Bart Rutten becomes the new artistic director of Utrecht's Centraal Museum Bart Who? Bart quite an important figure. Bart Rutten was the man behind some great blockbusters at Amsterdam's Stedelijk Museum. That he is going to Utrecht after Malevich and Matisse says a lot about the good work of his predecessor Edwin Jacobs. It says even more...
His two internationally successful novels Oorlog en terpentijn (War and turpentine) and De bekeerlinge (The convert) take Stefan Hertmans around the world. But the social side of life it clashes with his desire for solitude. Six life questions to Flemish author Stefan Hertmans. 'When I am alone, I find myself.' 1. What is your recurring dream? 'For fifty years, I have had to...
It's quite unfortunate. Ruth Mackenzie is moving into even higher realms. She has made the past two editions of the Holland Festival considerably more refreshed and modern, and so it stands out. Paris beckons. Ruth Mackenzie has been nominated by Anne Hidalgo, mayor of Paris, as Directrice Artistique (artistic director) of Théâtre du Châtelet, effective 2019. This means Ruth Mackenzie will direct the festival's...
Jean-Michel Jarre was visiting the Netherlands. At the Heineken Music Hall, old and new fans could enjoy his hypnotic work. I went there to listen, but of course also to watch. Forty years ago, Jean-Michel Jarre, pioneer in synthesiser music, released Oxygène. Anno 2016, we are 12 million copies sold. On that huge scale, the Frenchman produces...
Unlike older colleagues, Bruno Mantovani (Châtillon, 1974) did not suffer from the modernist umbrella shadow that Pierre Boulez long cast over French musical life. He writes lyrical melodies as much as dissonant tone clusters and jazzy chords spiced with a pinch of microtonality. That he was appointed director of the Paris Conservatoire in 2010 illustrates how strong the musical climate...
Zvizdal, the documentary theatre portrait of Pétro and Nadia filmed by Berlin between 2011 and 2016, is not only in Paris, Ghent and Athens. This moving story can also be seen in the Netherlands until 11 November 2016. Near the place where an atomic experiment failed in 1986, Berlin and Zvizdal tell a moving story about an old peasant couple. They remained as...
Back to the 11th century His previous novel Oorlog en terpentijn (War and turpentine) brought Belgian writer Stefan Hertmans world success. The book became a bestseller and was showered with praise and awards. It gave Hertmans a whole new readership. His new novel De bekeerlinge was therefore eagerly awaited. Hertmans came up with the subject for his new novel...
Her book The Sexual Life of Catherine M. took the world by surprise and made her world-famous overnight. Since then, Catherine Millet has been one of France's most widely read writers. In her most recent novel A Dream Life, she returns to her childhood in Bois-Colombes. A Quattro Mani went with her to the seeds of her authorship. Back to...
Recently, Lidy Blijdorp (* 1986) took over the cello of well-known cellist Anner Bijlsma (* 1934). It was his wish for the instrument to be played by her from now on. Via the Netherlands Music Instruments Fund (NMF), the instrument came to her. The maker of this cello is not known. However, it is certain that it originated from...
Retrospectively, I proclaim last Monday night, 15/8, as the opening of my cultural season. Viavia I ended up, in fine company, at the Crazy Goat. A music cafe that might as well have been in New York, Paris or Berlin. This is in The Hague: an ini-mini stage in a building where the money is not spent on chipped-up old school benches,...
I experienced by far one of the most impressive theatre experiences of my life on Friday 5 August 2016. I was a guest at 'Zvizdal - Chernobyl so far, so close' by the Flemish company Berlin, in co-production with Het Zuidelijk Toneel. I saw this 'documentary installation' in an empty factory hall in Den Bosch, where the work is a beautiful resting point in...
Abbas Kiarostami (1940-2016) put Iranian cinema on the map with deeply lived humanism in a minimalist form.
A major retrospective of the work of Fernando Botero (1932) is on show at the Kunsthal in Rotterdam, entitled Botero: Celebrate Life! The rush of opening such an exhibition takes energy out of him, but strangely enough painting never exhausts him, he says in his studio in Monaco. 'I have never experienced anything more fulfilling than painting or sculpting. Painting takes you out of everyday reality. You forget your body - even your existence. It's intense, but while painting I don't feel any fatigue, even after working for seven or eight hours. Whereas at a cocktail party I'm exhausted after only half an hour.'
The Netherlands is commemorating the MH17 disaster this month. Two years on, the question of guilt is still not unequivocally answered. The protagonist of Pieter Waterdrinker's novel Poubelle has less trouble with that: who holds himself mostly responsible. A conversation with correspondent novelist Waterdrinker: on modern European history, the Russian mentality, Great Literature and the shit of contemporary Europe.
