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THEATER

With text, movement, actors, sets.

Publiciteitsbeeld Eyes Wide Shut door Toneelgroep Maastricht, Foto: Stefan van Fleteren

Eyes Wide Shut: waarom Schnitzlers ‘Droomnovelle’ nog best te lezen is.

Eind deze maand komt Toneelgroep Maastricht met ‘Eyes wide shut’. Het toneelstuk is een bewerking van de gelijknamige film van Stanley Kubrick. Die werd op zijn beurt geïnspireerd door ‘Droomnovelle’ van Arthur Schnitzler. Het boek verscheen negentig jaar geleden en zorgde voor een boel ophef. Seksuele lading In de loop der jaren zijn heel wat literatuurstudies aan Droomnovelle gewijd. Maar wat heeft… 

Lotte van den Berg's 'Time Loop': timelessly intimate with perfect strangers #tfboulevard

Friday afternoon, 5 August 2016. The weather is nice. In the intercity to Den Bosch, I read a book I didn't manage to finish on holiday. I can't manage it this time either: Den Bosch is always closer than you think. Again, the walk from the station to the Joseph Quarter takes less time than Google Maps indicated to me. That came... 

The Back Door, publicity image. Photo: Jan Dirk van der Burg

'Return Turkey': brave confession from a gutmensch on #tfboulevard

The world is changing quite a bit and it's nice when artists do something with it. Festival Boulevard gives Lizzy Timmers the opportunity to make an attempt. That attempt, performed in a somewhat run-down cultural centre in a real Bossche power district, is quite something. Backurk is the name of this semi-documentary performance. Timmers has immersed herself in young, well-educated, well-integrated Turks who have come to the Netherlands... 

Griet Op de Beeck's MONA will blow you away at Festival Boulevard #TFBoulevard

No, these sentences are not in Griet Op de Beeck's theatre monologue Mona, but nicely sum up the bestseller Come Here That I Kiss You (28 printings in just under two years). Op de Beeck adapted the first part into one of Festival Boulevard's most impressive performances. We do see nine-year-old Mona's sentence as a backdrop, complete... 

Boulevard. Scenic photo Piknik Horrific Laika. Photo : Kathleen Michiels

Horror and humour vie for power at Festival Boulevard #tfboulevard

Project Cloud, the latest experiential artwork by Bossche city artist Lucas de Man, may need a disclaimer. Anyone entering the seven-storey work had better not do so in the company of a solid existential crisis. The visitor before me did, and still needed a very good talk with a psychological counsellor afterwards. Who... 

Scenefoto the bicycle thief, Johan petit. Bart van Nuffelen, Photo: Kurt van der Elst

'Bicycle thief': Last-century Flemish formation theatre at Festival Boulevard #tfboulevard

Once upon a time there was this film, Ladri di Biciclette, Bicycle Thieves in Dutch. Italian director Vittorio de Sica established a totally new film movement with it in 1948: neo-realism. Amateur actors pretty much played their own lives at the bottom of the social ladder. Engaging, inspired, raw and confrontational, especially at the time. Little people, caught in the spiral of social... 

Tent Theatre in Den Bosch: The Turret of Order of the Day

Tent Theatre in Den Bosch: high quality, shame about the sound #tfboulevard

Sometimes, people are so angry politically that they furiously turn down the chance to become the country's boss themselves upon hearing the word 'prime minister'. Oscar Kocken, the cheerful host and creator, together with Daan Windhorst, of 'Het Torentje' noticed this last Friday. He was trying to warm up a passer-by to his performance, in a tent on the... 

Zvizdal - Chernobyl so far so close, by Berlin/The Zuidelijk Toneel

If you have nothing but love - Zvizdal is stunning highlight of Festival Boulevard #tfboulevard

I experienced by far one of the most impressive theatre experiences of my life on Friday 5 August 2016. I was a guest at 'Zvizdal - Chernobyl so far, so close' by the Flemish company Berlin, in co-production with Het Zuidelijk Toneel. I saw this 'documentary installation' in an empty factory hall in Den Bosch, where the work is a beautiful resting point in... 

Performing Arts Fund Budget

Performing Arts Fund announces battleground. It's as bad as we feared.

The effects of the previous cabinet's arts cuts are finally becoming clear. The Performing Arts Fund today announced the winners and losers of the battle for four-year subsidies. From 2017, the Dutch art world will be a lot smaller, more meagre and poorer than it was until 2013. Big names are gone, traditions broken down, while what is new faces an extremely uncertain existence.

Romeo and Juliet: loose highlights in the Amsterdam Forest

Huge passenger trunks, like those at the airport, are stacked crosswise on the stage in the Amsterdam Forest. This immense rendition forms the backdrop of Romeo & Juliet by William Shakespeare in the Amsterdam Bostheater's performance. Director Ingejan Ligthart Schenk stages Shakespeare's classic modern, with acrobatics by the Tent Circustheater group and musical input by De Veenfabriek.

Theatre festival Boulevard

Theatre Festival Boulevard: Not the Avignon, but the Berlin of the Netherlands?

