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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

Everyone saved? Only a few festivals suffered heavy damage.

The total of eight festivals that were given a place in the Basic Cultural Infrastructure thanks to vigorous political lobbying are in the clear. They do not benefit from the extra millions released by the Cabinet on Budget Day to rescue the Performing Arts Fund, because they are not (or no longer) covered by it.

Burn letter from festivals: 'It's going wrong with the performing arts in the Netherlands'

A fire letter from the United Performing Arts Festivals. One of more than a hundred lobbying organisations in the arts, but a very important one. After all, the festivals are the place where audiences were introduced to arts and entertainment in its full breadth. That doesn't happen anywhere else. And beautiful: they stand up for all performing arts, because, as loyal readers of this site know: they are quite the hare, and become even more the hare with every half-hearted rescue.

Dutch focus on November Music 2020: Ticket sales start Thursday 10 September

This year, November Music awards 10 commissions to Dutch and two to foreign composers, including a choral work for Finnish composer Kaija Saariaho. Traditionally, November Music opens with the Bosch Requiem on Friday 6 November, which of course takes on an extra charge this year. Korean-Dutch composer Seung-Won Oh draws inspiration from the YeonDo death ritual that links Korean funeral traditions with the Catholic faith. After Kate Moore and Calliope Tsoupaki, she is the third female composer of the Bosch Requiem in a row.

Milo Rau at opening Theatre Festival: 'Maybe we should deliver a little less and listen a little more'

Things need time and distance to become a story. Good, then, that in his 'State of Theatre,' the traditional opening of the theatre season, Rau did not take the floor himself, but handed it over to people who are now in the midst of the confusing time of austerity, coronasteun and political turmoil. Because the 100 international makers he asked for a book entitled "Why Theatre?" could not come because of the pandemic, six Dutch makers were invited. 

Where did things go wrong between culture decision-makers and the region?

It could have been so beautiful. In a not so grey past, the Council for Culture, then under a different management, initiated a movement that would give more authority to the region outside the Randstad. That was three years ago. Now there is an (entirely justified) angry letter in the newspaper from the culture deputies of 9... 

The city as we knew it is doomed. Long live rural art?

Disturbing reports, over the past few days, in various media. First, there was Patrick van IJzendoorn in De Volkskrant, who observed that life had moved away from London's business heartland. I saw a few confusedly delighted reactions come along from friends on my cultural timeline. After all, the article made a clear connection between the closure of museums and theatres and the... 

Subsidy crisis: if the House comes up with a fix for region and saw line soon, we will be even further home.

That 8.6 million the fund is now minimally short of will probably be found somewhere, so the saw line will be shifted again. Then the sector can - virtually - continue for another four years. Another one and a half million may be added to shape the spread. Pleasing the art world is not that expensive, The Hague will notice.

Life has turned into a B-Movie, and no better location could be imagined than 'Sender Boulevard'

Exterior, day. A deserted street in a southern Dutch town, unusually bright daylight. No sound. A man drives up and parks at a vacant power point. He walks to the entrance of a large, empty, modernist building. He is greeted by a very very old veteran, who tells him that "the wife is in for a moment", "she asked me to go on the... 

Taking off and landing softly. That's what Schweigman& offers during Sender Boulevard, and we need it

Boukje Schweigman is an artist this country desperately needs. My deep admiration for her arose with 'Klep', the performance with which she graduated from the Amsterdam mime school long ago. With eight others in a trolley, looking around through very small flaps in a world where sweet creatures are equally curious about you, after which a minimal touch has the impact of... 

Sender Boulevard pauses to remember the Dutch East Indies

'For Indonesian Dutch, 15 August is definitely not liberation day,' explains playwright Bo Tarenskeen. The last day of the alternative Festival Boulevard in Den Bosch, Sender Boulevard, coincides with the commemoration of Japan's surrender on 15 May 1945. The Dutch East Indies, the colony exploited by our country for centuries, had also been liberated from the Japanese, but the end... 

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