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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

Yet another hassle around MusicalMakers: Fleischmann becomes director despite objection from Culture Council

News arrived this week that Andreas Fleischmann, the highly esteemed director of Amsterdam's DeLaMar Theatre, has now officially become director-director of Stichting MusicalMakers, the foundation he had set up last year, a day before the deadline for grant applications for four-year state funding. And that is not allowed.

Marijn Lems: 'I write for people who don't shy away from the adventurous in art.'

More than 1,500 hours were spent by theatre critic Marijn Lems last year in theatres, in front of TV and, most importantly, with games. That's a lot of time and it raises questions. Questions especially about how you organise your time as a journalist, and how you divide it between watching art for work and what we will call 'normal life'. That's what this podcast is about, for just under three quarters of an hour.

13 foundations and one private limited company. Controversial Brabant grant decisions raise more questions every day.

To get a subsidy in the Netherlands, you have to jump through a lot of hoops. Every farmer knows that, and so does every artist. In the cultural sector, for instance, it is important that you have a form of organisation that is controllable and approachable. You cannot have a profit motive either. That is why you can usually only apply for funding as a foundation, so you have statutes, a board and a... 

Eddy Bellegueule live. Still impressive, but also makes you yearn for the real thing.

Yesterday, I finally saw 'Away with Eddy Bellegueule', the theatre hit of the previous broken and devastated theatre season, and saw that its creators had effortlessly bridged the gap between youth and grown-up theatre. The show is a nineties grunge concert with brilliant actors and intense visual direction by rising star Eline Arbo.

Moniek Merkx bids farewell to Maas Theatre & Dance: 'I would grant it to any creator to have this audience in front of you once.'

Moniek Merkx will step down as director of Maas Theatre&Dans on 3 February this year. She co-founded this Rotterdam company in 2013, which makes theatre for people from small to large. A forced merger with two other youth theatre houses from the Maas city developed under her leadership into one of the most successful and interesting theatre groups in our country. In our podcast, I talk to her for an hour about how that came to be.

Leading starts with yourself. Learn more about that in this podcast on LinC-Artistics

In this podcast, I talk to Marjolein Verhallen and Paul Adriaanse from Public Administration, Nanna Verhoef from Media and Iris van der Tuin from Philosophy, and artistic directors Lars Ebert and Jente Hoogeveen about what that is: leadership. And we talk about how you can learn it. 

No better time imaginable for Splendid Isolation. Personal initiative soprano provides unique concert in times of Corona.

Splendid Isolation is about the happiness of loneliness, but, Elgershuizen stresses, it is best experienced together. 'It needs to be performed, because as humans we need to be able to be together'.
If all goes well, it can be experienced on Saturday 19 and Sunday 20 December.

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