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Though dated, Pina Bausch' Nelken still impresses #HF16

This way from row nine, it is like being knee-deep in carnations yourself. The heads of the audience in front of me merge silently into a forest of stems crowned with pink, through which dancers carefully step back and forth like leggy chickens.

The find is great: Nelken by Pina Bausch depicts paradise as a place where you have to be careful or things will go wrong. The carnations force the dancers to be careful. As a spectator, you go along with them, without all the underlying thoughts immediately coming through to you.

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Gardens Speak ©-Tania-El-Khoury-1-

Digging in the earth stays on the surface in Gardens Speak #HF16

There I am. Next to Holland Festival director Ruth Mackenzie, on a grave, as part of the installation Gardens Speak on the stage of the main hall of Theater Bellevue in Amsterdam. There is nothing to see, little to hear. Tone lights suggest a rising sun after a few minutes. I get up together with the ten other visitors. Quite a shame, because I was actually quite comfortable lying there.

The programme booklet sounded promising:

'Buried beneath the earth are the stories of ten gew...

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Olga Neuwirth: Weltkatzenmusik or acoustic preservation? #HF16

Austrian politician Jörg Haider labelled its work Weltkatzenmusik. When his far-right Freiheitliche Partei Österreichs joined the government in 2000, it led to mass protests. At one such rally, Olga Neuwirth (Graz, 1968), under the title 'Ich lass mich nicht wegjodeln', denounced his anti-intellectual and anti-cultural agenda. The rest is history: Haider drove himself to pieces in 2008, Neuwirth... 

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Melancholia-Bryony-Dwyer-junges-theatre-basel-©-Sandra-Then

All 18 gloomy: Melancholia is concert for sour old men #HF16

We are all going to die! We already have that certainty in. And since the dawn of mankind, every new generation invariably knows that it is going to happen to them now. After all: their successors have never prospered anywhere like today's youth. Nice premise for a concert, thought German director Sebastian Nübling[hints]Nuling was a guest at last year's Holland Festival with an adaptation of Hebbel's play Nibelungen, read the review and an interview here[/hint....

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We are the forest. Christiane Jatahy achieves maximum impact at #HF16

There are countries in the world, where the boundaries between art disciplines are not as sharply drawn as they are here. The Holland Festival, under the new leadership of Ruth MacKenzie, is catching us up. She is bringing events here where the boundaries between visual art, performance, video, film and performing arts can no longer be drawn. Events that generate meaning in ways that are quite new to us, such as The Encounter, last week, and Gardens Speak, later this week.

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'Theatre of the World' (2): an island that remains distant. #hf16

Maarten Baanders saw an opera that remained an island. An omnivore was Athanasius Kircher (1602 - 1680). No phenomenon in the universe could escape his urge to investigate. A universal scholar he was, but also a fantasist. Hence, he did not count in science. But for a grotesque opera, you can hardly imagine a more attractive protagonist. Louis... 

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Theatre of The World (1): Design by Quay Brothers tastes like more #hf16

Carré's history and programming make it an odd duck in the Holland Festival pie. Programmed for next year are a boxing memorial, Toneelgroep Amsterdam and Ali B. The sawdust for dressage horses never seems very far away. It doesn't seem the most obvious place for a postmodern opera, or rather a grotesque in nine scenes. But now it is here: Theatre of the World. An event so big that we have two reviews and an interview to it.

Helen Westerik discusses the design of this opera.

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Joost Galema on writing as a marine and opera singer Bastiaan Everink

Joost Galema, journalist and programme maker, was called one day by Bastiaan Everink. The baritone and ex-marine wanted to make a book about his personal struggles and how music changed his life. Not being a writer, he started looking for a ghostwriter. Joost was third on his list. A few days later, Bastiaan was standing in Joost's Hilversum living room telling his story. The singer talked about marines, survival, violence, Iraq, Wagner's music and a search for...

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'Dormant Dutch film world needs kick from Brandend Kalf'

Good news for anyone who also thinks the Dutch film world could use a bit more spice. On 29 September, film theatre Springhaver in Utrecht will host the Evening of the Burning Calf organised. Rounded off with the presentation of the Brandend Kalf, the new film award for the most sensational, daring, cheeky or inspired Dutch film initiative. At least, if enough crowdfunders are those who want to support this project by film journalist Karin Wolfs and writer A.H.J. Dautzenberg.

Yes, you see, this event takes place, not entirely coincidentally, on the evening preceding the presentation of the Golden Calf awards. And no, the Brandend Kalf is not a side-programme of the Dutch Film Festival. When we ask Karin Wolfs to explain, she first of all wants to emphasise that it is a completely independent project. Nor a private party of Wolfs and Dautzenberg. Hence also that crowdfunding. If it succeeds

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The five shows you must see in May

Toneelschuur, Don Carlos (stage) Nina Spijkers brings Friedrich Schiller's classic play back to its essence. No lavish scenery depicting the Spanish court, but canvases peeled off layer by layer. playlist https://www.youtube.com/watch?v=6XtUxD2zQ3E M31 Foundation, Nederlandse Reisopera, Theater na de Dam, Der Kaiser von Atlantis (opera) Forty years after its world premiere at Theater Bellevue, Victor Ullmann's Der Kaiser von Atlantis will be... 

