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Grand Theatre

Godfried Bomans: respectively loved, vilified, misunderstood and forgotten

Godfried Bomans died half a century ago. Almost immediately afterwards, the Netherlands' best-loved writer sank into oblivion. It is time for a reappraisal of Bomans' literary work and even his political views. I delved into the archives, also looking for the few traces of Bomans in Amersfoort. First some round figures. Seventy years ago, he delivered a lecture... 

Hanna Kulenty composes new piece for Bass Clarinet Festival: 'I'm making a collage of emotions'

Polish-Dutch Hanna Kulenty (Białystok, 1961) writes music that gets under your skin. Whether it is early works like Fourth Circle for violin and piano (1994), the opera Mother of Black-Winged Dreams about multiple personality syndrome (1995), or more recent compositions like the Viola Concerto (2015) and her Flute Concerto No.3 (2018), irrevocably you are taken on an exhilarating journey with a... 

CLASH is an ode to art

Art at a music festival often degenerates into decoration, but that certainly does not apply to Groningen's CLASH. 'We don't want art to be left out of the programming, but rather to be given full attention. We think it deserves that,' says organiser Milou de Boer. Fifty per cent of CLASH's programming budget goes to the arts, and that was too... 

RULE OF THREE van Jan Martens © Phile Deprez

Nominations Swans 2018 known, so who will win?

De Vereniging van Schouwburg- en Concertgebouwdirecties en Festival de Nederlandse Dansdagen maken de jaarlijkse nominaties voor de VSCD-Dansprijzen (de Zwanen) bekend. Genomineerd voor de Zwaan ‘meest indrukwekkende dansproductie’ zijn: Rule of Three, choreografie: Jan Martens, van GRIP The hidden floor, choreografie: Franck Chartier, van Nederlands Dans Theater We Are Nowhere Else But Here, choreografie: Stephen Shropshire, van Stephen Shropshire Foundation,… 

Playwrights and cultural exploration (2) Sophie Kassies: 'A pool of plays that don't find an audience is an erosion of the profession'

The previous cultural exploration among playwrights gives cause for further exploration. From the earlier article, we take away that further privatisation only partially captures public money and objectives. See also from elevation ideals to efficiency thinking. We also take away that a public as all-important leads to one-sided popular culture, entertainment and false competition with the free circuit. It all has very little... 

Also for Supervisory Board: many ancillary positions not necessarily an advantage

The commotion about Beatrix Ruf's ancillary position, or rather just second job, touches on some important core values for the proper functioning of society in general and the cultural sector in particular. Firstly, that cooperation is based on trust. The Supervisory Board was justified in assuming that Ruf would not run a consultancy company alongside her... 

Quirky Veem sets example for dance sector

Het Veem is a small but important theatre and unofficial production house overlooking the Houthavens in Amsterdam. The house has long been home to internationally operating contemporary performing arts. A place where the artist and his or her experimental work are still central. Since Anne Breure became director in 2014, it bears the addition House of Performance. With... 

Code Cultural Governance behoeft onderhoud: Wie bewaakt de toezichthouder?

‘Uiteindelijk komt het natuurlijk op mijn bordje terecht’, verzuchtte Jet Bussemaker, minister van cultuur in kabinet Rutte II, laatst. Ze sprak bij de presentatie van een onderzoeksrapport naar het functioneren van toezichthouders in de cultuursector, eind april in Amstelveen. Want, zo vatte ze het samen: als het toezicht faalt is er niemand anders dan de minister die de schade kan herstellen.

Van Veen (vvd), Pechtold (d66) and Monasch (pvda) during the culture budget debate

We were read in 2015: 300,000 visitors, a total of 10,000 hours of reading time.

Tijd voor ons succeslijstje. In 2015 trokken we 60.000 bezoekers meer dan in 2014. Dat is iets om trots op te zijn. Een website die zich richt op de verhalen die de bestaande media de klein vinden, en dan zulke cijfers. Dat we die 300.000 bezoekers trokken is één, dat ze gemiddeld 2 en een halve minuut per verhaal besteedden,… 

Respect yourself. 5 unique opportunities for art's image.

Het wordt voor ondernemingen en belangenclubs in de cultuur de grote opgave voor 2016: hoe verbeteren we het imago van ‘de sector’? Komend jaar – zo voorspel ik u – zullen kosten noch moeite worden gespaard om de cultuursector een beter imago te geven. Er zal vast ook een onderzoek worden gedaan naar hoe dat imago kan worden verbeterd. Dit… 

Let zzp'ers keep the supervisory boards of cultural companies on their toes!

How next for boards in the cultural sector? Supervisory boards are under considerable pressure following publications about possible failures of supervision at Rotterdam's Wereldmuseum, Grand Theatre in Groningen and recently again from Rotterdam's Het Nieuwe Instituut. Previously, similar reports appeared about De Utrecht Games and the Groninger Museum, among others. In practically all cases, the cases involved a Council... 

