Wopke Hoekstra, would-be boss of the Netherlands, stood last week on the ice of an ice rink that was closed to all but Sven Kramer. Because of Corona. The CDA frontman received a justified storm of criticism. After Grapperhaus, the country's second top executive who thinks his own rules only apply to others. Last week, Laura van Dolron, played...
Did you know that one in 10 Dutch people suffer from severe loneliness? The subject is more topical than ever due to the corona crisis and yet we find it hard to talk about it with each other. On Wednesday 31 March at 8pm, TivoliVredenburg and city lab RAUM present a candid interview with Flemish psychiatrist Dirk de Wachter by Rachel Rosier....
That Shakespeare is still relevant after four centuries doesn't even require putting him in modern clothes, but of course it helps. The worldwide success of Ivo van Hove and his 'Internationaal Theater Amsterdam' is therefore partly due to his Shakespeare adaptations 'Kings of War' and 'Roman Tragedies'. Marathons, hours of theatre with food in between. Valentine's Day 2021...
On social media, and in mainstream media for that matter, it is not helpful to be overly clever. The adage of my father, who was a journalist and taught me not to be afraid to ask stupid questions, has been elevated to a code of honour. You only have to watch 15 minutes of Op1, or WNL on Sunday, and you make...
No making shows for a while as if nothing happened, but developing concepts, experimenting, boldly going where no one in this sector has dared to go so far (sorry, I watch a lot of Star Trek during the lockdown). That strikes me as an excellent use of grant money and could also bring back some momentum in these crappy times.
Yesterday, I finally saw 'Away with Eddy Bellegueule', the theatre hit of the previous broken and devastated theatre season, and saw that its creators had effortlessly bridged the gap between youth and grown-up theatre. The show is a nineties grunge concert with brilliant actors and intense visual direction by rising star Eline Arbo.
With these five tips, we are sure to come up with a wonderful programme, in this bizarre summer we are facing, in which we will hopefully be allowed to hit the streets again at all. My fingers are crossed for both.
With The Home Show, we want to provide our visitors with a cool programme no matter where or with whom they are. TivoliVredenburg is a place that connects people. If that's not possible in real life, we do it virtually. A moment like New Year's Eve, especially after a bizarre year like this, is then extra important'.
For a while, corona seemed to throw a spanner in the works, but thanks to the flexibility of the makers, speakers and artists as well as the crew, we recorded the Night Mass coronaproof. With extra intimate footage and beautiful atmosphere, for the Night Mass feeling at home on the couch.
These actors sit at their kitchen table and we fly through space with them. Art can be that simple, because we, the viewers, actually make the story.
My tip to the bonzes in Het Gooi: forget young people. Focus on the wandering forties and fifties, who yearn for disruption. This broadcast of VPRO's Mondo was unforgettable.
From over 100 entries, 24 young composers have been selected for the semi-finals of the Netherlands Wind Ensemble's (NBE) composition competition Towards the New Year Concert with the grand prize of a performance with the NBE at the New Year Concert on 1 January (19:00 NPO 2).
Today opens IDFA's The DocLab, perhaps my favourite part of the festival. With its own competition, commissions and exhibition, this is the realm of digital experimentation.
Weismann strikes me as too brilliant and intelligent a director to throw himself into an adventure that could break him for good. An alpha male, a big ego, it was well known. And couldn't keep his paws off young women.
I started temp work at a time when you were somewhat of a dickhead if you were a student or had just studied, because the corps ball imitation of Jiskefet was so unprecedentedly popular. So a common greeting among regular employees who wanted to be nice was 'Hey dick! Fucked?'
The Dutch Wind Ensemble's (NBE) traditional New Year's concert at The Concertgebouw on Friday 1 January 2021 is going to look completely different from all previous editions. Because it is currently unclear whether, or how many, visitors The Concertgebouw is allowed to admit because of RIVM measures, the difficult decision has been taken to play the New Year's concert entirely without an audience.
In her programme Night Animals, Ryanne van Dorst again goes in search of night owls, night workers and other insomniacs. It is a fascinating and beautiful TV programme, and Van Dorst seems to have a patent on extraordinary encounters.
'Writing this book has made me realise that I cannot prepare my children for the world in which they will be adults. I cannot teach them now what they will need later in a society that does not yet exist.'
So on 18 October 2020, something happened. VPRO's Mondo had suddenly become an upbeat broadcast. And that in these times, when lamentation and mourning over lockdowns and impending bankruptcies dominate everywhere. What was going on?
Since everyone advised him to just give it a try, he signed up with almost a thousand amateur painters to learn the ancient craft of painting in six months and under the watchful eye of Pieter Roelofs, head of Painting and Sculpture at the Rijksmuseum, among others.
On Tuesday 3 November 2020, America goes to the polls. TivoliVredenburg in
Utrecht presents a live programme around these exciting elections. From
the Great Hall to monitor exit polls, enter scientists, journalists and
campaigners take the stage and call in several Americans. The programme will be
'coronaproof' produced.
Marije Vogelzang is food designer: 'It's about getting people to take a different look at things they think they know, that they deal with every day and therefore overlook.'
Things need time and distance to become a story. Good, then, that in his 'State of Theatre,' the traditional opening of the theatre season, Rau did not take the floor himself, but handed it over to people who are now in the midst of the confusing time of austerity, coronasteun and political turmoil. Because the 100 international makers he asked for a book entitled "Why Theatre?" could not come because of the pandemic, six Dutch makers were invited.
I have long put myself on the 'listen first, talk later' mode when it came to how we all deal with the festering sore of racism in the Netherlands. There's so much we don't know about each other, and there's especially so much I can't know about my fellow Black people, because for a long time I felt too little...
The three of them are back together in the office for the first time since the lockdown on 13 March. The interview, in which director Emily Ansenk, music programmer Jochem Valkenburg and theatre programmer Annemieke Keurentjes take stock of the first - and hopefully only - online edition of the country's most prestigious performing arts festival, takes place a day after the lockdown. There was no...
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