All about politics, policy, society and how those things relate to culture and art.
Writers Unlimited Special – Een van de belangrijke gasten op Writers Unlimited is Roland Colastica. Deze Curaçaose schrijver debuteerde in 2012 met het jeugdboek ‘Vuurwerk in mijn hoofd’. Het boek is enthousiast ontvangen, en groeit inmiddels uit tot een bescheiden bestseller. Grote kracht van het verhaal is de kleurrijke en ritmische stijl, maar minstens zo belangrijk is
As the government has killed the entire circuit of production houses and further education, seven theatres have jumped into the gap. They are joining forces to enable a number of 'young' makers to develop their work after all. By offering a number of performances in advance
No offensive prominent, well-known world citizen or tricky topic, but ordinary people play the leading role in the print that was awarded this year's Inkstspot Prize. The prize for the best political cartoon published in the national and regional press in the past year goes to
'Everseller' author Arthur Japin is to make a stage adaptation of his novel Vaslav, about the legendary Russian dancer Nijinksi. He is making the adaptation at the request of theatre patron Joop van den Ende, who is a big fan of the book. The theatre production goes into
We received this via Facebook: "During the night of Friday 11 to Saturday 12 January at 1.30am, a group of about seven young men destroyed a large canvas hanging on the facade of Theatre Kikker on the Ganzenmarkt in Utrecht. The canvas, which
Some artists age beautifully. Johnny Cash aged beautifully, Bruce Springsteen remains young in an absurd way and all members of the Rolling Stones turned into convincing zombies after their unnoticed deaths in the seventies
What does a dissertation on a forgotten Victorian novelist have in common with a rushrelease from multinational Sony?
Everywhere, arts attendance is falling dramatically, except, for now, in Rotterdam. There, the Rotterdamnse Schouwburg managed to keep the number of paying visitors the same, or even increase slightly to over 147,500, in its first real cultural disaster year 2012. In its own press release, the management (currently in the hands of Jan Zoet) attributes this to sharper programming and revivals of successful productions, and an increase in the number of concerts:
Perhaps the biggest surprise of the 2012 cinema year was that two completely different films were the biggest crowd-pleasers. First, the new James Bond Skyfall, of course, with almost 2 million visits. But that the number two (1.2 million) is a
Einstein on the beach: a five-hour minimalist opera with no plot, no intermission. An opera with an almost mythical status, with images that have become theatre icons, but which hardly anyone has actually seen.
With paper, you never know ('0.3% of newspaper readers read the reviews on the art page'), and with TV it's always a bit of estimating and extrapolating too, but the internet is rock hard. We know how many times you read one of our pieces, and how long you lingered at our videos. Well: we were already proud last year, now we are well over 200,000
Sat another note in the post. One of many, these weeks. About a club that had only just been set up by the government. With the accompanying millions, which because of the PVV's vindictiveness have now been dumped in the local ditch. Its creators have already found a new purpose for themselves a few months ago: to improve the well-being of Parkinson's patients. But Dance House Station South is now thus a thing of the past. We quote:
Unrest in poetry land. By a error 'obscurity' in the website of the National Turing Poem Contest several hundred poems disappeared from the competition probably for the wrong reasons. Alexis de Roode, herself a multiple prize winner, raised the issue on facebook.
Rijksmuseum Twente can probably stay open now that culture minister Jet Bussemaker (PvdA) has promised the chamber to halve the planned 50% cut in operations. Moreover, she is going to fight hard to keep the Cultural and Artistic Formation subject in secondary education as a compulsory examination subject 'left or right',
Fifteen years after Peter Delpeuts Felice, Felice the International Film Festival Rotterdam gets another Dutch opening. The 42nd edition of this leading event will kick off on 23 January with the world premiere of The resurrection of an asshole by Guido van Driel, festival director Rutger Wolfson announced this afternoon.
We are just reporting the press release in full. For your information. Every now and then, more news like this comes along. We don't post them all, because that would make the world very bleak. The world as many people knew it, and thought it was the pride of the Netherlands, is coming to a squeaking halt to make room for. Well. We will report on that in the years to come. Of what comes in its place.
Developing new models on the internet takes time. We have found that out with the Cultural Press Agency by now. With more than 7,500 followers on Twitter and 400 visitors a day to our website, we have now become a factor of importance in cultural journalism. But we are also very happy that four years after the first plans took shape and one year after the start-up subsidy from the Ministry of Education, Culture and Science ended, our first publication can be read on the sites of De Persgroep, publisher of Trouw, Volkskrant and Parool.
While the city has to make huge cuts in music schools, libraries, a few drama clubs and other nice things for the people, like public transport and healthcare, The Hague does build a new art building. Rather, the municipality is putting 181 million into demolishing and renovating the theatres on the Spui, because the architect who built the complex 20 years ago apparently did not do his job properly.
The Netherlands' greatest artist is dead. Can happen. But can I then also curse heartily? Because Jeroen Willems is irreplaceable. As a journalist, you know the drill: of actors over 60, or of otherwise fragile stature, you have a necrootje ready. If you are well-known and meet the requirements, count on your friends and acquaintances to...
Nice of course that Amour by Michael Haneke was not only crowned best film at the European Film Awards ceremony in Malta last night, but also received the director's prize and prizes for best actor and actress. But a bit boring is starting to become this paean to Haneke's latest. Enough of this, then.
Dance fans can submit their nominations for the most outstanding dance performance of 2012 online from 1 December. The winner will then be able to receive the Dans Publieksprijs early next year. New this year is
Two opposites had emerged. Would the VPRO IDFA Award for best feature-length documentary go to a personally coloured auteur's film, or to a thoughtful account of a major issue? To Alan Berliner's remarkable portrait of Alzheimer's-affected poet Edwin Honig, or to Dror Moreh's fascinating insight into the Israeli secret service?
The previous Secretary of State for Culture, Halbe Zijlstra, made his draconian cuts cast in concrete. The 35-40 per cent cut in the budgets of orchestras, theatre companies and some museums has become law. The new minister of culture, PvdA star Jet Bussemaker, cannot change that at all an iota. And if she even wanted to: the architect of the cuts she has to allow sits in the chamber as the ruling party's group leader. No chance that he will allow his policies to go down the drain.
Being active on social media like Facebook or Twitter is now a must for any dance company. But broadcasting a dance performance (live) via 600 cinemas worldwide is no mean feat either. NDT (The Hague) has been chosen by Pathé theatres to join the illustrious list of The Metropolitan Opera (New York), The National Theatre (London) and the Bolshoi Ballet (Moscow) as a partner in high-level performing arts.
The music of Eefje de Visser comes in. In the silence of the theatre even more so than in clubs, where enthusiastic fans sing along to her words out loud. One spotlight and her guitar, that's all this 26-year-old singer-songwriter needs to touch the room. I see tears, gazes of love and attempts at seated dancing during the official premiere of her theatre tour in the Melkweg.
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