Assessment error Performing Arts Fund has major implications for future grant applications

Those who apply for grants but do not receive them must be given insight into the applications of others who have been honoured. That is the most remarkable ruling by the Council of State in the case Holland Opera won against the Performing Arts Fund. Much more important for the company itself, of course: according to our highest court, the Performing Arts Fund decided in 2012 to grant Holland... 

Bussemaker: 'increase' subsidy paid for with artists' pensions

The second chamber was also keen to know what exactly Culture Minister Bussemaker meant by that 'cash shift'. After all, it was that cash shift with which she could festively announce that she would put an extra 18 million into culture, after 2017. In a letter to the chamber, the minister has now shown how creatively she can bookkeep. A few costs... 

Bussemaker's policy sounds good: ministry steals bike, returns bell.

The repair of cultural subsidies by more than 18 million, announced by culture minister Bussemaker on 8 June 2015, mainly concerns a perpetuation of earlier patchwork. That patchwork was necessary in recent years to smooth the crudest consequences of the cuts by her predecessor Halbe Zijlstra. That predecessor is now in the chamber as a coalition partner, to ensure... 

Scene photo Swarte Art Foundation, 'The peach of immortality'

To remember is to descend into the deepest caverns of failure and sorrow

The only one really remembered in Jan Wolkers' novel 'The Peach of Immortality' is former resistance fighter Ben Ruwiel. On 5 May 1980, the entry of the Canadians from 35 years earlier was celebrated in Amsterdam. The crowds, not far from where Ben lives, fill him with disgust. It is unreal. The people, wrapped up by welfare society, have no concept of... 

agenda culture Council for Culture

Culture Council sounds alarm: 29.5 million needed to preserve arts sector

What is already going on on a small scale in Groningen, Enschede, Zaltbommel, Amersfoort, Gorinchem and Vlaardingen, is threatening to happen nationwide as well: cultural institutions falling over while politicians look on helplessly. According to the Council for Culture, the situation is alarming: 'Institutions are draining their own funds, cultural funds are maintaining schemes by drawing on reserves. We therefore make the urgent... 

Groningen vindt ideale troubleshooter voor crisis Grand Theatre

Ze hadden het niet beter kunnen uitkiezen, daar in Groningen. Want wie bel je, als er net een overambitieuze theaterdirecteur de kas van het ooit roemruchte Grand Theatre leeg heeft gebluft, een Raad van Toezicht heeft zitten dutten en er vervolgens 22 mensen ontslagen zijn omdat het geld op is? Dan zoek je iemand die daar ervaring mee heeft. Bij voorkeur… 

Grand Theatre disaster update: Performing Arts Fund saves creators from bankruptcy

The misery in Groningen is a bit bigger than we thought. Meanwhile, the Grand Theatre appears to be at least 250,000 in the red. And counting. Money that the theatre subsidised by the city of Groningen owes mainly to artists. Choreographer Dunja Djocic, for instance, had received €90,000 in subsidies to create performances at the Grand for 2 years. Theatre-maker Andreas Denk had received... 

Disaster at Grand Theatre mainly due to supervision failure

We took another close look at the news surrounding the near bankruptcy of Groningen's illustrious Grand Theatre. Yesterday, it became clear that that theatre is in serious financial trouble. Problems that the municipality does not want to solve simply by an extra injection of thousands of euros. And they are right. After all, the Grand's coffers are as leaky as... 

Grand Theatre Groningen

Grand Theatre 'not too big to fail': bankruptcy looms for Groningen hotspot

The Grand Theatre in Groningen is dying. Yesterday, the city council of the northern university city decided that no more money should be poured into the theatre, which is in acute cash trouble. Bills from suppliers and independent artists have not been paid for several months, and financial reserves are more than depleted. We have received reports from artists... 

Boukje Schweigman's wordless philosophy

Even before she graduated from mime school, Boukje Schweigman swore off language. She worked out a wordless philosophy in her performances. She seeks the mystery of life. However vast and elusive her starting points may be, her performances give the audience the most direct, immediate, skin-tight sensation imaginable in a theatre.

NRC doesn't count right: not 11, but at least 34 groups gone due to cuts

Volgens NRC Handelsblad werden de bezuinigingen op cultuur voor ‘slechts’ 11 theaterinstellingen fataal. Zij gaan hierbij uit van groepen die zichzelf daadwerkelijk opgeheven hebben. In hun overzicht zien zij echter de gezelschappen die zich vrijwillig hebben opgeheven door te fuseren met een ander gezelschap over het hoofd. Daarnaast zijn er een aantal instellingen die zichzelf al voor de nieuwe ronde hebben opgeheven, omdat al duidelijk was dat ze geen geld zouden krijgen. Rekenen we die wel mee, komen we op zeker 34 gezelschappen. Dat is nu al 25% van het aanbod van vóór de bezuinigingen.

Art for all: €3 per person, per month

The discussion was and is endless, but now we have figures. Thanks to the Ministry of Education, Culture and Science's new 'key figures', we now know how much the state (all of us) are spending for the opportunity to experience art: per inhabitant, the state spends 38.90 per year on subsidies for dance, theatre, museums, youth theatre, opera and orchestras. So that's just over 3 euros a month. Indeed something to get into each other's hair about, we think.

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