Writer and publicist Henk Pröpper had only just moved to his beloved Paris when the city came to a standstill, and so did his heart almost. Once fitted with a pacemaker, he took to the city in the one hour a day Parisians were allowed. A new world opened up for him. For Henk Pröpper (62), former director...
Naomi Velissariou (1984) was actually supposed to be at the Bossche Festival Boulevard 2021 with more performances. This year, her entire trilogy 'Permanent Destruction' would be performed in a setting like club rave. Fierce musical theatre, based on playwrights Sarah Kane and Heiner Müller, and concluded with the more subdued work 'Pain against Fear'. All parts have received rave reviews from audiences and press, but...
From Thursday 2 to Sunday 12 September 2021, the Netherlands Theatre Festival will show the best productions of the past theatre season. The Netherlands Theatre Jury, headed by jury president Hadassah de Boer, selected the eight best theatre productions of the moment. Today, the jury announced its selection. The full selection can be seen during the upcoming edition of the festival
Rather unexpectedly, it was announced this week that cultural and entertainment venues will be test sites for reopening society next month. It came rather out of the blue, as everyone was still working on petitions and other pleas to reopen cultural buildings. After all, they have their corona protocols in place there better than the Albert Heijn on my corner....
Can anything general be said about a work of art? Do we see the same thing, and isn't a journalist giving a meaning also an act of exclusion for those who think differently? Questions that you actually have to deal with every day in the art journalism profession. Marijn Lems (NRC/Theaterkrant) and Wijbrand Schaap...
Marijn (NRC/Theaterkrant) and Wijbrand (Culture Press) disagree quite often, prompting another solid podcast about how to look at theatre professionally. This time, Wijbrand had got excited about the fact that stand-up philosopher Laura van Dolron performed a play for two invited guests each time, professionals mostly, and that they then wrote entire newspaper pages full of...
This episode, number 5 already in an increasingly well-listened-to podcast series, is about the future of theatre. A future after Corona, of course, but also the future as some theatre makers and journalists dream of it. For example, Marijn Lems (NRC) and Wijbrand Schaap (Culture Press) talk about Milo Rau, the high-profile artistic director of NTGent (Belgium). Who came a few years...
The best works of art are failures, and it is up to the public to give them a meaning over which the artist has no control, argued comedian Micha Wertheim in an essay for De Correspondent. We thought that was a good topic for our fourth geek podcast. Marijn Lems (NRC,Theaterkrant) does sometimes clash with people who give him too much in his reviews,...
Did you know that one in 10 Dutch people suffer from severe loneliness? The subject is more topical than ever due to the corona crisis and yet we find it hard to talk about it with each other. On Wednesday 31 March at 8pm, TivoliVredenburg and city lab RAUM present a candid interview with Flemish psychiatrist Dirk de Wachter by Rachel Rosier....
Critics by default have a different opinion than the average audience. That, says Marijn Lems, theatre journalist at NRC and Theaterkrant, is what this research shows. Reason for us to take a closer look at this in the Culture Press Nerd podcast on the deeper details of the art journalist's profession. Another three-quarters of an hour for anecdotes and exciting revelations about the private life of the...
More than 1,500 hours were spent by theatre critic Marijn Lems last year in theatres, in front of TV and, most importantly, with games. That's a lot of time and it raises questions. Questions especially about how you organise your time as a journalist, and how you divide it between watching art for work and what we will call 'normal life'. That's what this podcast is about, for just under three quarters of an hour.
Weismann strikes me as too brilliant and intelligent a director to throw himself into an adventure that could break him for good. An alpha male, a big ego, it was well known. And couldn't keep his paws off young women.
Meanwhile, November Music is keeping its nerve: the management is betting on live concerts with up to 30 people in the audience. In an email update to press and public, she did express her concerns: 'It will be some exciting days. After next Tuesday's press conference, we will know whether November Music 2020 can definitely go ahead.
As a child, I played the piano moderately for years on a large, tattered Kaps from Dresden. The instrument eluded me when I went to college, as it proved impossible to get the thing up the stairs in my first independent home, one of the HAT units in the Boekhoven building on Breedstraat.
This year's Charlotte Köhler Prize, a triennial award for writers of literary works, has been awarded to Manon Uphoff (1962). Uphoff receives the €15,000 prize for her entire oeuvre and in particular for the novel Vallen is als vliegen (2019), which is rooted in reality.
My story about cultural big earners turned out to be the talk of the town in the cultural sector. Not publicly, i.e. mainly behind the scenes, I was approached. One of the few people who did speak out publicly was Henk Scholten. On Facebook, he responded to a column by journalist Aukje van Roessel about the questions raised by The Hague city council
Freedom and openness are essential in Wilfried de Jong's life. Don't pin him down on one trait, because then he will get pissy. 'I am not "that guy from sports".' That's right, De Jong is a theatre and television producer and writer, among other things. About sports, for instance. His new book The man and his cycling stories will be in stores from this week,...
It is high time for collective action, now that arts organisations have closed and activities are at a standstill. Plea for a support fund for culture, to which governments, funds and companies contribute in unison. We all notice it: live cultural offerings are at a standstill due to the coronavirus. Much has been written and talked about the importance and value of culture in recent weeks. That...
I went to Rotterdam Zuid to see Shakespeare. The play was called Cleopatra and someone had tried to turn it into a feminist manifesto. That is something like making a rhinoceros jump through a hoop: the British bard relates to feminism as Thierry Baudet relates to Greta Thunberg. So it had not succeeded, and the reviewer of...
Our administrators and elected representatives will not openly admit it, but they do not really care about a healthy cultural sector, let alone the position of individual creators and artists. Indeed, making a Fair Practice Code compulsory without increasing the budget for culture is a slap in the face for everyone working in the arts sector. 'Then be...
Theatre Festival Boulevard is a highlight of the festival summer every year. Because there are no barriers and because it carries the casual atmosphere of the city in every fibre. But it goes even further. Here are my seven learning moments: 1: Boulevard is more accessible than the city itself Some people find it verging on the hysterical, but...
The 2019 Holland Festival was the best in decades. At least in the 25 years I have consciously witnessed it, I cannot recall a national festival that coupled so much impact with so much prestige. Whether visitor targets were met or not will be of no concern to me in this regard. It is, as Volkskrant colleague Hein Janssen once remarked,...
Peter Vossen says he experiences live concerts on average twice a week. Not just in TivoliVredenburg, although he visited there almost 40 times last year. 'I also see a lot of free concerts on the streets and in cafés, of course.' Jazz is his great love, but he also attends soul, funk, Latin or pop concerts. Regularly, he can be found
Searching for what I stand for and what path I should take, time and again I come across facts that confuse and amaze me. I live in a country where only a single woman is in De Volkskrant top ten most influential people - in tenth place, that is. Only three out of 100 young Dutch millionaires...
After years, my ranting about the invisibility of female composers is beginning to bear fruit. Thanks in part to the #MeToo movement, composing ladies are also finally being taken seriously and performed. The NTRZaturdayMatinee is even making them a spearhead of its programming this season. Last Saturday, it performed the world premiere of Salto di Saffo by Calliope Tsoupaki (1963). She composed this double concerto for pan flute, recorder...
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