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youth theatre

Moniek Merkx bids farewell to Maas Theatre & Dance: 'I would grant it to any creator to have this audience in front of you once.'

Moniek Merkx will step down as director of Maas Theatre&Dans on 3 February this year. She co-founded this Rotterdam company in 2013, which makes theatre for people from small to large. A forced merger with two other youth theatre houses from the Maas city developed under her leadership into one of the most successful and interesting theatre groups in our country. In our podcast, I talk to her for an hour about how that came to be.

With local rooting of subsidised art, you take the wind out of populism's sails

In recent days, tentative proposals for a new system to fund the arts in the Netherlands have appeared in various places. Tricky pieces, and so far not attesting to very much incisiveness. In Het Parool, a number of prominent figures, including Tinkebel and advertising man Kessels, think that we should think less in pigeonholes, and that, besides quality, we should also... 

Read More "With local rooting of subsidised art, you take the wind out of populism's sails

No audience cap in theatres; playing to wider audiences possible again

From 1 July, more people will again be able to attend performances and cultural festivals. In theatres, cinemas and concert halls, a maximum of 30 people will no longer apply. From then on, the space will be leading instead of the number of visitors. However, basic rules such as 1.5 metres must be observed. In addition, a health check takes place beforehand, advance booking is necessary and... 

Read More "No audience cap in theatres; playing to wider audiences possible again

'At many theatres, you don't have to arrive if you don't bring your own audience.'

I spoke to Peter Pluymaekers, artistic director of Theatre Group Zep, about what it is like to make theatre for vmbo students. The occasion was the not-so-jubilant performance of Cleopatra. Listen to the podcast on anchor: 'I'm always a bit reluctant to do Shakespeare. I find him difficult, and young people often find him corny. I felt the same about the... 

Read More "'At many theatres, you don't have to arrive if you don't bring your own audience.'

New parents are born every year! (Why theatre programmers need to take much more risk)

With red cheeks, I hang up the phone a little bewildered. Just now I had a telephone appointment that took a completely different turn. I had a brief conversation with a theatre programmer who is still unknown to me. She unfortunately told me not to programme anything with our impresario, because there was really no need for artistic performances in her city. This lady stated that her... 

Read More "New parents are born every year! (Why theatre programmers need to take much more risk)

'Art tax cuts and a cultural fund will be created as an incentive for homeowners to invest in works of art.' (How we think the throne speech should have read)

Members of the States General, This year about 72 years ago we had the first Holland Festival. After years of enslavement and tyranny, hope for a better future literally came from above, in the form of Maria Callas. Eyewitnesses who saw the lights in the Stadsschouwburg turn red that day would never forget that image. 72 years later, it seems... 

Read More "'Art tax cuts and a cultural fund will be created as an incentive for homeowners to invest in works of art.' (How we think the throne speech should have read)

Five quarters of an adolescent brain. Jetse Batelaan makes growing pains hilariously palpable at Theatre Festival Boulevard.

When you make theatre for children and young people, you tell stories to children and young people from your adult existence as an adult. You can do that. You can get funding for that. Artemis, previously named the second-best theatre company in the Netherlands here, is such a company. But, because this youth theatre company is led by Jetse Batelaan, Artemis likes to do things differently. Stronger... 

Read More "Five quarters of an adolescent brain. Jetse Batelaan makes growing pains hilariously palpable at Theatre Festival Boulevard.

Why youth is the future and fake art does not lead to real art at Theatre Festival Boulevard.

Bossche Theatre Artemis is, after International Theatre Amsterdam, the best theatre company in the Netherlands. The company owes this to an illustrious past (Pauline Mol!!) and to Jetse Batelaan. This director recently received the prestigious Silver Lion at the Venice Biennale for his disruptive oeuvre. This consists largely of performances in which children take power, without... 

Read More "Why youth is the future and fake art does not lead to real art at Theatre Festival Boulevard.

Shout out! The big fill-in for the new arts plan.

The Council for Culture has just proposed the new Basic Infrastructure (BIS), and it has become a very big, in traditional terms 'prosperous', baby. Since the Council is not allowed to name names, and can only list functions, we have already made a fill-in list here, in which we list (very briefly, because little time and not knowing about everything) which existing cultural... 

Read More "Shout out! The big fill-in for the new arts plan.

What is it with the dance sector in Amsterdam? Once again, a dance production house is being deprived of subsidies.

Is production house Dansmakers Amsterdam losing its housing? Together with other institutions in the dance sector, it has made every effort to align and further develop the whole spectrum of dance facilities in Amsterdam. In 2018, for example, the joint plan Danswerf was developed and submitted as an application for a two-year development grant to the Amsterdam Fund for the Arts (AFK)... 

Read More "What is it with the dance sector in Amsterdam? Once again, a dance production house is being deprived of subsidies.

