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A while back, there was fuss in the Netherlands about the BUMA, the club that collects copyrights for musicians and publishers. Money had been lost in speculation and a director was engaging in nepotism. These cases do not appear to be isolated. At least, they are also mentioned in an overview of all known cases of abuse of power and corruption at collecting societies worldwide.
The Theatre Museum's entire collection has been saved. The archives of such luminaries as Wim Kan and Louis Davids, as well as 50,000 theatre reviews, 30,000 theatre posters, 146,000 photographs of 22,000 performances, 26,000 portrait photographs of 2,450 theatre-makers and an extensive audio and video collection will be housed at the University of Amsterdam.The move is possible now that the Ministry of Education, Culture and Science (OCW), with the ever-money-hungry State Secretary for Culture Halbe Zijlstra, is no longer seizing the reserves of the Theater Instituut Nederland (TIN).
It is the first mass scene in Wagner's Ring: Siegfried leads Brünnhilde to the Gibichungenburg and Hagen summons all his men. From the side stage there is literally a deafening blare of horns, but conductor Ed Spanjaard allows the play to continue. And rightly so: the orchestra has a spark. The whole stage is filled in an instant and the choir swells in strength, louder and louder, ever louder, until the ecstatic apotheosis:
No fewer than eight collections of arias, cantatas, duets and sacred works were published by Barbara Strozzi (1619-1677). She enjoyed great prestige in the Accademia degli unisoni founded by her father, and lived off her compositions.
What could be the matter with the Rotterdam Philharmonic Gergiev Festival - the official name to emphasise its international appeal anyway? As soon as you enter concert hall de Doelen, you immediately get the feeling that you have arrived at an ordinary, weekday concert, even though Valeri Gergiev is on the posters. No decoration of the large rooms...
Unruly Gallery, a tiny underground art gallery on Amsterdam's Cliffordstraat, presents the group exhibition We, the Artists. Featuring portraits of artists created by other artists. How self-referential do you want it to be? Very worthwhile nonetheless. Unruly Gallery is one of the few artist-run galleries in Amsterdam with a refreshing do-it-yourself attitude. The gallery was set up by Niels Meulman and Adele...
It is now official. Magnesium, with which Sam de Jong graduated as director from the Film Academy, was already praised in several publications earlier this year. So it did not come as a complete surprise that yesterday afternoon, during the drinks on the roof terrace of the Film Academy, the Kring van Nederlandse Filmjournalisten announced that Magnesium declared itself winner of the KNF Prize for best...
It had to be a party, because there has been enough shouting and complaining and it doesn't help anything anyway. After a year in which the theatre sector in particular felt the hard hand of Mark Ruttes happy crisis policy, awards had to be handed out again. So the already not-so-huge crème de la crème of the Dutch theatre world gathered again for the gala at Amsterdam's Stadsschouwburg. It was a valiant attempt at optimism, while
"That fairytale world has never been my world," director Ivo van Hove declared before the premiere of Schreker's fairytale opera Der Schatzgräber. Remarkable, as Van Hove and his regular scenographer Jan Versweyveld were previously responsible at De Nederlandse Opera for Tchaikovsky's Iolanta and Janáček's The Makropulos case - also fairy tales rather than grand dramatic works.
The Netherlands Opera opens the season with a rarely performed opera by Franz Schreker, which mixes pagan and Christian themes. The brilliant music is countered by the chilly direction, preventing identification with the characters.
Quite a few VVD people were angry with us, because last year we made the Rotterdam alderman for culture caught stupid: she argued that cultural institutions did not need to open during the week at all, because hard-working people only had time for art on weekends anyway.
I did it just like that. Proclaimed a show as the most important theatre innovation for 20 years. That's daring. Even though I made the term a bit more vague in a subsequent tweet, because, yes, there has been quite a lot of innovation in recent years, left and right in theatres. So let's stick to 'the last few years'. And then...
