Moving image. To be seen on TV, in a museum, in a cinema. On an iphone.
The symposium on disturbed women in horror films held at the Imagine Festival this Sunday afternoon was actually quite a reassuring gathering. You don't have to be disturbed yourself to have a fascination with horror. At least you could infer that from
Yesterday, the long-awaited Film Summit was held. At this private meeting, ministers Bussemaker (OCW) and Kamp (Economic Affairs) met a large number of representatives of the film sector. The consultations covered
It will take some getting used to he clicking 'external review' on the Internet Movie Database no longer to come across Roger Ebert's name. This legendary critic
That almost all major US family films and many action films are in 3D is by now self-evident. But contrary to predictions
The big story of the 2013 Oscars, of course, is how underdog Argo eventually surpassed initially-dead favourite Lincoln. When Sunday night Ben Affleck picked up the statuette for best film, he did so not as director but as producer. He wasn't even nominated for the Oscar for best director, and that comes with a film that...
Perhaps the biggest surprise of the 2012 cinema year was that two completely different films were the biggest crowd-pleasers. First, the new James Bond Skyfall, of course, with almost 2 million visits. But that the number two (1.2 million) is a
Fifteen years after Peter Delpeuts Felice, Felice the International Film Festival Rotterdam gets another Dutch opening. The 42nd edition of this leading event will kick off on 23 January with the world premiere of The resurrection of an asshole by Guido van Driel, festival director Rutger Wolfson announced this afternoon.
Nice of course that Amour by Michael Haneke was not only crowned best film at the European Film Awards ceremony in Malta last night, but also received the director's prize and prizes for best actor and actress. But a bit boring is starting to become this paean to Haneke's latest. Enough of this, then.
Two opposites had emerged. Would the VPRO IDFA Award for best feature-length documentary go to a personally coloured auteur's film, or to a thoughtful account of a major issue? To Alan Berliner's remarkable portrait of Alzheimer's-affected poet Edwin Honig, or to Dror Moreh's fascinating insight into the Israeli secret service?
In John Appel's new documentary Wrong Time Wrong Place features survivors of the shooting on the Norwegian island of Utoya and the preceding bombing, which killed 77 people.
It is rare for the same film to receive both jury and (children's) audience awards at the Cinekid festival. But about the subtle and sparkling French animated film Ernest et Célestine everyone agreed this time. This story based on picture books by Belgian illustrator Gabrielle Vincent, who died in 2000, won a double award, making it this year's big winner. Ernest and Célestine are a bear and a mouse who have to find that their friendship is poorly understood in the bear and mouse world.
The feature-length French animated film is on the rise. To emphasise this, Michel Ocelot, one of the pacesetters, has been invited as guest of honour by the Cinekid children's film festival. Tonight, he was also presented with a Lifetime Achievement Award, which he accepted with a modest protest. As an animation filmmaker, Michel Ocelot (1943) still considers himself an adolescent with much to discover.
The big question was how many of those seven Golden Calf nominations Plan C would manage to cash in. To everyone's surprise, this petty crime comedy that attracted less than 7,000 visitors in cinemas had garnered even more nominations than
The Film Academy can be satisfied. The two juries that handed out the three student awards at the Netherlands Film Festival on Monday night had also looked at graduation work from other Dutch academies with a film section. But in the end, all the lucky ones were students of the Netherlands Film and Television Academy, as the Amsterdam programme is called in full. Magnesium again. The Tuschinski Award for best graduation film, this...
Every night at the Netherlands Film Festival there is an important premiere, and on Sunday it was Robert Oey's new documentary, about messengers and survivors. Killed shows a side of our military mission in Afghanistan that has received little coverage. 25 Dutch soldiers died there. The film is in a way a tribute to them, but...
Perhaps expectations were simply too high at the premiere of George Sluizer's 19-year-old, and now completed Dark Blood. Because, of course, it is entirely appropriate that the Netherlands Film Festival has taken the opportunity for a fine retrospective of Sluizer, one of the Netherlands' most distinguished filmmakers with the world as its purview. Maker of the blood-curdling...
What a festive opening film it was! The Dutch Film Festival's choice of Nono, the zigzag child had of course to do with the fact that Dutch family films will be specially put in the festival spotlight this year. But even apart from that theme, it was an unmissable kick-off. Because we may like to grumble that the weather was not...
It is now official. Magnesium, with which Sam de Jong graduated as director from the Film Academy, was already praised in several publications earlier this year. So it did not come as a complete surprise that yesterday afternoon, during the drinks on the roof terrace of the Film Academy, the Kring van Nederlandse Filmjournalisten announced that Magnesium declared itself winner of the KNF Prize for best...
As the internet becomes increasingly synonymous with big companies like Facebook for many people, the old ideal of an open and free world net is starting to fade.
Next year, the Netherlands Film Festival will have to face extensive budget cuts. Therefore, let's enjoy this year extra, was the recommendation with which festival director Willemien van Aalst closed the press conference presenting the programme of the 32nd Netherlands Film Festival this afternoon. Precisely in this time of economic headwind, the festival has chosen this year's The Promise
EYE is pulling out all the stops. This year, the final exam papers of the students of the Netherlands Film and Television Academy will get an ideal presentation in the largest auditorium of this new film centre. What is also new is that yesterday, immediately following the screening for press and relations, awards were handed out for best commercial (The End, Soon), best documentary (A Twist in...
Does live accompaniment with choir and orchestra make Kubrick's 2001 a different or better film? Not necessarily, but as an homage and event, it is a wonderful gesture. Even on the hard bucket seats in the Gashouder, it is once again a breathtaking experience. Last night, at the Gashouder on Amsterdam's Westergasfabriek grounds, finally revisiting Kubrick's science fiction epic 2001: A Space Odyssey. This...
Hear Vera Lynn sing as the atomic bombs explode in Dr Strangelove. Stanley Kubrick did wondrous things with the music in his films. Rightly so, the Holland Festival is making space for a special screening of 2001 with orchestra. Space ships to Strauss' waltzes, prelude to a Kubrick summer. Much has been written and speculated about the films of Stanley Kubrick (1928-1999),...
Tonight the queen may officially open the new home of the EYE Film Institute Netherlands, last night director Sandra den Hamer did it herself in advance at an opening party for relations. In doing so, she spoke of a historic moment for film culture in the Netherlands. Seen from a distance, the building, conveniently referred to as "the new film museum", is most reminiscent of a...
Last night the awards for best short films were presented at festival Go Short in Nijmegen. Winner of the Dutch competition is Woensdagen by Aaron Rookus, a small feature film that approaches the heavily charged subject of sexual abuse in the most subtle way. What begins as an emotionally stunningly well-struck impression of eight-year-old Kris' weekly outing...
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