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Number of overnight stays and good luck city branding as highlights for the Capital of Culture. Goodbye AARHUS2017, hello LEEUWARDEN2018. And: VALLETTA2018, may I have my potato back?

An ancient melody floats, crackles and drones through the town hall of Aarhus, Denmark. The city is close to being European Capital of Culture. That is why we hear the same song at the handover ceremony as when it was launched on 21 January. Then Aarhus celebrated the start of Aarhus, European Capital of Culture and 'Jeg drømte mig en drøm i nat' thundered through the Aarhus streets.... 

Winternachten Festival offers the best chance to see great writers up close. And Francis Broekhuijsen.

From 18 January, The Hague will be all about Winternachten. We think this is the most fun literature festival in the west of the Netherlands. This year, it is about Freedom, Equality and Brotherhood, the motto of the French Revolution, among other things. But also about Karl Marx. Under the motto 'we the people', Winternachten is therefore about populism and secession,... 

More diversity in the cultural workplace? 'They are not there' does not exist. The ball is now in employers' court: look outside your own box and show guts. #LinC

When I write job postings in the cultural sector, I receive wonderful letters. Candidates are usually graduates in an arts-related subject from a college or university and have internships or work experience at cultural institutions of repute. They are usually female, white and have completed their studies with fine grades. Yet I struggle with a problem: I live and... 

Leila Slimani and Fatma Aydemir: two young writers who are really changing my view of the world. You can meet them at Winternachten 2018

During the upcoming edition of Writers Unlimited/Winternachten in The Hague, two writers who are making exciting news with their work and their success will drop by. Fatma Aydemir, journalist from Berlin, wrote with 'Ellebogen' an abrasive debut about a Turkish girl who is a bit less prepared for her future than everyone would like. Parisian author Leila Slimani won in... 

Scene from The Place To Be. Photo: Jochem Jurgens

Rolling stones, screaming kitchen maids, smoke bombs and noble punk: why the upstarts in Theatre Frogs Winter Collection offer so many surprises.

Two men. Not even very muscular, not even very tough. But what dockworkers. And what simplicity to tell something really beautiful. One rolls himself up like a stone and the other rolls that stone up a mountain. That mountain consists of stage sections that are each at least half a metre in height from each other.... 

Jouman Fattal, on TV next year, already seen in Frog's 'Winter Collection'

Called The Winter Collection, it is a five-day mini-festival full of surprises. Utrecht-based Theatre Kikker has now made it a tradition to provide some real surprises every year around Sinterklaas. 10 performances by young creators, from video art, to rowdy dance performance, from a silent monologue to post-dramatic cyberpunk, enough to give any theatre lover a wake-up call.... 

Lavalu's nocturnal movement

High up in a posh flat, Lavalu (stage name of Marielle Woltring, Cleveland, Ohio, 1979) recently gave a try-out of her new programme at Eindhoven's FlatFest festival. For the first time now, she will tour without a band, solo with piano, in small venues where there is a good grand piano. On that Sunday afternoon in Brabant, it soon became clear that somewhere, something was... 

Sadettin Kırmızıyüz. Photo: Joost de Haast

Dutch version of The Wire moves from Rotterdam to The Hague

Nationale Toneel Theatre is working on its mission to bring society to the stage. The Nation, that insane marathon with Romana Vrede about a disappearance in the Schilderswijk neighbourhood, and Mark Rietman, will be ready this autumn. Anyone who thought it was time for another slice of tedious retro hag comedy after that is wrong. We do have a classic coming up in... 

Five weeks of Bambie in Utrecht? Could just be the way to a more diverse culture

Speaking of diversity, within the dominantly white theatre audience, it is also full of bubbles. Over the past two weeks, for instance, I have just let it dawn on me how little overlap there is between the audiences of the two art theatres in my city, Utrecht. At least: for a while I sort of immersed myself in the world of... 

Lounging spectators at TivoliVredenburg (Photo: author)

Poets are the stars in blistering #Night17 (why edition 35 was the best)

Don't let the numbers fool you. Sales figures and print runs of poetry collections say absolutely nothing about the popularity of poetry in the Netherlands. This is not only clear from research. You can also conclude it simply from the fact that there is a Night of Poetry in the Netherlands. So on Saturday, 16 September, this phenomenon turned 35. Of the recent editions... 

The theatre world is divided, but not diverse. A call to authors.

This week, two things already became clear about the Dutch theatre world. One: the topic of diversity is finally really on the map and two: the theatre world, however small, is hopelessly divided. During Het Theaterfestival, there were two debates/ meetings/ symposiums on the lack of diversity in theatre. One on Monday, the other on Thursday. Bit much in one... 

Research shows: 96% of Dutch people are hopelessly idiotic (of poetry)

We like to be touched, we Dutch. And if we are not touched ourselves, we want to touch others. These are the two main reasons why people seek out poetry. This memorable fact has come to light thanks to research by Utrecht scientist Kila van der Starre. She will soon receive her PhD on a quantitative study into... 

