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Dying Swan (Rinus Sprong), photo Studio Oostrum

Even with eyes closed, DEDJDD's Ballet Blanc is a beautiful evening

The Zuiderstrandtheater in The Hague premiered Ballet Blanc on 8 March. It is the new full-length performance by The Dutch Junior Dance Division. The young dancers tour the country with a collage of fifteen short pieces. Blanc is the unifying factor in a fresh mix of classical and modern ballet, with tragedy, poignancy and humour. The juniors... 

Art is not: 'If you're hungry, eat. Measurable result: toilet visit.'

The stupidest question I come across all too often is THE question: what is the tangible result of your projects for audiences? Or more broadly drawn: what can art & culture measurably add to lives? Add that question together with the current clamour for 'utility in art' and I get accutely red pimples from these non-answerable questions. And I... 

Moisio's choreography 'Mum's the Word' makes you yearn for peace and freedom

Mothers and daughters: is there a closer bond? Their lives are an extension of each other. Mother treads the same path her daughter will later follow. She is a friend, to whom one can always fall back. But under the skin, a suffocating power struggle rages in which they hold and attack each other. Jealousy and competition gnaw at the domestic idyll. Escape is impossible. It is a... 

The five shows you must see in March

1. Kwatta, Mariken (youth) The question was not whether Nijmegen youth theatre company Kwatta would ever venture into Mariken van Nieumeghen, but when. The bar was set high with successful previous book and film adaptations, but where the medieval Mariken needs two miracles, Jibbe Willems' adaptation is exciting even without a fall from a great height and the miraculous loosening of iron rings... 

Kaija Saariaho on her new opera: "Peter Sellars is not appreciated"

Huge, deep black shadows fall on a backdrop of calligraphic foliage in every conceivable shade of grey. Director Peter Sellars intently follows the movements of the three main characters during a run-through of 'Feather Mantle' at De Nationale Opera. Together with 'Always Strong', this short opera forms the double-bill Only the Sound Remains by Kaija Saariaho with which 15 March's Opera Forward Festival... 

#OscarsSoWhite? Yes. But Europe is no better.

Things have been rumbling in the film world for some time: Why is the silver screen so, er, white? And where are all the women anyway? #OscarsSoWhite but also #OscarIsADude! Many people in the industry have already expressed their displeasure at this. At the previous Oscar ceremony, actresses aimed their arrows at equal pay, or rather, the lack of it. This year, many an African-American actor and... 

Stations of the Cross of St Bernulphus Church (author's photo)

Toorop and Berlage: good marriage at Gemeentemuseum

The Jugendstil curls of the famous 'salad oil poster' adorn the logo of the major Toorop exhibition at the Gemeentemuseum Den Haag. And while this choice is recognisable and appealing, there is something to be said against it. After all, the museum is so keen to show other sides of Toorop. And there are surprisingly many of them. The Gemeentemuseum has a history with... 

Winternachten gives audience a bigger voice

International literary festival Winternachten wants to involve the public more in its programmes next year. 'Audiences increasingly want to have a say,' says director Ton van de Langkruis. 'That can be done in all kinds of ways, we are now brooding on that.' Winternachten attracted some 7300 visitors this year, equalling last year's attendance. Last edition's theme was 'Hello Darkness', and... 

Hitler on Hacking habitat (Roy Villevoye)

Hacking Habitat: battle for total digital power impressively depicted

In the corridor leading to the airspace, a shabby man stands leaning against the wall. Exhausted, cold, untouchable. It is a young Adolf Hitler, portrayed by Roy Villevoye as the homeless, failed artist he once was. Now he is at Hacking Habitat and full of potential, according to the caption. The art manifestation that has taken possession under that title in... 

Royal Concertgebouw Orchestra 2016-17: Amsterdam meets Daniele Gatti

'The most important thing is to bring music to the audience,' says Daniele Gatti on Thursday 25 February during the presentation of the Royal Concertgebouw Orchestra's new season. 'Amsterdam meets Gatti' we read on large posters behind him. That does not appear to be a word too many: the brand-new principal conductor will be involved in all series, travels on the tour RCO meets Europe,... 

Composer Joey Roukens: 'In my new Violin Concerto, I explore my lyrical side'

Joey Roukens (Schiedam, 1982) studied composition at Rotterdam Conservatory and took private piano lessons with Ton Hartsuiker. Since graduating in 2006, he has been able to reach a large audience with his energetic, infectious music. Commissions are pouring in, from no small number of clients. He has already written two pieces for the Royal Concertgebouw Orchestra: Out of Control (2011) and Chase... 

