Moving image. To be seen on TV, in a museum, in a cinema. On an iphone.
Parallax Views is the overarching theme of the 46th Rotterdam Film Festival. Be persuaded to look with new eyes. Director Bero Beyer, who took office in 2015, on his second festival.
The Dutch film industry announced its annual figures. 2016 was a top year, measured by the once again increased number of cinema visitors. The best-attended film was Bridget Jones's Baby. But the market share of Dutch films dipped to an all-time low.
In the election of best film 2016 by the Dutch film press, La La Land and Toni Erdmann finished in shared first place. Tonio is the Dutch favourite.
On 20 December, the general membership meeting of Coöperatief Cultureel Persbureau unanimously decided to accept a cooperation offer from The Co-operative/House of Journalism and Reporters Online. This is an important step in the development of independent cultural journalism. Culture Press, as the Cooperative Cultural Press Agency is known on the internet and social media, is growing significantly as a result. The...
Before I started studying, I had oceans of time to read. Besides high literature like The World of Sofie by Jostein Gaarder, I also read books from the Bruna Top Ten. This included Dan Brown's Angels & Demons series, the fourth part of which was recently filmed. Director Ron Howard, however, addressed the ethical issue with which the book ends...
For his documentary on the refugee issue, Guido Hendrikx chose an unusual form. In a schoolroom in Sicily, a teacher played by an actor confronts the migrants with the hard facts about Europe.
The 2016 Autumn Consultation. This annual evening of debate around burning issues in the film industry revealed above all that the industry is far from being on the same page.
With Austerlitz, Sergei Loznitsa made a documentary about tourists in former concnetration camps that was as rigorous as it was unsettling. This year, he is guest of honour at IDFA and gave a master class there.
IDFA's tenth DocLab shows the state of the art in interactive documentaries, virtual reality and other media art. Juggle the artist's body or experience what it is like to be (colour) blind.
In the presence of Amnesty International and Edward Snowden - via a video link from Moscow - Oliver Stone's new film Snowden premiered at Tuschinski on Thursday night. The dramatised story of the young, gifted public servant who is troubled by conscience and decides to go to the press is not very original or compellingly portrayed. But on the wave of...
The much-discussed The Birth of a Nation about an American slave revolt gets a preview at two Dutch festivals. Debuting director Nate Parker boldly borrowed the title of famous and controversial classic.
Zvizdal, the documentary theatre portrait of Pétro and Nadia filmed by Berlin between 2011 and 2016, is not only in Paris, Ghent and Athens. This moving story can also be seen in the Netherlands until 11 November 2016. Near the place where an atomic experiment failed in 1986, Berlin and Zvizdal tell a moving story about an old peasant couple. They remained as...
Cinekid also addresses gender balance and the imagination of boys and girls. A hotly debated issue on which the last word has not yet been said.
The cheerful Dutch children's film Owl's Ball opens Cinekid, the film, television and new media festival for children and professionals. This 30th edition is the last under the leadership of director Sannette Naeyé.
Last Sunday, Polish film legend Andrzej Wajda died at the age of 90. His work unfolds as a dramatised history book with an un-romantic take on heroism.
'Happy Birthday Marilyn' is the name of the new exhibition at the Nieuwe Kerk in Amsterdam. As soon as you enter, the saint worship begins, with a metre-high image of Marilyn Monroe in the famous billowing dress. High up in the ridge of the side aisle. The tone is set: The New Church provides a stage for the icon of the 1950s, an eternally beautiful...
The Golden Calfs have not even been handed out yet and the next film festival is already about to begin. On Friday 30 September, the 11th Buddhist Film Festival Europe (BFFE) will kick off at Eye in Amsterdam with a very special film. The opening film is produced in one of the smallest film countries and one of the most fascinating countries in the Far East: Bhutan. According to IMDB...
The opening day of the National Film Conference at the Netherlands Film Festival offered the prospect of 'urgent' developments, but flames were not yet willing. Despite Issaka Sawadogo's engaging outpouring on the subject of diversity.
Book adaptations set the tone at the Netherlands Film Festival 2016. The Hero after Jessica Durlacher's novel opened the Utrecht film festival.
Vacancy: Advisors one-off grants - Amsterdam Fund for the Arts (AFK) From 1 March 2017 The Amsterdam Fund for the Arts (AFK) invests in art that enriches life in the city. The AFK provides grants to artists and cultural organisations, drives innovation and stimulates the quality, dynamism and pluriformity of Amsterdam art. The AFK supports both experiment...
At the end of this month, Toneelgroep Maastricht will present 'Eyes wide shut'. The play is an adaptation of Stanley Kubrick's film of the same name. The latter was in turn inspired by Arthur Schnitzler's 'Droomnovelle'. The book was published 90 years ago and caused quite a stir. Sexual charge Over the years, quite a few literary studies have been devoted to Dreamnovelle. But what has...
I experienced by far one of the most impressive theatre experiences of my life on Friday 5 August 2016. I was a guest at 'Zvizdal - Chernobyl so far, so close' by the Flemish company Berlin, in co-production with Het Zuidelijk Toneel. I saw this 'documentary installation' in an empty factory hall in Den Bosch, where the work is a beautiful resting point in...
Abbas Kiarostami (1940-2016) put Iranian cinema on the map with deeply lived humanism in a minimalist form.
A big band, a ticking clock, conspiracy theories and twelve-tonality. Mix that in a theatrical setting and it can go whooping out of control. Yet composer Darcy James Argue manages to make it a propulsive and energising whole, with help from director Isaac Butler and cinematographer Peter Nigrihi.
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