The uncertainty of the events sector and cultural institutions, after 17 months of lockdowns and one-and-a-half-month openings, is not only disastrous for the mood of directors, artists and spectators. According to the Creative Sector Taskforce, much more is being lost. In fact, a 'Marshall Plan' is needed to get the cultural and creative sector back on its feet,...
Shall I just start straight to the point? I am angry with my sector colleagues. Not at all of them, but at a very large proportion. I am angry at all those big youth theatre companies that have figured out from their marketing departments with fat subsidies that a registration for youth theatre is only worth 2.99. So taking the whole family to watch...
When it talks about 'some adjustments', of course, you have to be careful. They know that at the province, so they don't mention details. And those details include a cut of 1.3 million from previously promised amounts.
On Thursday morning 12 November, the culture spokespersons of Christen Unie, VVD, D'66 and Groen Links entered into a debate on culture. However, the debate organised by LACK (Landelijk Kennisinstituut Cultuureducatie en Amateurkunst) Kunsten '92, the Fund for Culture Participation and the Boekman Foundation did not become scintillating for a moment.
From 1 July, more people will again be able to attend performances and cultural festivals. In theatres, cinemas and concert halls, a maximum of 30 people will no longer apply. From then on, the space will be leading instead of the number of visitors. However, basic rules such as 1.5 metres must be observed. In addition, a health check takes place beforehand, advance booking is necessary and...
This is the recording of the presentation: And here is the full text of the press release. Explanation follows, but we will read first. More room for innovation and culture outside the Randstad provinces 04-06-2020 | 14:00 | The Hague The Council for Culture advises giving more institutions with innovative cultural offerings and institutions from outside the Randstad provinces the chance to be on...
Ingrid van Frankenhuyzen's article on the high pay for some directors in the arts sector (Forget KLM and Booking: directors are big earners in the subsidised arts too.), and Wijbrand Schaap's commentary on it in the Cultural Press Agency newsletter lack context. Why do I think so? Salaries within cultural institutions follow collective agreements/wage guidelines that are in place in the industries...
'When the economic interests of involved parties outweigh the interests of the cultural sector, you end up getting movements like the ones we are seeing now in Brabant. Art makes itself more important than it is, and that sets off bad blood.' We have a conversation with Alexander Plooij, entrepreneur and once active in the cultural sector as a professional trumpet player, manager of music schools and...
Cultural institutions in the province of Utrecht say they "fear for the survival of the province's finely-meshed arts and culture sector" in a letter to the Provincial Executive and Provincial Council. They are sounding the alarm about the consequences of the corona measures. The letter was drafted by over a hundred institutions: venues, both larger ones in Amersfoort and Utrecht and smaller ones in other municipalities, museums,...
The Advisory Multi-Year Policy Plan Arts and Culture 2021-2024 for The Hague was presented online on Friday 24 April. What stands out for dance in this City of Dance? Inclusion and diversity What at least stands out is that in the plan, the word 'inclusion' appears 110 times and 'diversity' 96 times. Then you know what time it is. Yet the Advisory Committee also gives...
They have learned something at Boekman. The foundation, which since this year has had the honour of managing the culture index, understands that trend graphs say precious little. We have observed this several times on this site, and the researchers now confirm this wholeheartedly. So this year the club is doing things differently. For the past few months, sixty wise men and women have been...
"When you tell it, it all seems so logical," a good friend said last week, "if a board were to hear this..." Education, every day it is in the newspaper and we debate society-wide dully about the importance of good education, about teacher shortages and class sizes. While the cabinet sits mute in the hope of getting out from under...
Put 15 or so bouncy balls from the first grade of primary VMBO in an antique cabin of a few square metres and you can be sure there will be a hundred of them. Music they will make and they themselves had thought it should be about a forest. Protoon's accompanist is going to arrange that for them. There are pads ready,...
