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CinemAsia 2015: a continent of new film

The sixth edition of CinemAsia kicks off on 1 April in Amsterdam. The festival offers a broad and surprising overview of films from Asia. Ranging from anime from Japan to a documentary on Indonesian action films or a contemporary Filipino relationship comedy. Culture Press already dived into the programme. In itself, of course, there is plenty to choose from when you look at all those prolific studios in China, Japan, South Korea,... 

Movies that Matter 2015

Engagement on the big screen: Movies that Matter 2015

The latest edition of the Movies that Matter festival kicks off in The Hague on Friday 20 March 2015. A fitting location for a festival that occupies a unique position with its focus on human rights and cinema. On Culture Press for a preview of the programme. Movies that Matter, like previous years, offers an interesting mix of documentaries and fiction films that will give you a... 

Clark Terry: a jazz legend airs his heart

Jazz musician and teacher Clark Terry died last month. Jazz journalist Jeroen de Valk looks back on a candid interview with one of the greatest trumpet players of all time. It was only on 21 February that he fell silent, Clark Terry. He was 94 and had been in the musician's business for at least 75 years. Go figure: he made his living as a trumpeter as a young teenager and... 

On the death of a peerless jazz legend: Clark Terry 1920 - 2015

Clark Terry was a legend and is no more. The American jazz trumpeter died on Saturday at the age of 94. He began his musical career with jazz greats Count Basie and Duke Ellington, who soon recognised his extraordinary talent. He said of the two: "Count Basie was college, but Duke Ellington was graduate school." [Tweet ""Count Basie was college, but Duke Ellington was ... 

Critics' Choice back at IFFR 2015 with new tools for the film critic

Film and film criticism. Image versus the word. But what happens when the critic starts using visual language too? Well, something like this, for example: Transformers: The Premake, by Kevin B. Lee. Romance or amour fou It seems so obvious in today's digital online world. Is the video essay an answer to the crisis, perceived or otherwise, in art criticism? Film critics... 

The best CDs of 2014

What would the end of a year be without favourites lists? Therefore, herewith my choice of the three best CDs/DVDs of 2014. Unsuk Chin: 3 Concertos Korean-German composer Unsuk Chin is considered one of the most important composers of our time. She was awarded many times, including the prestigious Grawemeyer Award (2004) and the no less important South Korean Ho-Am... 

Thumbs up for Morgan Knibbe - Those Who Feel the Fire Burning nominated at IDFA

Dat doet Morgan Knibbe helemaal niet slecht. Twee jaar geleden afgestudeerd aan de Filmacademie, nu op IDFA al op gelijke voet met ’s werelds beste documentairemakers. Those Who Feel the Fire Burning is zijn onconventionele verbeelding van de wereld van vluchtelingen die de oversteek naar Europa waagden. Nu genomineerd voor de hoofdprijs van IDFA, de prijs voor beste lange documentaire. Het… 

'Immersive reality' shows fierce future for visual journalism on #IDFA

So I spent five minutes in singer-songwriter Patrick Watson's studio. He played a bit. Put his phone in the ashtray. Said something to his labrador. And I could look around quietly while he played. Behind me, in front of me. Below and above. Nothing like sitting at an artist's home while he plays. And he wasn't bothered... 

Bare Joris-Jan Bos

The most fun concert ever is Bare, a choreography for six musicians

In Bare toont choreograaf Kenzo Kusuda als in een choreografische documentaire portretten van zes musici van het New European Ensemble. Die komen in het duister op je af en klimmen ten slotte over je stoel heen. Duidelijker kun je je boodschap niet maken.
Duizenden uren moeten ze studeren, die musici. Maar muziek is voor hen het mooiste dat er is. Vandaar dat ze zelfs een tweede hypotheek willen nemen op hun muziekinstrument. Het is de worsteling van de musicus die centraal staat in Bare. De Jap...

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2600 visitors for Supernova, couldn't be better? A tough issue in 7 scenes

Scene 1 - Expectations The main hall of film theatre 't Hoogt was filled with people from the film sector on Wednesday afternoon at the invitation of the Film Fund. The subject of the meeting is the chronically low attendance of more artistic Dutch films. This has been the case for a long time, by the way, and not only in the Netherlands. Should new avenues be explored? Should expectations be... 

BEST RELATED SECRET #1: Susanne Marx, Karin Spaink and Girl Loos in Eastern Bloc

Susanne Marx is at Oostblok, the former Muiderpoort theatre in Amsterdam, for two days with the performance 'Meisje Loos'. You could call 'Meisje Loos' a critical family performance: for young and old, about growing up and playing with compulsory roles, male-female, white-black, dancer-rapper, harp or beatbox. Genderbending as a theme for the whole family, with a fringe programme featuring Karin Spaink, Linda Duits, Machteld Zee, Rickie Edens and Alex Bakker perform and engage in conversation. 

