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Retrospect Opera presents Fête Galante by unjustly forgotten Ethel Smyth - Buy that CD!

'Had I not possessed three things unrelated to music, I would have perished early on from loneliness and disillusionment,' wrote Ethel Smyth (1858-1944) at 60. Those three things were: 'Iron health, a distinct fighting spirit and a modest but independent income.' Whereas women in the nineteenth century were condemned to compose 

'For a year I dragged Ravel's scores everywhere' - Bart Visman orchestrates 'Ondine'

Dutch composer Bart Visman (1962) has already written many wonderful works of his own, but makes his debut with the Rotterdam Philharmonic Orchestra with an orchestration of 'Ondine'. This is the first movement from Maurice Ravel's three-part piano cycle Gaspard de la nuit. It is the prelude to an integral orchestration, to be premiered next season. 'I am of the same... 

The self-employed are to blame for everything. Now also for the downfall of regional arts journalism.

In April 2020, the Persgroep, now DPG Media because it smells better internationally, will stop regional art supplements in its newspapers. No more art reports and interviews, hardly any reviews. Local bookshops will lose their stage in all Dutch regions, as the publisher of Volkskrant, Trouw and AD has a regional monopoly. The message, brought by a reporter from the Eindhovens Dagblad, struck... 

Opinion deputies Culture: 'For Culture, set the navigation a bit more often on Eastern Netherlands!'

The new year often starts with new insights and resolutions. A critical reflection can then help. We were therefore delighted to read the Volkskrant of 2 January, in which columnist and theatre critic Merlijn Kerkhof concludes that in 2020, he wants to enjoy all that the Netherlands has to offer in terms of culture a bit more often outside 020. And that is only right,... 

Miss Ballet is a pleasantly deranged mess, and an ode to fantasy

Much has already been said about Almere, that it is ugly, for instance, or too car-oriented. There are also few cities in Europe where the four-lane roads extend as gloriously to the shopfront as in Almere. I'd like to add a note of praise. Coming from the station, walking across an artificial dune of car parks and fast-food chains, skimming past... 

Serge van Veggel performs Opera Melancholica: 'Depression is a big social problem - a million people are on pills'

'My love for opera is rooted in my youth. Emotions you feel as a young person become almost tangible in opera. While listening, I often experienced a catharsis.' Director Serge van Veggel zooms in on depression and delusion with the production Opera Melancholica. Starting point is Philip Glass's The Fall of the House of Usher, presented as a form of 'anatomical... 

49th edition Film Festival Rotterdam opens with Mosquito - history as a fever dream

In the trailer for the International Film Festival Rotterdam, which kicks off on 22 January, film images crumble into abstract shapes and colour patterns. It has to do, I understand, with the wonder of the irrepressible urge to make stories. Once, a cave dweller put a painted hand on the rock face. In the digital age, we conjure stories with coloured pixels. The... 

Ekaterina Levental: 'I come from the very bottom of society, didn't even have the right to be here, was even less than a junkie.'

Singer, harpist and theatre-maker Ekaterina Levental (Tashkent, 1977) came to the Netherlands as a refugee in 1993, where she built a successful career. Together with her partner Chris Koolmees, she made the triptych De Weg, De Grens and Schoppenvrouw, in which she sings of her own difficult road to happiness. With her pocket performances, she holds up a mirror to us: 'We are quick to judge a... 

Oerol hit on tour in the Netherlands: Uniform, about the longing for commonality

Dance performance Uniform by creator Nastaran Razawi Khorasani, a huge success at Oerol 2018, is being remade. The performance will be re-created, premiere on Saturday 15 February 2020 at Maaspodium, Rotterdam and tour the Netherlands until 10 April 2020. Uniform is a dance performance about the desire for commonality, an ode to the follower. Uniform What is the power... 

Writing with your voice - Thea Beckman Prize winner Bianca Mastenbroek is not deterred by her disability

Becoming a writer without being able to use your fingers to type - Bianca Mastenbroek (44) no longer turns her hand to it. Last year, she won the Thea Beckman Prize for her historical novel Hendrick, the Dutch Indian. Looking back on a jubilee year: 'This prize is the crowning glory of my work'. For anyone who has yet to read your book Hendrick, de Hollandsche Indiaan,... 

Netherlands Wind Ensemble plays 9th Beethoven in collaboration with Consensus Vocalis and local choirs: All Together!

From Thursday 23 January, the Netherlands Wind Ensemble (NBE) will play 9th Beethoven. The tour will take in venues in Amsterdam, Enschede, Tilburg, Wageningen, Drachten, Oss, Utrecht, Heerlen, Haarlem and Arnhem. In this great Beethoven year, the NBE chooses one of his most iconic works: the ninth symphony, with its famous ode Ode to Joy, on lyrics by Friedrich Schiller. In the political turmoil of around 1800, it was clear where Beethoven's sympathies lay: he was... 

Eurovision Song Contest had the Metropole Orchestra, but chose students.