The Culture Index goes regional. Cherry-picking season has begun

It took about a day for the PVV Enschede branch to discover the message. Quite fast for a club that is usually not very interested in art. Anyway, this one detail at the presentation of the regional culture index was of course grist to the mill of the far-right local party: Region Enschede has the biggest mismatch between amount of subsidy and... 

Read More "The Culture Index goes regional. Cherry-picking season has begun

Two more than deserved awards for 'the Netherlands' only truly innovative theatre'

Would it happen after all? Would Liesbeth Coltof's dream really come true? For 36 years, she made theatre in which the age of the audience played no role. On Saturday 6 October, she received the Oeuvre Prize from the Association of Theatre Directors (VSCD) from the hands of Hedy d'Ancona. In doing so, she surpassed Ivo van Hove. The internationally breakthrough leader of the... 

Read More "Two more than deserved awards for 'the Netherlands' only truly innovative theatre'

Why a code is not going to change anything about unfair practices in the arts

Dutch youth theatre has been awarded the Prize of the Dutch Critics this year. Quite rightly so. That youth theatre of ours is of superior quality, diverse, dares to tell stories and look outside its own navel. It is more than a pity that, as an adult without a child, you don't come into contact with that theatre so often. Many an adult would fervently... 

Read More "Why a code is not going to change anything about unfair practices in the arts

A plea for watching and guessing @tfboulevard

This edition, Theatre Festival Boulevard invited the audience to reflect on the two sides of identity: its immutability but especially its malleability. All this under the heading what you see is what you guess. If there is a performance to which this applies, it has to be Goat Song. A fascinating fifty-minute wordless performance by... 

Read More "A plea for watching and guessing @tfboulevard

'Crusade' by Artemis is top theatre that will make any layman a fan.

Jetse Batelaan has spent pretty much this entire century making the most extraordinary theatre in the world. At least, of my world. Often with very few words, always with a great sense of bare aesthetics and usually sympathetic with a weird twist halfway through. His latest masterpiece is an adaptation of Thea Beckman's Crusade in Jeans. Though we need at least three quarters of... 

Read More "'Crusade' by Artemis is top theatre that will make any layman a fan.

Ten days of theatre with bollocks in Kikker Kiest (At once up to date)

'When Paul moves his little finger something happens. They have a scene where Jochem draws a picture of Paul. Paul is posing naked. And that lasts. That takes a long time. You and I, as amateurs, would fill that with all sorts of poses and movements, but Paul doesn't do anything. You think. And all sorts of things happen. HIj is doing something, then, but.... 

Read More "Ten days of theatre with bollocks in Kikker Kiest (At once up to date)

Seven shows you wish you had seen in 2016 (but don't give up hope)

In The Hague, they think it's a waste of money. Let them. Here are seven performances that were more than worth 'that sin'. Mona, Ariadne, Mariken, but also breathtaking circus theatre, a secret marriage, genre-transcending satire and the greatest set ever. Mona, NTJong (youth theatre/drama) 1. It is the biggest pitfall of the age indication in theatre performances. Put 6+ and you... 

Read More "Seven shows you wish you had seen in 2016 (but don't give up hope)

Jetse Batelaan (Artemis) is a great innovator of theatre #tfboulevard

Jetse Batelaan is one of the greatest theatre innovators of this still young century. His star rose in 2003, with a show in which five unique actors made reality theatre, and vice versa. Now, 13 years later, Batelaan has been the boss of one of the country's best youth theatre companies for some time, pushing the boundaries of that industry once again. And that... 

Read More "Jetse Batelaan (Artemis) is a great innovator of theatre #tfboulevard

Viktorien van Hulst (Boulevard): 'The thresholds are low but the bar is high' #TFBoulevard

Boulevard flags fly everywhere in Den Bosch in the sunshine. The office of the 32-year-old Theatre Festival Boulevard on Sint Josephstraat is a jumble of people walking in and out. The beaming director, Viktorien van Hulst, has bags under her eyes like a festival director should have three days before the opening.

Read More "Viktorien van Hulst (Boulevard): 'The thresholds are low but the bar is high' #TFBoulevard

Culture Council fill-in exercise offers hardly any surprises

Champagne at BAK in Utrecht, deep disappointment at The New Institute in Rotterdam: the Council for Culture has spoken. Today, Thursday 19 May 2016, the first advice after the draconian art cuts by the first Rutte cabinet came out, and heads are rolling. Amsterdam loses prestigious presentation institution De Appel, in The Hague fellow institution Stroom has to redo its homework. The Orkest van het Oosten and the Gelders Orkest have to come up with merger plans within two years. In Utrecht, the city company Theater Utrecht will no longer receive funding despite artistic appreciation. Het Zuidelijk Toneel in Eindhoven Tilburg must make new plans and Opera Zuid must quickly raise its artistic quality. These are the main conclusions of the Culture Council's opinion.

As dramatic as some of this may sound, the advice is actually not, when you look over the whole battlefield. Thanks in part to

Read More "Culture Council fill-in exercise offers hardly any surprises

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