There is an artist café in Utrecht that few Utrechters know about. And I don't mean Theatercafé De Bastaard, where by now a whole generation of actors, filmmakers and writers come from, but the artists' foyer of TivoliVredenburg. I've eaten and hung out there a few times, as an embedded reporter of De Nacht van de Poëzie, when it's very late into...
'I work five nights a week and so I have to find out specifically when I can go to a concert. Sometimes I take time off for it. And then they do say, "hey, are you going to a concert again already?", and I say, "of course I'm going to a concert again". But I don't think it's extreme either.' Petra Gerritsen is process expert
'When I look in the auditorium at a classical concert now, I do think: it's full now, but in 20 years eighty per cent will be dead. So the bottom has to be fed, and TivoliVredenburg does that well. They do it, for example, with Out of the Blue, which is a programme where you get great food and by a special host
Peter Vossen says he experiences a live concert twice a week on average. Not just in TivoliVredenburg, although he visited there almost 40 times last year. 'I also see a lot of free concerts on the streets and in cafés, of course.' Jazz is his great love, but he also attends soul, funk, Latin or pop concerts. Regularly, he can be found
The female composer, she continues to stir minds. My article following Mathilde Wantenaar's world premiere of Damocles unleashed a fierce discussion on Facebook. 'Why should women be given preferential treatment?" an angry man asked. 'All that matters to me is quality, not whether a piece of music was written by a man or a woman.' He got icky about the m/f discussion, which...
Nothing defines us like our taste. And especially taste in music. We find that music taste defines exactly who we are and can easily distinguish us from people who have distinctly different, and therefore lesser, tastes. Pinkpop, a pop festival with several world-famous headliners, experienced this. Each world star plays to their own audience, which schi...
Wiek Hijmans (b. 1967) tirelessly devotes himself to the use of the electric guitar in contemporary composed music. He also likes to be influenced by jazz and rock in his own pieces. On Electric Language, his latest CD, he presents music by eight composers alongside his own Victus. Six pieces were composed especially for him. The disc appeared on the label...
Russian-Dutch Maya Fridman (Moscow, 1989) plays classical and contemporary music as well as rock, jazz, folk and flamenco. Communication with the audience is now her main aim. So why limit yourself to a particular style or genre? The Cello Biennale website rightly describes her as a 'musical jack-of-all-trades'. She scored highly in 2016 at this...
In 1968, paving stones flew through the air in Paris. EYE Film Museum is packing big with the celebration of the 50th anniversary of that revolutionary year that unnerved and inspired filmmakers worldwide. But hadn't that wave of innovation started much earlier?
The City of Birmingham Symphony Orchestra is coming to our country. On Monday 9 April, they will give a concert in TivoliVredenburg Utrecht under their young chief conductor Mirga Gražinytė-Tyla. They will play music by Wagner, Debussy and Beethoven, a fairly standard programme at first sight. But fortunately, Lithuanian Gražinytė-Tyla brings a piece by her compatriot Raminta Šerkšnytė. Who wrote Fires...
Beethoven and Bach brought the true music. Karl-Heinz Stockhausen the future. The rest, from Beatles to hoempa, was 'jazz', commercially capitalist and therefore pernicious. Very briefly, this is what we should know Theodor Adorno from. Paul R. Kooij now plays this art-philosophical sharper in a performance by Mirjam Koen. Just when the division based partly on Adorno's thinking between...
Musicians are no longer allowed to perform for a pittance. At least, not if the club they work for, or in which they perform, receives a subsidy. In a sector opinion released today, the Culture Council argues that the structural underpayment of workers in the creative sector is no longer sustainable. 'If that means fewer programmes can be made (or that there...
High up in a posh flat, Lavalu (stage name of Marielle Woltring, Cleveland, Ohio, 1979) recently gave a try-out of her new programme at Eindhoven's FlatFest festival. For the first time now, she will tour without a band, solo with piano, in small venues where there is a good grand piano. On that Sunday afternoon in Brabant, it soon became clear that somewhere, something was...