Hieronymus Bosch: five hundred years dead and alive at the same time

Hieronymus Bosch is back. With a special exhibition in Den Bosch - in case anyone has forgotten - and with enormous attention. The exhibition is widely acclaimed and star-studded. It is already being called 'the exhibition of the year'. Newspapers were full of it, documentaries filled the TV screen and the opening was... 

something raw logo

This was Something Raw 2016: less rebellious, more social

The raw in Something Raw can mean all sorts of things. The first thought might be something rough, as in the effect of sandpaper on skin or the havoc left by an elephant in the china shop. But rough is a derivative meaning. Raw first of all means unprocessed and fresh. There is a certain hope in the combination of rough and raw: artists who like... 

battle of newport (set fragment)

Reading theatre yourself. The best way to learn about theatre.

There is one thing almost as much fun as going to see a play. According to some, it is even more fun than going to see a play: reading a play yourself. And then not by yourself, but with a few others. That you divide the roles and start reading aloud. With a cup of tea, coffee or a glass of wine on the side.... 

Fragment of diptych by Nicholas Hlobo (photo author)

'Frankenstein' Hlobo wants to cure South Africa

Scattered through the main hall of museum Beelden aan Zee in The Hague are enormous works, mostly consisting of ribbon and used car inner tubes. There are also canvases hanging on the wall, again full of colourful ribbon embroidery. These canvases are more sculpture than painting. They are the work of South African Nicholas Hlobo. Images by the Sea, under the title Imilonji Yembali (Melodies... 

Reisopera sticks to pretensions with Mozart's Così fan tutte

Mozart's Così fan tutte performed by the Nederlandse Reisopera on 12 February at the Theatre Carré, is far from playful. Xander Straat's direction has many pretensions that deliver little substance and a static picture. The momentum of this opera giocoso is in the music itself and in the formidable voices of the young soloists. Unreliable Women Così fan tutte, or The School... 

David Vann: 'In every book again, I give up my sense of shame'

In the flat where he is temporarily staying, David Vann (1966) hangs out on the sofa a bit, tired from busyness and late nights as a result of phone calls to the other side of the world. Not too long ago, Vann's marriage stranded, not without a fight, and the legal settlement is still ongoing. He sighs: 'It was the worst... 

Holland Festival 2016: urgent, challenging and inviting

Never before has the Holland Festival placed itself at the centre of society as it is today. The 2016 programme is steeped in the turbulent times in which we live. The Netherlands holds the presidency of the European Union this spring. Artistic director Ruth Mackenzie has taken this fact unflinchingly to give 'Europe' a wide place in the programming. In presenting... 

Erik Voermans 'From Andriessen to Zappa': enthusiastic plea for elitist music

Erik Voermans (1958) is one of those people who writes down what you think yourself, but would never air publicly. The music editor of Het Parool likes to pose as your unsuspecting neighbour's boy, watching the music world with amazement. Take the phenomenon of opera: 'That's when someone with a knife in his taas walks around for half an hour singing that he's going to die.' If he... 

Music journalist Erik Voermans: 'I keep interviewing composers whether they want to or not'

On 4 February, music journalist and musicologist Erik Voermans' latest book was presented: From Andriessen to Zappa. After twenty-five years of writing for Het Parool, Voermans has collected his conversations with the greats of modern-classical music in a chic edition. Paul van der Steen's detailed drawings inspire listening to the music discussed. The presentation in the Great Hall of the Muziekgebouw... 

Hermitage gets 'first' Outsider Art Museum in the Netherlands

The Hermitage Amsterdam has something 'new': a new museum space in the museum on the river Amstel will be home to the 'first' Outsider Art Museum in the Netherlands from 17 March. With artworks by national and international Outsider artists. Excuse me, new? Does the museum not know at all that Zwolle once had a similar museum, with an extensive collection of outsider art? Outsider art returns with this... 

#IFFR Tigercheck (2): unconvincing feminism and fascinating misery

Festival director Bero Beyer found it difficult to choose eight films to nominate for the Hivos Tiger Award. After all, what makes a film special? According to Beyer, Elisabeth Subrin's film drama A Woman, a Part evokes a sense of nostalgia and is also outspoken, bold and above all human. The #IFFR check by Culture Press is that A Woman, a... 

Depot Mauritshuis, The Hague, Photographer: Ivo Hoekstra

Mauritshuis reveals secrets of the depot

A mythical aura often surrounds a museum's depot. How many works of unparalleled value does a top collection like the Mauritshuis let gather dust on its shelves? And more importantly, why? And as a museum, wouldn't it be better to sell them? In the exhibition Highlights from the Depot, the Mauritshuis answers such questions. At the same time, new questions arise,... 

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