Where is the Metropole Orchestra? A unique orchestra, the only one in the world that can pull off the complete repertoire from classical to pop and jazz? The orchestra that used to accompany the Dutch acts at the Song Festival when everything was still live? The orchestra, which as recently as December was on tour with our new Song Contest candidate,... 

(update: Song Contest response and nuanced message) Playing with the Eurovision Song Contest Orchestra? From 100 euros per day

In the first version of this post, we assumed 100 euros for 8 days. We turned out to be misinformed. The application of the remplaçants' collective agreement, mentioned in the explanation by the Song Festival, gives a bit more leeway, although its hourly and daily rates are still controversial. But 1,000 euros for eight days is now apparently the going rate.... 

Conductor Elim Chan: 'I can't walk away from the music.'

'When I unexpectedly had to conduct the "Dies Irae" from Verdi's Requiem Verdi, I felt how raw and impactful music could be. I knew immediately: I can no longer run away from music.' Elim Chan is moving like a rocket and will make her debut with the Netherlands Philharmonic Orchestra on 17 January. In 2014, Elim Chan (Hong Kong, 1986) was the first female... 

A great 2020 with the Holland Festival, vacancies and aus LICHT Opera of the Year

The Holland Festival wishes you a happy 2020! The full programme of the 73rd festival edition will be announced on 11 February. You can already order tickets for the five productions below. Also in this newsletter: vacancies for a head of operations/controller, an employee development and interns for the communication & marketing and production departments; and aus LICHT named Opera of the Year 2019.... 

Boreal at the top: our best-read posts of 2019!

A week before the end of 2019, Culture Press' membership stands at nearly 150, up from 40 exactly a year ago. A growth of more than 300 per cent is quite extraordinary. So we have demonstrated that we matter to a rapidly growing group of decision-makers in the cultural sector. So good that they are happy to contribute to... 

Alice in Wonderland as Virtual Reality theatre: can I stay down the rabbit hole for a while?

Sometimes you see something and only realise on the bike back how special it was. Wait a minute, the white rabbit was talking back? Humpty Dumpty was worried that I did catch it? Not only did I watch a Virtual Reality (VR) installation today, the installation looked back! Never before have I experienced a VR work in which I... 

Netflix's The Witcher is having an identity crisis. But if you make it to episode five, you'll want to know how it ends.

With much fanfare, Netflix's The Witcher was announced. Except for some comments about Superman in a white wig, there was and is a lot of interest in the film adaptation of Andrzej Sapkowski's fantasy book series. Successor to Game of Thrones. With the way that one ended? No thanks! I'm not familiar with the books or the games myself, but Netflix's description... 

Being engaged does not only mean presenting interesting work, it is also about those you show it to.

A man walks down the theatre corridor with his daughter in a wheelchair. Stops at an usher. Hesitates, then says: 'I don't want to nag, but she can't go on the disabled toilet. I'm looking for a place to change her.' So this usher, he helps search. Moments later, they are behind a rack in the pantry. Sugar sachets, coffee, speculoos, tins.... 

Why a sooty coat should always be explained. (Without tour guides, ushers and interpreters, art loses any raison d'être.)

Art has always needed explanation. Even 'easy' art, even 'art that sells itself'. Art has needed that explanation ever since the first caveman found out that her sooty smudges on the cave wall looked very much like a bison. Actually, this is why it is wrong to speak of 'explanation' and 'need'. Art and story are one, since the... 

Threatened theatre directors speaking: 'It literally hurts me when I hear that something like this is going to be abolished.'

'I didn't know you could also be digitised away in this sector, but so you can.' Susanne Visser and Annemiek Lely sounded the alarm on Saturday 7 December. Their jobs as ushers at theatre performances are in jeopardy. Companies would rather keep people engaged through podcasts, and such an usher only costs money. On Monday, December 9, we obtained... 

Open letter from theatre directors: 'Spectators want human contact'

Over the past year, we, Annemiek Lely and Susanne Visser, heard various noises about boring introductions and useless fringe programmes that would add nothing. Such comments pass the revue in the artist foyer, at the bar or find their way onto social media. 'I want after-shows led by a local presentation talent instead of a drawling dramaturge,' wrote an already established director 

Promotion critical interview with Amersfoort alderman hampered by Facebook

In the ongoing series of interviews with leading figures from Amersfoort's cultural sector, I interviewed D66 alderman Fatma Koser Kaya. It turned into an animated conversation. Strangely enough, De Stadsbron, Amersfoort's local journalism site, is not allowed to promote the interview from Facebook, the editors announced yesterday. It is unclear why. Here is an excerpt, the whole story of course on De Stadsbron: 'I believe... 

'It is crucial that people who mature here - also as artists - can stay connected to Amersfoort'

For De Stadsbron, Amersfoort's journalistic background site, I chart the cultural sector of the Keistad. On that site now, an interview with Friederike Weisner, director of Theatre De Lieve Vrouw. 'According to Weisner, the lack of a university or college ensures that the need for knowledge is visible: 'You will always have to be innovative as a city. There ... 

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