, child of 'a marriage between a Vietnamese mother and a 'pied-noir' (Algerian colonial) is not into personal stories. The theatre-maker captured audiences' hearts at last year's Avignon Festival with the play Saigon. This moving, deeply human play... 

Sedje Hémon conjured music from paintings

The name of Sedje Hémon (1923-2011) will not immediately ring a bell with everyone. She was one of the first artists to work in a multidisciplinary way, basing compositions on her own paintings. Her painting scores were recently shown at Documenta 14 in Kassel and Athens, but her music has not been performed for almost four decades. The Hague-based ensemble Modelo62 puts Hémon... 

Peter Brook: everything in the universe can be extraordinary.

In the early 1990s, I am sitting in a small auditorium at The National Theatre in London. Before the performance starts, someone on stage asks if you want to greet the visitors next to you. This immediately creates a different, more intimate dynamic in the auditorium. On a tight stage with only a few props are four actors and an Arab musician. Yoshi Oida... 

Fanny Mendelssohn: in the shadow of Felix

Fanny Mendelssohn (1805-1847) was the four-year older sister of Felix Mendelssohn. They both received a solid musical education, with her surpassing him in virtuosity at the piano. Her relationship with Felix was intense, but also suffocating. At his hands, Fanny Mendelssohn failed to build an independent career as a composer. To this day 

Why it's good that the Holland Festival is putting the focus on Africa, rather than opting for a single artistic director.

William Kentridge and Faustin Linyekula. Remember those names, if you didn't already know them, because they are going to help shape the face of Holland in the coming year. They have been appointed by the Holland Festival as 'associate artist'. In doing so, the festival puts the phenomenon of 'artistic director' out of business. A necessary choice at a time when the price for that kind of figure is faster... 

Jens van Daele: 'The power of women is greater than that of men'

'I admire the strength of women. I experience it as greater than that of men. Women's strength lies in the dedication with which they can deal with things. The courage to push boundaries.' Jens van Daele, in his latest theatre show 'Nighthexen 1: Jeanne', pays tribute to the strength of women and highlights their heroism from... 

Is Emmanuel Macron's long arm sowing discord at a Hague Literature Festival? Just barely. (But should we all speak French again someday?) #wu18

Leïla Slimani, the Moroccan-French author whose novel A Soft Hand won the prestigious Prix Goncourt, has cancelled at the eleventh hour for Winternachten. The reason was not Thursday's storm. THE reason was personal. But could also be due to something else. The chief guest of the International Literary Festival in The Hague, Alain Mabanckou,... 

José Maria Sánchez-Verdú composes musical Hell's Gate for choir and string quartet

The string quartet is considered Joseph Haydn's invention; Goethe considered it the nec plus ultra of instrumental music. 'One hears four intelligent people conversing with each other' said the poet. 'One believes to understand something of their conversation and to know the idiosyncrasies of the instruments.' We get plenty of that opportunity from 27 January to 3 February, during... 

'Get well.' Grief therapist Julia Samuel on 'Grief work'

How should you grieve? Is there any way to grieve, or are you at the mercy of fate? How do you deal with someone in grief? Grief therapist Julia Samuel has been helping people who have lost a loved one for 25 years. By now, she knows how to and, more importantly, how not to. In March this year, a few days before... 

Heart cry of Lili Boulanger echoes through TivoliVredenburg

Although Lili Boulanger (1893-1918) is considered one of the most important French composers of the early 20th century, her music is rarely performed. On Friday 10 November, Du fond de l'abîme will be heard in the AVROTROS Friday Concert. A godsend, because this setting of psalm 130 is of a throat-splitting beauty. Boulanger completed the piece in 1917, a year before her death. American conductor James... 

Goeyvaerts and Ustvolskaya: man and woman with hammer

In February 2017, The Collective combined the radical music of Galina Ustvolskaya with the heavenly chants of Hildegard von Bingen. Less strange than it seems, as both were deeply religious and composed from inner necessity. On Thursday 26 October, Spectra Ensemble places Ustvolskaya alongside Karel Goeyvaerts at Muziekgebouw aan 't IJ. Ustvolskaya is well enough known here in the country by now, but who was... 

Jan Fabre's Exciting Friends vs the Curators (part 2): At breakneck gallop through Ostend

Jan Fabre is a bit like the Jan Cremer of Flanders but younger, five times more talented, multidisciplinary and eight times more social. 'It is quite an honour to succeed Jan Hoet,' says Jan Fabre. Together with art historian Joanna De Vos, he is the curator of HET VLOT. Art is (not) lonely. The exhibition is intended to highlight the Mu.ZEE and Belgian... 

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