Florian Boesch is at the front of the stage, around him are his bandmates. On big screen behind the band, a chair slowly melts away. Boesch has hands casually in his pockets. With a smile, the violinist initiates a horlepie-like tune. Wie leiblich und frölich, Zu schweben, zu singen, Von glänzender Höhe, Zur Erde zu blicken! By the clutches...
Some 25 years ago, 10 musicians got together in Innervillgraten. A hamlet in East Tyrol, to play funeral marches. A band formed: Franui. By making quirky arrangements of music such as by Schubert and Mahler, Franui gained international success. At the 2017 Holland Festival, they will perform a programme of music about life and impermanence. In collaboration with baritone Florian...
Each month, in the (Un)heard series, I present extraordinary sounds that do not go unnoticed and unsung. In this episode: Plan Kruutntoone, Horse Lords, Luc Ferrari, Anemone Tube, Jaap Vink and Kraftwerk in 3D. Plan Kruutntoone - What Do the Hands (LP on esc.rec.) "woke up again. xenakis is nothing like it. shoving myself and stuff in search of safety. how...
Laatst ging deze einzelgänger mee met een groepsevenement hier in Den Haag. Voor het eerst. Met bussen vol buurtbewoners richting het Gemeentemuseum. Benieuwd met welke buren ik kunst zou gaan zien, weer ervaren hoe een museum na sluitingstijd voelt en een workshop of lezing volgen. Ter inspiratie. Dat is gelukt. Ervaren Wat ontzettend leuk om buren in het museum tegen te…
Wondrous story: Utrecht had a famous jazz club between 1957 and 1967. It was founded - including egg cartons on the vault - by jazz-loving teenagers. Not only the fine fleur of Dutch jazz performed there, but also many an international big name. As part of Utrecht's Cultural Sundays, last Sunday (23 April), a wharf cellar on the...
Arnold Schoenberg (1874-1951) is often accused of driving audiences out of the hall with his drive for innovation. After all, his twelve-tone system swept away the foundations of tonality, which had offered listeners a safe haven for centuries. Deprived of its foothold, it would have turned its back on contemporary music forever. Nonsense, because not only did Schoenberg write fantastic works, but also...
Displaced paintings by Armando. Artists fleeing the city. A tinpot that brought financial disaster and summer festivals that attract tens of thousands of visitors every year. And you thought Amersfoort was boring? A footnote along the A1 motorway? Forget it. Let me tell you about this city struggling with its cultural identity. A story in eighteen impressions. Guilty landscape In his youth...
It is not easy to visit an opera presented as a stunning piece of contemporary social criticism without fear. Especially when it evokes such totally different reactions. Some call The New Prince 'an opera on the vein of our own time' (Mischa Spel, NRC), while others give it 'a fat fail' (Erik Voermans, Het Parool). Another needs more...
'Many opera productions still assume a nineteenth-century vision of the world,' says German composer Moritz Eggert (1965) in the podcast below. 'But art must be relevant to our own times; the answers of then are not the answers of now. Our current problems are largely rooted in our colonial past, in our exploitation of other countries ...
'Thanks to a radio presenter, my grandfather found an entrance to classical music. With my new piece, I am in turn paving a path to him.' On Thursday 30 March, Elements by Brechtje (1993) will have its world premiere in the fifth episode of An Evening of Today at the Muziekgebouw aan 't IJ. In this series by the Nieuw Ensemble, conservatory students are given ample opportunity....
There is sound; a notion of impotence; a programme without a head or tail; there is power, chatter, compassion; there is nothing but also a vista, blurred image full of action and opposition. Moreover, the language seems a bit overwrought here and there. Of course, incoherent babble can be cosy, or moving. Under circumstances, meaningfulness may be possible, but it will not...
Maybe God is dead, but His church is alive. At least in Denmark. This has to do with what you might call the Danish paradox of faith: a highly secularised society with a Lutheran Folkekirke (=Volkskerk) supported by a large majority of the population [hints]The American sociologist Phil Zuckerman has commented on this aspect of Denmark (and also a little...
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