Scenic photo Rishi. Photo: Joris Jan Bos

The sharpest theatre of 2017 comes from The Hague: Rishi of Firma Mes

If theatre can do anything, it is to put us outside reality. Not even to make you dream away, but to stop that reality for a moment and look at it in a different way. Call it the Ti-Ta-Wizard moment. To stop the action at the dramatic climax, to take the sting out of the wasp, or the fuse out of the powder keg.... 

Ten days of theatre with bollocks in Kikker Kiest (At once up to date)

'When Paul moves his little finger something happens. They have a scene where Jochem draws a picture of Paul. Paul is posing naked. And that lasts. That takes a long time. You and I, as amateurs, would fill that with all sorts of poses and movements, but Paul doesn't do anything. You think. And all sorts of things happen. HIj is doing something, then, but.... 

Until the Night of Poetry: can we do something with the hashtag #poezieverbindt?

Art has been utterly politicised. It has been creeping, and faster than I thought. Artists now make political speeches, conduct rounds of public participation in the service of lobbying organisations. They discuss identity instead of telling the stories that take us beyond the delusion of the day. That cultural funds are now gently starting to talk about social connection too,... 

Chablis, riesling, bardolino and five indies: Boulevard succeeded

Wine tasting and listening to medieval music are usually things people only do with very serious faces. So it took five glasses, three drunken singers and a good hour before the mob in the sober Heilig Hart church in Den Bosch loosened up a bit. With a Frontignan to boot. You do start fantasising about the amazing dinner you had at... 

8 phenomena together on stage do not make phenomenal theatre at Theatre Festival Boulevard

Claron McFadden is a phenomenon. Josse de Pauw is a phenomenon. Arnon Grunberg is a phenomenon. LOD is a phenomenon. KVS is a phenomenon. Theatre Festival Boulevard is a phenomenon. I did not yet know pianist Kris Defoort, but he is also a phenomenon. As is Henry Purcell, but we've known that for a couple of centuries: also a phenomenon. After such an opening paragraph... 

Wunderbaum provokes revulsion with sacred performance about North Sea cruise at Theatre Festival Boulevard

Anyone who is young, a little nicely educated and otherwise generally of good character does not go on a North Sea cruise. A cruise on the North Sea, that's what you do if you have no imagination, have bad legs or are too sick for anything else. Believes Wunderbaum. The theatre collective that likes to take care of the vulnerable of this planet is... 

The Apocalypse is something to look forward to at Theatre Festival Boulevard

The most beautiful end of the world is in Lars von Trier's Melancholia. Floating poplars, a woolly planet eating us in a wave of atmospheric mist. I'd sign up for it. Anything better than the sloshing slabs of earth full of screaming puppets in the failed 2012 disaster film. Then again, not as much fun as the end of times in The Hitchhikers Guide... 

Boukje Schweigman makes you feel how weird time is at Theatre Festival Boulevard.

Industrial estates are weird. They lie souring on the outskirts of one city, only to seamlessly morph into the same site on the outskirts of another. Once they were A-locations, places of visibility and the incarnate dream of reconstruction. Now they are low-grade structures, halls with a front door, a visible office for the Dirk and a pathetic... 

Humour, marinated in tears on a bed of melancholy. Perfect day on Boulevard

The prize for the longest and most artful kiss of 2017 has been given away and goes to Conny Janssen Danst. In a small tent on the square below Bossche Sint-Jan, this danced kiss forms the technical and dramatic highlight of Clarity. Two dancers, spinning pirouettes while keeping their lips connected, a video artist and the floating music performed live by iET were on Saturday ... 

Thinking won't make you a hero. Artful Flemish musical theatre on Boulevard

Heroes are not always the smartest people. Indeed, most acts that have gone down in history as heroes have been thoughtless actions. That happened to succeed. Pure luck. Against every heroic act, therefore, there is an unknown but not negligible number of senseless deaths of would-be heroes. The main character of the theatre play The Heroes, which I attended in Den Bosch on 4 August,... 

Celebrate art in times of gloom. #tfboulevard

Opening speeches. Every festival has one. Or two. You have to go through them. As a guest, but also as a host. Something should be found on it. Of course a point has to be made, a flag raised, a champagne bottle bang introduced. And also the sponsors should be thanked. In these times of a retreating government, there are more of them every year. And. 

So you'll never leave Den Bosch again (why holidays in your own country can be fun)

Would like your interpretation of the cover girl's look on the Theatre Festival Boulevard programme book. It may be projection, but I see a slightly overwhelmed desperation in those eyes, whose eyebrows have been replaced by two playfully placed arches of St John's, above: Den Bosch on my mind. Where to start, mostly. In the book, especially abundance. Glassily designed... 

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