To be seen from Friday 7 September in the Amsterdam Stadsschouwburg foyer: this dancing copy by the artist Leonard van Munster. A nice combo of dance, technology, theatre and art, we thought.
There has been another interesting cultural twist to the 'Europe debate'. Someone has called out that it watermark of the new series of euro banknotes will include a picture of 'the rape of Europe' by the Greek supreme god Zeus. The anti-Europe and anti-Greeks in the various timelines need no more to frame the banking mafia's conspiracy against European citizens.
Winning two awards in one weekend, that doesn't often happen to a person, not even in the award-winning art world. Eric de Vroedt is a theatre-maker and writer to whom it has thus happened. Entering his final season 'MightySociety' he got the Amsterdam Prize (35,000 euros) and the Prize of Criticism (a statuette), determined by a jury of newspaper reviewers.
Next year, the Netherlands Film Festival will have to face extensive budget cuts. Therefore, let's enjoy this year extra, was the recommendation with which festival director Willemien van Aalst closed the press conference presenting the programme of the 32nd Netherlands Film Festival this afternoon. Precisely in this time of economic headwind, the festival has chosen this year's The Promise
Lots of bobbing on boards. That's what drama on television is mostly. And actors with weird reverberations in intimate scenes. That too. It is easy to shoot at attempts to bring successful performances to the TV or cinema screen. They almost always make viewers feel that their medium is shooting back 80 years in development. This is also why every attempt by the Dutch Public Broadcasting Corporation to make our fairly highly regarded stage art attractive to a wider audience via TV fails. Theatre or opera on screen is especially suitable for
In the small Dutch art world, it is impossible to put together a committee of experts which is entirely independent. Anyone with knowledge of business also has knowledge of people, or has worked at an institution that is now to be judged. Or works there now. Reason enough, then, for speculation and conspiracy theories.
Yet money for the National Academy of Visual Arts, money for an orchestra merger in the south of the Netherlands and 4.7 million for a knowledge institute for amateur art. The clear-cutting of the Dutch cultural sector has become a little less extreme thanks to a second advice from the Council for Culture. Besides the aforementioned positive assessment, there is also money for a knowledge institute for the creative sector
I would like to take a moment to put this one to you. Quote from this morning's volkskrant, where editor Harmen Bockma makes a valiant attempt to list all the figures of culture carnage, but fails a little in doing so. It also remains difficult to identify the fallout in the basic infrastructure add to the dropout at the fund, but it is proving altogether difficult to discern what
On Wednesday 1 August 2012, the Performing Arts Fund will announce the results of the lottery that granting arts subsidies has now become. Huge cuts are looming: companies and makers that by now seemed to be a permanent part of the Dutch arts landscape will disappear. Exactly what it will look like, we know
While YouTubesurfing, I stumbled upon these razor-sharp sketches of Stephen Fry and Hugh Laurie. Descended from the heyday of their genius programme A Bit Of Fry & Laurie. Watching this beautifully parsed windbag, a nasty feeling came over me that damn little has changed in the mindset of art critics since this skit was broadcast. Complacency is always lurking.
I Like To Watch Too: abundance of performances shows that dance and performance are powerfully connected to modern society. The dance steps rain down on you even before you have entered Paradiso. Tim Boerlijst tap-dances on the pavement. This infectious welcome immediately draws visitors into the atmosphere of 'I Like To Watch Too'. This festival showcases dance and performance from...
With Black Box / Chambre Noire the Jewish Historical Museum presents the first exhibition by South African artist William Kentridge in the Netherlands. A multimedia artwork On the first genocide of the 20th century. Now on display at the Jewish Historical Museum.
EYE is pulling out all the stops. This year, the final exam papers of the students of the Netherlands Film and Television Academy will get an ideal presentation in the largest auditorium of this new film centre. What is also new is that yesterday, immediately following the screening for press and relations, awards were handed out for best commercial (The End, Soon), best documentary (A Twist in...
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