All about politics, policy, society and how those things relate to culture and art.
The Performing Arts Promotion Office which will be disbanded from 1 October, has not fallen victim to cultural cuts or the economic crisis. The Stichting Promotie Theater- en Concertbezoek (SPTC), the BPP's backer, has turned off the money tap for other, unclear reasons.
We are far from having all the info, but we have enough by now: the Bureau Promotie Podiumkunsten (BPP), funded by the Association of Theatre and Concert Hall Managements, is quitting as of 1 October. Reason unknown, but surely the malaise in the cultural sector, and especially the performing arts, will have something to do with it.
Dancer Ellen Edinoff died in her hometown of Amsterdam on Tuesday at the age of 70. Ellen, together with her husband Koert Stuyf, formed a unique dance couple in the 1960s-'70s that reactions in extremes. The Dutch dance world came of age partly thanks to them.
On the day that a vote was to be held in The Hague on the new Spui Forum, it has been announced that Robert van Leer is leaving as business director of Nederlands Dans Theater. Van Leer is resigning for purely "personal reasons", according to the press officer of the renowned dance company.
Despite the crisis, parents invest eagerly and heavily in their offspring's musical development. This is the finding of the Utrecht Centre for the Arts (UCK). Their talent development programmes are running well. "Parents are now more consciously choosing to spend money on this than ever before. They also come along to lessons more often and let their children start at an increasingly younger age," says cello teacher Floris Dercksen.
Monsters University provides merry summer entertainment in 3D from this week. Last week World War Z be viewed with 3D glasses. At the end of 2009, Avatar overwhelmingly clear: 3D was back never to leave. We are now almost four years on
Still competing at the top and successfully entering Europe with 60 per cent less budget. Impossible, cries many. Only with a new stadium, argues another. And with extra investments in the winter break. But it can be done, according to a few.
The Tropenmuseum has been saved, we already knew that, but the House of Representatives still wanted to know where that was paid from. After all: the government is not going to spend more money, we have to do that. Anyway. Culture minister Jet Bussemaker's answer to the parliamentary questions shows that museums will be able to spend 5.5 million less on art purchases in 2016 at least....
Young choreographers Cecilia Moisio, Giulio d'Anna and Melissa Ellberger have been nominated for the Prize of the Netherlands Dance Days Maastricht 2013.
A man and a woman dance passionately in the hall of Paradiso. Such an experimental dance performance is unusual for the Amsterdam pop palace. Yet the festival I Like To Watch Too right here. Many people feel a barrier towards this kind of performance, but here there is just the right 'in and out' atmosphere to make avant-garde art something you can just look at and that always triggers something in you.
For more than a decade, Alkmaar film theatre and stage Provadja - one of the oldest Dutch film houses - has been struggling with housing that is far too cramped. Plans have been made for over a decade and last night the city council voted on relocation. And thus chose an option that Provadja's board, staff and volunteers had already categorically rejected. Namely
Isn't avant garde dance too lofty? Is it still viable in these harsh cultural times? I Like To Watch Too aims to clear up this misunderstanding. The festival brings experimental dance closer to the public than ever.
"Let's move on people! I would like to introduce you to Frans van Montfoort. One of the very first buskers in old Hoog Catharijne and almost a living statue." Guide Ton van den Berg, today in the guise of his alter ego Koos Marsman, slaps Van Montfoort on the shoulder. "Good to see you again boy."
We already wrote about the name change of the Orchestra of the East into the Netherlands Symphony Orchestra (NedSym). The Netherlands Philharmonic Orchestra (NedPho) was not amused and felt that the Enschede-based orchestra was infringing its trademark and trademark rights and demanded that the orchestra choose a different name. Summary proceedings followed and in April 2012 the court ruled that the Netherlands Symphony Orchestra could only not use the abbreviation NedSO, but did not have to change its name.
69,500 visitors, at least 5,000 fewer than previous editions, but the halls were fuller. With 82% audience occupancy, the Holland Festival organisers are satisfied with the 2013 festival. Whether that higher occupancy rate, apart from the smaller number of performances (14 fewer than last year) is also due to smaller halls, is impossible to find out from here, but the fact that the large Theater Carré, with its many unsellable low-visibility seats, was also hardly used this year will certainly have helped.
You don't really give it much thought, how weird standing still in a shopping centre like Hoog Catharijne is. At least: if you don't stand still with your head towards a shop window or your fingers in a bowl of fast food. The code for glancing around a shopping mall is so common that it takes some getting used to even for yourself when something forces you to suddenly
Holland Festival
'The Pyre', the latest show from internationally rising star Gisèle Vienne, initially seems less disturbing than her previous work. Pieces like 'Jerk' (2008), based on the true story of a young serial killer, and 'This is how you will disappear' (2010), starring a dark forest, were only seen in a few places in the Netherlands. Hopefully, this performance at the Holland Festival will change that. Gisèle Vienne once studied harp, then philosophy and eventually trained as a puppeteer. But Vienne sees herself primarily as a visual artist working with time, on a stage, where different rhythms, motifs and figures come together.
Jet Bussemaker, minister of culture since last autumn, is slowly but surely starting to repair the damage done by the previous cabinet, supported by the Dutch culture-hating party PVV.
5 million back for culture card, 2 million for museums, something more soon
Holland Festival
Is the kingdom of the dead in the opera Sunken Garden by Michel van der Aa a 3D garden full of brilliant colour, director Peter Sellars chooses in Desdemona by Toni Morrison and Rokia Traoré for sober black and white. On the stage of a sold-out Muziekgebouw aan 't IJ are glass bottles and jars, sometimes lit from below, sometimes from above, with hanging light bulbs like flickering candles. On the left are a number of ngonis (Malian lute) and two koras (Malian harp lute), played by black musicians.
Is it because of the ice age? Is it a question of money or guts? Last night, the Amsterdam cinema Het Ketelhuis hosted the so-called Spring Consultation for the tenth time.
Ah, what the heck. We can, of course, study the piece for ourselves first and then come up with a peppery response and interpretation to it, and it will certainly come. But why
We saw it in March already been coming, but now it is official: culture minister Jet Bussemaker is ignoring the Museum Council's advice. So the advisory panel led by Joop Daalmeijer has not done its homework properly: its idea
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