Swiss playwright Milo Rau created a theatrical trilogy about the demise of the European ideal. The second part The Dark Ages is now at the Holland Festival. Rau combined his actors' painful, personal life stories with themes from the works of Chekhov, Shakespeare and the Greek tragedies. With a Freudian sauce: 'Countless people who are The Dark Ages have seen ask me: 'Milo, is something wrong with your father?'
Over four hours long Ça ira (1) Fin de Louis, a performance by French director Joël Pommerat, to be seen this weekend at the Holland Festival. He reconstructed events in France between 1789 and 1794, better known as The French Revolution. What begins as a sometimes hard-to-follow, animated history lesson culminates in an impressive 'whodunnit', balancing between re-enactment and live television.
Anyone who can remember the fall of the wall has grown up with the threat of nuclear attack. And with that comes the idiotic government advice to get under the table in case of a nuclear explosion, preferably with a colander on your head. And to keep plenty of canned food and water on hand.
On Saturday 4 June 2016, I attended the royal opening of the Holland Festival and was able to attend no review write about, because I was sitting in the front row of the Amsterdam Stadsschouwburg. As the stage was elevated, I was looking against a black wall, above which only the front actors were visible. The back and lower half of the stage were completely eluding me.
Me wrote that on, and the Holland Festival generously offered me the opportunity to go and see the performance again, from a better seat. At the same time, the organisers told me that the first three rows of the Stadsschouwburg would be compensated at this performance. So I went to Amsterdam one more time, on Monday 6 June.
Before the performance, while not eating a blackened hamburger in theatre restaurant Stanislavski, I heard from the neat people at the little table next to me that the front seats were offered at a sharply reduced rate, and that people like them who had already bought tickets had the choice of thus getting a partial refund or going on the waiting list for a seat with better sightlines. Whether they eventually managed to get one of the spots with better visibility, I don't know. The performance
The show Sketches/Notebook (2013), which has its Dutch premiere at the Holland Festival on 6 June, is virtuosic, radical and extremely gentle. Choreographer Meg Stuart loves small scale, even when she occupies the biggest stages with partners like the Volksbühne (Berlin), Théâtre de la Ville (Paris) or the Münchner Kammerspiele. Details win out over big lines and often play a leading role in pieces that scrutinise human behaviour incredulously.
Sketches/Notebook stands out
One of the special performances at this year's Holland Festival is 'Ça Ira (1): Fin de Louis' by French company Compagnie Louis Brouillard. I visited the performance earlier in Luxembourg and spoke to the director and writer of this over four-hour marathon about the French Revolution. It seems quite something: 40 actors on stage...
This is a review of a performance that is already over, and which, moreover, I participated in myself. That's not allowed at all. But it's also a story about refugees in Europe, a theatre floating above the clouds, a church made of marzipan, tunnels in Palestine and 49 draws. So I do it anyway.
Last weekend, during the Kunstenfestivaldesarts, a miracle happened at the Royal Flemish Theatre in Brussels. Scenographer Jozef Wouters and his crew had settled in the old hall with its domed roof. Completely renovated ten years ago, 'de Bol' is now an old-fashioned frame theatre equipped with the latest theatre technology. Including those 49 draws, and that was what it was all about.
On a pull,
'She is the embodiment of the incredible lightness of existence, agile, alert and precise on the beat.' So says one critic about Korean-American conductor Han-Na Chang (Suwon, 1982), who led just about every major orchestra after her debut in 2007. In 2014, she scored highly at the renowned BBC Proms with her fresh interpretation of the Fifth Symphony....
Throughout the year, the public broadcaster spends a lot of time on sports. For World Cup, Tour or Games, cultural broadcasts are cancelled for weeks without pardon. If you can't beat them, join them, Paul Witteman must have thought, or perhaps the viewing figures were disappointing, because on 1 May he devoted an entire Podium Witteman broadcast to cycling. Don't. The reason for the cycling special is...
"This was actually a mixtape," says Yassine Boussaid, Saturday 9 April 2016 after his concert, "as my cousin used to give me, for the long way back from Morocco to Amsterdam. Yassine is the business leader of the Amsterdam Andalusian Orchestra (AAO). Together with artistic director Mohamed Chairi and director-writer Mohamed Aadroun, he puts together concerts at breakneck speed....
In his recent collection Achter het verdwijnpunt, death plays an important role. Poet Frans Budé lost no fewer than four poet friends in a short time and honoured them in verse. The 70-year-old poet himself still writes as avidly as in his younger years: in addition to an occasional collection on the Maas, to be published in May, he wrote poems for the upcoming exhibition...
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