The sixth edition of CinemAsia kicks off on 1 April in Amsterdam. The festival offers a broad and surprising overview of films from Asia. Ranging from anime from Japan to a documentary on Indonesian action films or a contemporary Filipino relationship comedy. Culture Press already dived into the programme. In itself, of course, there is plenty to choose from when you look at all those prolific studios in China, Japan, South Korea,...
The latest edition of the Movies that Matter festival kicks off in The Hague on Friday 20 March 2015. A fitting location for a festival that occupies a unique position with its focus on human rights and cinema. On Culture Press for a preview of the programme. Movies that Matter, like previous years, offers an interesting mix of documentaries and fiction films that will give you a...
Jazz musician and teacher Clark Terry died last month. Jazz journalist Jeroen de Valk looks back on a candid interview with one of the greatest trumpet players of all time. It was only on 21 February that he fell silent, Clark Terry. He was 94 and had been in the musician's business for at least 75 years. Go figure: he made his living as a trumpeter as a young teenager and...
Clark Terry was a legend and is no more. The American jazz trumpeter died on Saturday at the age of 94. He began his musical career with jazz greats Count Basie and Duke Ellington, who soon recognised his extraordinary talent. He said of the two: "Count Basie was college, but Duke Ellington was graduate school." [Tweet ""Count Basie was college, but Duke Ellington was ...
Film and film criticism. Image versus the word. But what happens when the critic starts using visual language too? Well, something like this, for example: Transformers: The Premake, by Kevin B. Lee. Romance or amour fou It seems so obvious in today's digital online world. Is the video essay an answer to the crisis, perceived or otherwise, in art criticism? Film critics...
What would the end of a year be without favourites lists? Therefore, herewith my choice of the three best CDs/DVDs of 2014. Unsuk Chin: 3 Concertos Korean-German composer Unsuk Chin is considered one of the most important composers of our time. She has been awarded many times, including the prestigious Grawemeyer Award (2004) and the no less important South Korean Ho-Am...
Morgan Knibbe doesn't do that badly at all. Graduated from the Film Academy two years ago, already on equal footing with the world's best documentary filmmakers at IDFA. Those Who Feel the Fire Burning is his unconventional portrayal of the world of refugees who ventured across to Europe. Now nominated for IDFA's top prize, the award for best feature-length documentary. It...
So I spent five minutes in singer-songwriter Patrick Watson's studio. He played a bit. Put his phone in the ashtray. Said something to his labrador. And I could look around quietly while he played. Behind me, in front of me. Below and above. Nothing like sitting at an artist's home while he plays. And he wasn't bothered...
At Bare choreographer Kenzo Kusuda shows portraits of six musicians of the New European Ensemble as in a choreographic documentary. These come at you in the dark and finally climb over your seat. You can't make your message any clearer.
Scene 1 - Expectations The main hall of film theatre 't Hoogt was filled with people from the film sector on Wednesday afternoon at the invitation of the Film Fund. The subject of the meeting is the chronically low attendance of more artistic Dutch films. This has been the case for a long time, by the way, and not only in the Netherlands. Should new avenues be explored? Should expectations be...
Susanne Marx is at Oostblok, the former Muiderpoort theatre in Amsterdam, for two days with the performance 'Girl Loos'. You could call 'Meisje Loos' a critical family performance: for young and old, about growing up and playing with obligatory roles, male-female, white-black, dancer-rapper, harp or beatbox. Genderbending as a theme for the whole family, with a fringe programme featuring Karin Spaink, Linda Duits, Machteld Zee, Rickie Edens and Alex Bakker perform and engage in conversation.
One of the rules of thumb of contemporary theatre art reads as follows: There is no middle ground in a production with an insanely long title. Such a production is either fantastic or dies of its own pretensions. At Judson church is ringing in Harlem (made to measure) / twenty looks of paris is burning at the judson church (m2m) is the latter.
In cinemas this week: In the Name of, an old-fashioned solid Polish drama about a priest who tries in vain to escape his homosexuality through celibacy. He works in a village in the province with difficult-to-educate teenagers. "I would like to fuck all those boys," he exclaims
The Valley of Astonishment. Titles don't come much prettier than that of 'The Valley of Astonishment'. Theatre legend Peter Brook's tentative last play is coming to Amsterdam. The Holland Festival gave me and two journalists from Parool and NRC, respectively, the opportunity to talk to the already legendary director when he was alive. Pretty special, because the man who enchanted an entire generation of theatre-makers and audiences with performances such as the nine-hour Mahabharata in Avignon, is considered a deity among theatre connoisseurs and enthusiasts.
Contrary to what some expected a few years ago, 3D in artistic film is still a rarity. So then, when something pops up in this corner again, it immediately makes one curious. And so I don't mean Cathedrals of Culture, the 3D film project by Wim Wenders and five other filmmakers starring buildings. That Wenders is a 3D believer we already knew.
I mean that other 3D premiere at the Berlin festival: Above Us All of the Dutch
Watching the emotional pulse of the world live, designed as a screen full of dancing dots. That was possible last night at IDFA during the live cinema event, presented by internet artist Jonathan Harris.
Way back when fast food had just been invented
A bit decadent it was last night. In a festive mood with glass in hand to the kick-off of the 26th edition of the documentary festival IDFA in Tuschinski, and then an hour and a half of watching the fortunes of a group of Syrian rebels in the completely destroyed city of Homs.
"Children are the best judges of what makes a good children's film," a member of the Cinekid children's jury spoke confidently. There may be room for improvement on that, but the fact is that at the awards ceremony on the festive closing night of the Cinekid festival, there was remarkable agreement with the adult jury.
Not only did both juries nominate the same film twice
The Dutch Film Festival not only kicked off tonight with the slavery drama How expensive was the sugar, but also with the presentation of the first awards. Janina Pigaht received the Filmprijs van de Stad Utrecht, the award for best debut, for her documentary Diaries of an elephant. In it, Pigaht goes in search of SS past
Paul Verhoeven, Dick Maas, Katja Schuurman, Monique van de Ven and Kim van Kooten are all special guests at the upcoming edition of the Dutch Film Festival. Nothing special, you might think, but if you see them on the festival posters you probably won't recognise them. After all, they are namesakes of well-known film personalities who this year
The collaboration between pianist Tomoko Mukaiyama and choreographer Nicole Beutler in the performance 'Shirokuro', seen last week at the Holland Festival, provides a beautiful perspective on two piano sonatas by Galina Ustvolskaya. 'Shirokuro' means black and white in Japanese. Despite strong visuals and impressive co-protagonists on stage, the Russian composer's absolute music is never explained and therefore retains its sheer power.
Fransien van der Putt, together with choreographer and dance film-maker Angelika Oei, saw five new Dutch dance films during Cinedans. Some of the results were promising. The films all transcended the level of visual gimmick. In its place is a struggle with fiction and physical credibility.
Fransien van der Putt, dance expert from Culture Press, and Helen Westerik, film expert, attended the opening of Film Festival Cinedans and were amused, but not always by the programme.
Two opposites had emerged. Would the VPRO IDFA Award for best feature-length documentary go to a personally coloured auteur's film, or to a thoughtful account of a major issue? To Alan Berliner's remarkable portrait of Alzheimer's-affected poet Edwin Honig, or to Dror Moreh's fascinating insight into the Israeli secret service?
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