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The Linda. but about beheadings and suicide bombings

That there is an extremist magazine about burnings and beheadings, and that rich Britons have four-storey basements built under their houses for a private cinema or bowling alley - we learned a lot last night at the International Literature Festival Utrecht (ILFU). The programme of the Saturday night of the ILFU was as richly varied as that of the first evening. The... 

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Filter Translation Award 2016 to translator Günter Grass

Jan Gielkens has won the Filter Translation Prize 2016 for his translation of The Words of Grimm by Günter Grass. The prize of ten thousand euros rewards the most exceptional translation achievement of the past year. Grass's novel, published last year by Meulenhoff, places high demands on the reader and the translator, the jury felt. 'Deftly navigates Gielkens'... 

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Shortlist Man Booker International Prize-new style announced

José Eduardo Agualusa, Elena Ferrante, Han Kang, Orhan Pamuk, Robert Seethaler and Yan Lianke have a chance to win the Man Booker International Prize 2016. The shortlist of six authors and titles was announced today. And, coincidence or not, we already interviewed one of the major contenders. Read that interview with José Eduardo Agualusa here, take in what he says about... 

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Monsieur Doumani

This write-up may begin somewhat strangely, but the end is going to evoke very different images: All sorts of things are set in motion internally when I find myself in the smallest room of my house. This is because - besides nice, sweet cards from friends and family - there are clippings hanging on the door, theatre guides, newspaper sections and smart magazines lying around. So... 

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José Eduardo Agualusa: 'I will not be silenced'

Writing cost him his marriage, he is being shadowed by the secret service and risks being arrested in Angola. But José Eduardo Agualusa, who has a chance of winning the 2016 Man Booker International Prize with his new novel A General Theory of Forgetting, does not hesitate to put down his pen. 'I won't let myself... 

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Still a shame about those critics! 1 reason to buy the new Boekman.

Is there any reason to buy the magazine 'Boekman 106′? For me, yes, although I should immediately throw a magazine that claims to be the Dutch forum for art, culture and policy into the dustbin for displayed arrogance. After all, with a circulation of only 1400 copies, and appearing four times a year, how can you give yourself such a... 

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#OscarsSoWhite? Yes. But Europe is no better.

Things have been rumbling in the film world for some time: Why is the silver screen so, er, white? And where are all the women anyway? #OscarsSoWhite but also #OscarIsADude! Many people in the industry have already expressed their displeasure at this. At the previous Oscar ceremony, actresses aimed their arrows at equal pay, or rather, the lack of it. This year, many an African-American actor and... 

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Contemporary trends in theatre and performance at Something Raw Festival 2016

Three mongols playing Mongols. Dschingis Khan, the opening performance of Something Raw, is provocative and consequential. With this performance by German theatre collective Monstertruck, or the also Berlin-based Man Power Mix by Sheena Mcgrandles and Zinzi Buchanan, the festival Something Raw lives up to its name. Something Raw is a festival in which Amsterdam theatres Frascati, De Brakke... 

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#IFFR Tigercheck (3):Thai alienation and moving Iranian radio poetry

Sexual abuse, alienation and the emptiness of existence are the ingredients of Motel Mist by Thai debutant Prabda Yoon. A #IFFR Tiger Award worthy film. In tightly directed storylines, Yoon gently critiques Thailand's social and political climate. For instance, Motel Mist refers to the well-known paedophile sex tourism. Moreover, Yoon makes an attempt to capture the emptiness and alienation... 

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Erik Voermans 'From Andriessen to Zappa': enthusiastic plea for elitist music

Erik Voermans (1958) is one of those people who writes down what you think yourself, but would never air publicly. The music editor of Het Parool likes to pose as your unsuspecting neighbour's boy, watching the music world with amazement. Take the phenomenon of opera: 'That's when someone with a knife in his taas walks around for half an hour singing that he's going to die.' If he... 

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Stefan de Walle and Joris Smit (Kurt van der Elst photo)

The reviewer, for anyone whose flesh is occasionally weak

Anyone who wants to credibly transfer a historical play to the present had better be radical, director Theu Boermans must have thought. And anyone who sees his adaptation of Nikolaj Gogol's The Revisor at the Nationale Toneel cannot help but agree with him. With references to asylum seekers, cubicle snoopers, data espionage and subsidy fraud, the play seems written yesterday. Yet Boermans remains... 

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Winternachten is about something

Hello Darkness is the theme of the international literary festival Winternachten, this coming weekend in The Hague. It takes guts, in a time when everything has to be fun and cosy and we prefer not to spend our free time dealing with misery or 'heavy topics'. That is why we love Winternachten, because that festival really goes... 

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Legendary alto Aafje Heynis died

'So, that one is hanging again', the alto Aafje Heynis is said to have exclaimed after a performance of Bach's St Matthew Passion. The statement is probably apocryphal and has also been attributed to soprano Jo Vincent, but fits perfectly with her typically Dutch down-to-earthness*, which was at odds with her heartfelt performances of very diverse music. In 1983, she quit until... 

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Hilversum municipality closes Achterom Theatre

Debby Petter's performance 'Bed & Breakfast' at Theatre Achterom in Hilversum had just ended. Director Gerlofke Hekelaar addressed the audience, as it had been the very last performance. After 45 years, the Achterom Theatre Foundation will cease to exist. Another theatre going under due to cuts in the cultural sector. But is lack of money the only... 

Read More "Hilversum municipality closes Achterom Theatre

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