There are many reasons not to go on holiday. It costs money, you come back more stressed than you went, the food is no good, it costs tons of CO2 and it doesn't increase mutual understanding between countries either. Reason enough, then, to just stay here and enjoy the free time given to you by the boss, or by yourself if you are self-employed. Without being barked at by airport staff.

Screenshot of Nieuwsuur Geert Wilders,

Oy. @geertwilderspvv sets Richard III as an example to the Netherlands

Finally, it was not quite literal, but he was clearly referring to it: Richard III. Geert Wilders, himself not too culturally savvy, quotes Shakespeare in his umpteenth plea to get the Netherlands out of the EU with pot-covered borders. In the second chamber. I saw it on Nieuwsuur, and you can watch it back. At 39′:49″ minutes into the broadcast he is in debate with his great friend, the VVD's Halbe Zijlstra.

Suburbia’s Vijand van het Volk waarschuwt voor neoliberalisme

Vijand van het Volk is de zomervoorstelling van Theatergroep Suburbia, in de regie van Albert Lubbers. Het stuk haakt aan bij de actualiteit van corrupte bankiers, milieuschandalen en overheidsdienaren die klokkenluiderkwesties in de doofpot stoppen. Deze sterke voorstelling is scherp van toon, polemisch en met vileine humor. Beter dan in eerdere Suburbia-voorstellingen past het vertrouwde dynamische acteerwerk mooi in de theatrale ruimte. Dit keer is dat de grote open schuur op Stadslandgoed de Kemphaan.

Wunderbaum sends you into the night with a smile #HF16

This year's Holland Festival spotlights Rotterdam-based theatre collective Wunderbaum with the revival of 'The Coming of Xia', premieres of 'Privacy' and 'The Future of Sex' and the film 'Stop acting now'. With this film, Wunderbaum concludes their four-year project 'The New Forest', a 'Platform for social change', according to Wunderbaum, "The New Forest depicts transition and casts a... 

Stella actors Oscar Batterham and Richard Cant © Matthew Hargraves

Neil Bartlett's Stella: so perfect it's a bit irritating #HF16

The smallest details speak for themselves. For the second time during this edition of the Holland Festival, the legendary BBC series This Life comes along. Richard Cant, who plays a flawless lead role in Neil Bartlett's play Stella, has previously appeared in This Life, the series that set the standard for the modern docusoap in 1996. So now live, up close, in De Brakke Grond's Red Hall, the man who also played a solid role in Midsomer Murders.

Grunberg doesn't come out of his hole in The Future of Sex #HF16

Woody Allen made sure in 1972 that his fans could not watch Star Wars with dry eyes years later. The final scene of his film 'Everything You Always Wanted To Know About Sex, But Were Afraid To Ask' shows us the male brain as the bridge of a Star Cruiser where the crew is hard at work to bring a date to a successful conclusion. The spermatozoa in the front are a squabbling gang of take-off runners, heading for an uncertain descent towards beating egg.

The Dark Ages: beautiful investigative theatre by Milo Rau. #HF16

When we think of 'The Dark Ages', we think of the rough raw dark Middle Ages, with church and king and no hygiene. However, Swiss director Milo Rau's performance, now at the Holland Festival, refers to a much more recent piece of European history. In a recent interview With the Culture Press, he said:

Though dated, Pina Bausch' Nelken still impresses #HF16

This way from row nine, it is like being knee-deep in carnations yourself. The heads of the audience in front of me merge silently into a forest of stems crowned with pink, through which dancers carefully step back and forth like leggy chickens.

The find is great: Nelken by Pina Bausch depicts paradise as a place where you have to be careful or things will go wrong. The carnations force the dancers to be careful. As a spectator, you go along with them, without all the underlying thoughts immediately coming through to you.

Gardens Speak ©-Tania-El-Khoury-1-

Digging in the earth stays on the surface in Gardens Speak #HF16

There I am. Next to Holland Festival director Ruth Mackenzie, on a grave, as part of the installation Gardens Speak on the stage of the main hall of Theatre Bellevue in Amsterdam. There is nothing to see, little to hear. Tone lights suggest a rising sun after a few minutes. I get up together with the ten other visitors. Quite a shame, because I was actually quite comfortable lying there.

The programme booklet sounded promising:

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Melancholia-Bryony-Dwyer-junges-theatre-basel-©-Sandra-Then

All 18 gloomy: Melancholia is concert for sour old men #HF16

We are all going to die! We already have that certainty in. And since the dawn of mankind, every new generation invariably knows that it is going to happen to them now. After all: their successors have never prospered anywhere like today's youth. Nice premise for a concert, thought German director Sebastian Nübling[hints]Nuling was a guest at the Holland Festival last year with an adaptation of Hebbel's play Nibelungen, read the review and a interview.[/hints], good idea to programme, thought the Holland Festival. I seriously wonder why.

We are the forest. Christiane Jatahy achieves maximum impact at #HF16

There are countries in the world, where the boundaries between art disciplines are not as sharply drawn as they are here. The Holland Festival, under the new leadership of Ruth MacKenzie, is catching us up. She is bringing events here where the boundaries between visual art, performance, video, film and performing arts can no longer be drawn. Events that generate meaning in ways that are quite new to us, such as The Encounter, last week, and Gardens Speak, later this week.

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