On M2M and genius theatre makers who completely miss the mark

Eén van de vuistregels van de hedendaagse theaterkunst luidt als volgt: Er bestaat geen middenweg bij een voorstelling met een krankzinnig lange titel. Zo’n productie is fantastisch, óf sterft aan de eigen pretenties. Bij Judson church is ringing in Harlem (made to measure) / twenty looks of paris is burning at the judson church (m2m) is dat laatste het geval.
In 2012 zag ik een eerdere voorstelling van danser / choreograaf Trajal Harrell, getiteld (M)imosa. Een fascinerend, ontregelend en best ...

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'Are all priests gay?" and six more questions to the director of In The Name Of

Deze week in de bioscoop: In the Name of, een ouderwets stevig Pools drama over een priester die door het celibaat tevergeefs aan zijn homoseksualiteit probeert te ontsnappen. Hij werkt in een dorpje in de provincie met moeilijk opvoedbare tieners. "Ik zou al die jongens wel willen neuken", roept hij
in een moment van vertwijfeling. Bij de première vorig jaar in Berlijn vertelde filmmaakster Malgoska Szumowska (Elles) er meer over.
Waarom dit verhaal?
"Vier jaar geleden kwam ik een krantenberich...

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Legendary director Peter Brook (89): Theatre is the field given to me

The Valley of Astonishment. Titles don't come much prettier than that of 'The Valley of Astonishment'. Theatre legend Peter Brook's tentative last play is coming to Amsterdam. The Holland Festival gave me and two journalists from Parool and NRC, respectively, the opportunity to talk to the already legendary director when he was alive. Pretty special, because the man who enchanted an entire generation of theatre-makers and audiences with performances such as the nine-hour Mahabharata in Avignon, is considered a deity among theatre connoisseurs and enthusiasts.

World premiere in Berlin of Dutch 3D experiment Above Us All by Eugenie Jansen

In tegenstelling tot wat sommigen een paar jaar geleden verwachtten is 3D in de artistieke film nog steeds een zeldzaamheid. Dus als er dan in deze hoek weer eens iets opduikt maakt dat direct nieuwsgierig. En dan bedoel ik dus niet Cathedrals of Culture, het 3D-filmproject van Wim Wenders en vijf andere filmmakers met gebouwen in de hoofdrol. Dat Wenders een 3D-gelover is wisten we al.
Ik bedoel die andere 3D-première op het Berlijnse festival: Above Us All van de Nederlandse Eugenie Jansen. Ni...

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IDFA 2013 opent met strijd in Syrië

Een beetje decadent was het wel gisteravond. In feestelijke stemming met het glas in de hand naar de aftrap van de 26e editie van het documentairefestival IDFA in Tuschinski, en dan anderhalf uur kijken naar de lotgevallen van een groepje Syrische opstandelingen in de volledig kapotgeschoten stad Homs.

Het met steun van het IDFA Bertha Fonds gerealiseerde Return to Homs van Talal Derki toont in de vorm van ongepolijste direct cinema een beeld van de strijd zoals we dat - alle media ten spijt - ...

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Realistic-optimistic The Rocket wins double award at Cinekid

"Kinderen kunnen het beste beoordelen wat een goede kinderfilm is", zo sprak een lid van de Cinekid-kinderjury vol zelfvertrouwen. Daar valt mogelijk nog wel iets op af te dingen, maar feit is wel dat er bij de prijsuitreiking op de feestelijke slotavond van het Cinekid-festival opmerkelijke overeenstemming met de volwassen jury was.
Niet alleen nomineerden beide jury's tweemaal dezelfde film (The Rocket en Your Beauty is Worth Nothing), maar ook kozen ze beide The Rocket als uiteindelijke winna...

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Nude is main theme at 33rd edition Netherlands Film Festival, Hoe Duur was de Suiker opening film

Paul Verhoeven, Dick Maas, Katja Schuurman, Monique van de Ven and Kim van Kooten are all special guests at the upcoming edition of the Dutch Film Festival. Nothing special, you might think, but if you see them on the festival posters you probably won't recognise them. After all, they are namesakes of well-known film personalities who this year

Shirokuro © Anja Beutler

Unmercifully gracious, 'Shirokuro' builds on hammered Ustvolskaya @HollandFestival

Holland Festival

The collaboration between pianist Tomoko Mukaiyama and choreographer Nicole Beutler in the performance 'Shirokuro', seen last week at the Holland Festival, provides a beautiful perspective on two piano sonatas by Galina Ustvolskaya. 'Shirokuro' means black and white in Japanese. Despite strong visuals and impressive co-protagonists on stage, the Russian composer's absolute music is never explained and therefore retains its sheer power.

Fiction in dance films, (how) does it work? Good question at festival Cinedans

Fransien van der Putt, together with choreographer and dance filmmaker Angelika Oei, saw five new Dutch dance films during Cinedans. Some of the results were promising. The films all transcended the level of visual gimmick. In its place is a struggle with fiction and physical credibility.

Wry-poetic Alzheimer's doc First Cousin Once Removed best of IDFA

Two opposites had emerged. Would the VPRO IDFA Award for best feature-length documentary go to a personally coloured auteur's film, or to a thoughtful account of a major issue? To Alan Berliner's remarkable portrait of Alzheimer's-affected poet Edwin Honig, or to Dror Moreh's fascinating insight into the Israeli secret service?

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