Every year, the most important collectors, the museums with the greatest buying power, the best art dealers and the people with plenty of disposable income head to Maastricht to look at and (dis)buy art at art fair TEFAF. The champagne flows, designer bags dangle from every shoulder, and over a tart imported from Paris, or an oyster, a decision is made whether to buy a...
Toneelgroep Maastricht has created a contemporary version of Anton Chekhov's The Cherry Garden. The edgy actors, starring Anniek Pheifer as Lyuba, make the show a comedy, but the tragic elements are not ignored.
Art, and certainly avant garde art, thrives on the frayed edges of society. Especially in the second half of the 20th century, industrial heritage and as yet unrenovated urban foam were the places where art could escape the norms of the ruling class. The NDSM wharf in Amsterdam North, Hall 4 or the Submarine Wharf in Rotterdam, Ceramique in Maastricht, Sterrebos in...
Naomi Velissariou (1984) was actually supposed to be at the Bossche Festival Boulevard 2021 with more performances. This year, her entire trilogy 'Permanent Destruction' would be performed in a setting like club rave. Fierce musical theatre, based on playwrights Sarah Kane and Heiner Müller, and concluded with the more subdued work 'Pain against Fear'. All parts have received rave reviews from audiences and press, but...
An ode to grief. If pain is made into something superficial, can sadness still exist as a connection between people? Spread the sadness - a miss election of tears is an ode to sadness. A tear-jerking performance about shaping your own pain and appropriating someone else's. About how suffering affects your identity and sadness leads to...
'The story of Anders' (8+) is the new Dance Theatre AYA performance created by Ryan Djojokarso, new resident choreographer with the company. A performance full of dance, absurd humour and crazy twists. Sometimes you just have to look at things differently.
The cultural centre of gravity in Limburg has been in the south for years. However, to encourage southern institutions to programme outside the region, only 1 extra point is available. Examples of the problem of geographical spread also exist at the Council of Culture and the Performing Arts Fund.
In recent days, tentative proposals for a new system to fund the arts in the Netherlands have appeared in various places. Tricky pieces, and so far not attesting to very much incisiveness. In Het Parool, a number of prominent figures, including Tinkebel and advertising man Kessels, think that we should think less in pigeonholes, and that, besides quality, we should also...
On 4 June, the Council for Culture issued its opinion on the subsidy applications of cultural institutions in the so-called basic infrastructure. The Council for Culture is the legal advisory body of the government and parliament in the field of art, culture and media. The Council advises on current policy issues and subsidy applications, solicited and unsolicited. It is very worthwhile www.raadvoorcultuur.nl af...
On 23 October, website Theaterkrant.nl wrote a piece on the future of the performing arts. A future that is black and gloomy when you, as a creator, count on growth, or even survival at all. In short: so much money is going away from the Performing Arts Fund, that from next year only between 50 and 60 applications can be honoured, in...
Ruben Brugman predicted it on 22 June. So it was not a total surprise. On Friday 4 October, the VSCD Dance Awards, the Swans, were presented at The Dutch Dance Days Gala of Festival de Nederlandse Dansdagen 2019 at Theater aan het Vrijthof in Maastricht. Conny Janssen, artistic director of Conny Janssen Danst, received the Golden Swan from minister van Engelshoven....
It is quite daring. To take a classic Italian opera and give it a 'primal version'. I know a small army of militant opera critics who would prefer to take up arms against that. If that comes from Iran, you soon have the puppets dancing. To get right to the first...
The dance film occupies a unique place among the film offerings. Not driven purely by psychologising or text, it offers every opportunity for experimentation in form and content. But that also means it is difficult to place. And therefore difficult to make. The second part on the growing pains of the dance film features 2 dancers and performance artist....
The Cinéma Arabe festival is a platform for Arab cinema and aims to contribute to social debate. It celebrates its 15th anniversary this year, but is struggling with a tight budget.
'I have broken every bone on the left side of my body at least once. My knee ten years ago, my elbow five years later, a toe, a finger, and under my left eye I have a scar from a stone someone threw at me when I was a kid.' Jesús de Vega, dancer, choreographer, videographer and teremin player, has had the requisite...
The Council for Culture has just proposed the new Basic Infrastructure (BIS), and it has become a very big, in traditional terms 'prosperous', baby. Since the Council is not allowed to name names, and can only list functions, we have already made a fill-in list here, in which we list (very briefly, because little time and not knowing about everything) which existing cultural...
As part of "Hi, Figures!", Statistics Netherlands today released updated figures on the performing arts in the Netherlands. These show a cautious recovery, although the consequences of the 2011 interventions by the VVD and PVV are still painfully visible. The figures show that theatre in particular is struggling. There, the...
Until now, film education has mostly been a grab bag of initiatives. But now that the minister mentions it in her policy plan and extra money has been allocated, new steps can be taken. Towards a permanent place in the classroom? We ask Florine Wiebenga, head of education Eye, and Jeroen Stultiens, Film Teacher of the Year.
This edition, Theatre Festival Boulevard invited the audience to reflect on the two sides of identity: its immutability but especially its malleability. All this under the heading what you see is what you guess. If there is a performance to which this applies, it has to be Goat Song. A fascinating fifty-minute wordless performance by...
The Association of Theatre and Concert Hall Directors and Festival de Nederlandse Dansdagen announce the annual nominations for the VSCD Dance Awards (the Swans). Nominated for the Swan 'most impressive dance production' are: Rule of Three, choreography: Jan Martens, by GRIP The hidden floor, choreography: Franck Chartier, by Nederlands Dans Theater We Are Nowhere Else But Here, choreography: Stephen Shropshire, by Stephen Shropshire Foundation,...
You must be a serious misanthrope not to have a good time in Stadspark Maastricht that Friday. The sun is shining. It is subtropical warm with a light spring breeze. The location, next to a pond embraced by ramparts and turrets, is perfect. Under the ancient oaks, some 40 food trucks and bars with simmering kitchens await you. Oh...
Although the press picks it up only sparsely, not only the NTRZaterdagMatinee pays much attention to Dutch composers. Indeed, they are also well represented in the AVROTROS Vrijdagconcert (formerly De Vrijdag van Vredenburg). In 2014, for instance, Joey Roukens wrote The building of the temple to mark the reopening of TivoliVredenburg. Two years later, the season opened with Atlantis by Robin...
In 2014, Annelies van Parys (1975) composed her first opera, Private View, for Asko|Schönberg and Neue Vocalsolisten Stuttgart. It was awarded the FEDORA - Rolf Liebermann Prize for Opera shortly afterwards. The Stuttgart singers submissively asked her to compose a new piece for them. Songs of Love and War/An Archive of Love will premiere 20 May at Operadagen...
Where can you indulge as a film lover in the Netherlands? With 54 festival editions in 2017, North Holland appears to be the province where you can enjoy film festivals most often. Amsterdam takes the crown with a whopping 47 film festival editions, according to a study by the Hogeschool van Amsterdam (HvA). Lecturer Harry van Vliet of the Crossmedia lectureship of the HvA faculty,...
'If Mohammed doesn't come to the mountain, the mountain will come to Mohammed,' they thought at Operadagen Rotterdam. Earlier this year, the Enschede-based Nederlandse Reisopera gave a press presentation in Carré. This time, the Rotterdammers travelled to the capital. Artistic director Guy Coolen and dramaturge Tobias Kokkelmans told a select club of journalists what the audience could expect from 18-27 May,...
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