Woest is a cultural education festival for and by young people and offers a place for experimentation outside education. Woest is a unique partnership between education, culture providers and young people. In fact, what makes Woest unique is that young people themselves come up with new things that can make education more fun and better. The pupil's voice is always the starting point. In recent months,...
On 11 April 2019, the Council for Culture put a shovel in the dykes of the polder that is the Dutch cultural system. After all, the basic infrastructure, established in 2009 to finally bake renewal and flow into the system, is dead. The structure carefully conceived over years has been turned into a ruin by 10 years of cultural policy in which the...
![M carbunaru [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)], from Wikimedia Commons](https://cultureelpersbureau.nl/wp-content/uploads/2019/02/Vasile_Craciun_-_competitie_internationala.jpg)
How nice it would be if Zutphen were to be Cultural Capital of the Netherlands next year, proudly representing itself and thanks to a strong impulse from its surrounding area: the province of Gelderland. They could immediately tackle the hopeless situation of the local theatre, the kids from the suburbs could also go to hip-hop in a real hall and everyone in the Netherlands would know...
A thousand schoolchildren a day in the House of Representatives. No less than that. That's what Culture Minister Ingrid van Engelshoven wants. Costs 4.8 million. Money that you will actually pay through your theatre ticket, the library book, the museum ticket. Because real art could have been made from that 4.8 million. It is a big question why the compulsory Second Chamber visit has to be paid for from...
The trigger for this story is that relatively recently, the Council for Culture published its sector foresight. The summary opens with the words that 'Culture moves'. A rather euphemistic statement in my view. In this case, it means that the making, spreading and experiencing of culture is constantly changing. The second very obvious observation of...
In my work, I entice people to come into contact with art. And especially art with a big K. The art that is often marketed as 'difficult' or, in an attempt to get rid of its negative image, as 'vulnerable'. Liberal politicians would perhaps say art that 'doesn't act normal'. It is the kind of...
The Rutte III Cabinet is finally in place after long negotiations. It is a cabinet that will govern in financial prosperity, but that prosperity applies to a very limited extent to the Arts & Culture sector. Step by step, the cabinet will work towards an extra 80 million euros for the Culture sector from 2020, it says. But if this were to be enough...
Tomorrow, Culture in View, the annual OCW conference for the cultural sector, is dedicated to diversity. Although the topic was already raised by Rick van der Ploeg in the late 1990s, diversity within the cultural sector anno 2016 still lags far behind the changing demographic composition of the population. Diversity should no longer remain just an agenda item. Under the motto: No...
That 10 million is officially in. The art world is doing its best to sound grateful. The employers in the performing arts, gathered in the NAPK, have sent Bussemaker a thank you. Because she is not cutting 300 million from culture, but only 290 million. The extra money raked together last year by various lobbyists and parties is now anchored in the...
No, the culture debate on 8 June in the province of Overijssel was not uplifting. The Cultuurnota 2017-2020 was adopted unanimously, except for two votes from the SGP. No fireworks about, for instance, the forced cooperation between the Orkest van het Oosten and Het Gelders Orkest. No hefty investments to fix national and provincial cuts. All spokespersons came up with predictable monologues, comparisons were made with other regions and, above all, they looked enviously at the Randstad, but there was no debate. The Christian parties are worried about empty churches, and the PVV, which is of course actually against subsidies, made some obligatory remarks about safeguarding the Overijsselian identity.
Last weekend's workshop The Relevance of Dance, organised by Dansmakers Amsterdam and the European Dance House Network, sought to answer the question: What is the relevance of contemporary dance art for audiences? Suzy Blok, general director of Dansmakers Amsterdam, opened the atelier by talking about the desire of production houses to bring dance more to the...
Since the financial crisis and subsequent cuts, the cultural sector has been forced to legitimise itself. Scientific research has to demonstrate the social outcome of art and culture. To assist the cultural sector in this, the Landelijk Kennisinstituut voor Cultuureducatie en Amateurkunst (LKCA) therefore started the so-called 'fact factory', a numerical overview of key data and developments in the...
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