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Joop Daalmeijer Marathon (3): "The arts sector should have reached out to consumers"

Wijbrand Schaap: 'There has been much talk about the change in Council attitudes under your leadership. After the confrontation course under your predecessor Els Swaab, you seemed appointed by Halbe Zijlstra to act as a kind of applause machine.' Joop Daalmeijer: 'I was not hired by Halbe Zijlstra, I was appointed by the queen. Isn't that nice?... 

'Print' especially popular with performing arts. Cultural marketing research shows trends in marketing & communication.

Research by Cultuurmarketing among over 650 marketers in the cultural sector shows that increasing visitor numbers is the key marketing objective for the coming year. With the annual survey, Cultuurmarketing charts current developments in the field. Increasing visitor numbers is most important marketing objective Increasing visitor numbers is the most important objective for 40% of the organisations for... 

'Grandiose' opening Theatre Festival doesn't quite take away the pain

"Grand opening, right?" Jeffrey Meulman, the man who as director of the ailing Theatre Festival gave the word "inspired" a new dimension, was delighted. It was Thursday night, September 4, 2014. Shortly before, I had seriously considered jumping from the 1st balcony of the Stadsschouwburg, rather than applauding Tauerbach, the opening performance of The Theatre Festival. It is... 

The future is not fixed. 7 solutions to the arts crisis.

By Melle Daamen 'What do you want then?' was a question I received quite often in response to my articles last year in NRC, in which I expressed my concerns about the state of the arts in the Netherlands and especially its future. I argued for a fundamental debate from within the arts sector itself, focusing on the future, including... 

Melle Daamen on @culturepress: 6 reasons why the arts debate in the Netherlands is so laborious.

I published two articles in NRC Handelsblad last year. The first (6 July 2013) was critical of government policy. There was little reaction to this. The second article (7 December 2013) was critical of the arts sector: it needs to make its own sharp choices. That did cause a stir, although I am convinced that many colleagues largely agree with the content... 

A mirror from the bench: 12 much-needed lessons for cultural marketers

Since the Amsterdam Uitmarkt is no longer run by the Uitburo but by a separate foundation, things have become a tad more commercial. The folder-fair-with-bands that has become the national opening of the cultural season over the past decades has to. The government has found art scary for a while now, usual suspects are pulling out as sponsors, and malaise is hitting... 

8 essential lessons Dutch theatres can learn from festivals - and vice versa

Declining visitor numbers, shrinking subsidies, impoverished programming: most Dutch theatres are struggling, research by NRC Handelsblad recently showed. Theatres welcomed 12 million visitors in 2012, according to NRC figures, a quarter less than in 2008. Festivals, on the other hand, are on the rise. More and more are being organised, and they are attracting more and more people - in total... 

One and a half million for art. Provided it is directly demonstrably useful

One and a half million euros sounds quite a lot. So a cry of joy will be heard here and there now that Jet Bussemaker is allocating that extra amount to culture. After all, this is yet another make up after the almost 300 million her ministry took from the sector earlier. However, the conditions the culture minister attaches to the money tell a different story: the money is only for art that is demonstrably useful.

Forsythe gone from Forsythe Company in September 2015

William Forsythe, dance innovator, and widely regarded as one of the most important choreographers of our time, is quitting the company to which he attached his name on September 2015. The New York Times reports that. He will still remain associated with the company as an advisor, but the real management will probably be taken over by Jacopo Godani, a former student of the legendary choreographer.

Johan Simons receives 150,000 euros: 'I thought, that must be for Elsie'

This year's Prince Bernhard Culture Fund Prize goes to Johan Simons. At the announcement, in a meadow below Utrecht, the director was surprised: he suspected the prize was meant for his wife, Elsie de Brauw, widely regarded as one of the best actresses in the Netherlands and Belgium.

'Limited measurement': minister throws Berenschot report in wastebasket

Minister Bussemaker thinks it is far too early to sound the alarm about the cuts municipalities are yet to make on culture. Research firm Berenschot had earlier this year calculated that many percent would still come off the local culture budget. Our own resources told that Berenschot was still on the sunny side. According to the minister, however, the study is too limited: only 65 municipalities were checked, and besides, it is still far too early.

4 reasons why the arts are going to lose a lot more. Municipal culture congress wrongly optimistic

It was ball in Rotterdam on Thursday, 30 January. At the Municipal Culture Congress, a few hundred officials, local politicians and arts organisations gathered to talk about where they could help each other. It was supposed to be a positive day. There had been long enough complaining and arguing: look ahead, hopeful into the future. Even if the worst is yet to come.

5 lessons from a Tilburg riot: superficial newspaper determines superficial cultural politics

Regional newspapers hardly do any real cultural journalism anymore. We know this, because it was the reason why we Culture Press once founded have. How bad things are now, five years later, with art in the region and the way the newspaper handles it, was evident this month in Tilburg.

Municipalities pass on most cuts to the arts

Culture cuts have now reached 450 million euros. The Lower House earlier decided on cuts of 200 million. The cut in the municipal budget by the same House of Representatives now leads to a further cut of 250 million euros. This is calculated by research firm Berenschot in a report which will be presented on Thursday 30 January in Rotterdam.

The battleground of the arts: 41 institutions gone, 132 through without grants

The first assessment of the cold clean-up by Rutte 1 is there. Bussemaker sent it to the 1st chamber. In the Netherlands, 41 arts institutions have been closed down, while 132 other clubs are bravely holding on without subsidies (and therefore without staff). How long these firms will continue to run on volunteers is still unknown. Next year, we will surely be able to add a few to the list of the deceased.

Why the National Ballet should stay and Melle Daamen should become chairman of the Culture Council.

Update
Meanwhile, in NRC Handelsblad reacted somewhat panicked to the opinion of Melle Daamen, whom he calls an impatient entrepreneur: "You can imagine structurally subsidising two instead of four dance companies anymore. The other two could apply for grants for projects from the Performing Arts Fund, which should then get more funding."

Rutte and Bosma don't do vision or substance and bend culture debate to their will

Culture debate 2013: Rutte and PVV shake hands. It was about Caro Emerald. About Zwarte Piet. And the classic: subsidy on opera tickets. And briefly about carnival. And it made all the news. Geenstijl. Radio 1,2,3 and 4. What else was the debate about? Um... no idea.

Lower chamber talked about art. We followed the debate for you

We kept a liveblog. Nice and old-fashioned, from the days when every month there was uproar somewhere about the government's handling of art. Now there is peace in the tent, as the PVV sardonically points out, because 'The Left' is now the bearer of policies devised by the PVV. The PVV predicts a black future for 'The Left' once the PVV comes to power.

Turning back the clock 26 years. Four questions and one answer on Bussemaker's letter

Jet Bussemaker is satisfied. For the next few years, there will be little whining about the subsidies under her regime. She states this in her letter this weekend. After all, the basis of the system is fixed: there are great museums, symphony orchestras, opera and theatre clubs whose subsidies are cast in concrete. Or rather carved from classical marble, because money gets you

'Content creators' will unite globally

A lot of money is made on the internet from the distribution of text and music, news, photos and films. That money comes in to internet providers, services like Apple, Amazon, Netflix and Spotify, and to the big record companies and film producers, who are almost always also shareholders in the aforementioned organisations. Virtually none of that money reaches the people who make all those films, compositions and books or articles.

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