Moving image. To be seen on TV, in a museum, in a cinema. On an iphone.
Motion design and animation are often used in the visualisation of a leader. Behind the scenes of television programmes, a lot of work goes unseen. We offer an insight into everything that makes a programme. This often starts with an idea that is developed into a concept. Television design Someone who is very good at developing these concepts is Siety
Saturday 26 June at the Holland Festival, a special evening around two music films by Frank Scheffer: the documentary Inner Landscape and the opera film Si Fan. Supplemented by a short live performance by Chinese musician Wu Wei. This will present a musical journey from the seventh-century Tang Dynasty to contemporary electronic music. An evening with unexpected perspectives.
For the exhibition of the anniversary programme Vive le Cinéma! Art & Film, Eye Filmmuseum and the Rotterdam Film Festival invited five filmmakers to create work for the three-dimensional space. Intriguing installations that play with camera and viewer, image and meaning.
The busiest year ever in the career of word artist Babs Gons (49) gets its crowning moment with the publication of her first book of poetry, Do it anyway. A debut that, for Gons herself, feels more like a farewell than a beginning. 'For a performer like me, paper as a form is very definitive.' Erosion and sprawl Do it anyway is called
With its closing chapter, the International Film Festival Rotterdam celebrates its 50th anniversary from 2 to 6 June. And the celebration of cinema. At least online. But whether audiences can experience the real festival feeling again in the theatres is far from certain. Opening film is The World to Come.
As part of its 75th anniversary, Eye Film Museum is making 75 restored classics available on this year's Eye Player. A fine collection, even if something is sometimes left to be desired.
Distributor Cinéart, which specialises mainly in European arthouse, presents the Directors' Collection. New and old work by leading film authors.
We asked him a few questions about his experiences and influences. What is your experience with animation so far? 'As a child, I liked drawing comics. I made the comic Kaas-Trek with a friend, a kind of persiflage on Star-Trek, and we would sell it to classmates and buy sweets from them. Who framed Roger Rabbit I remember as...
People will not be eager (in large numbers) to go to packed halls again. Many 'old' culture visitors can be considered lost. The cultural sector faces a twofold challenge: to minimise this loss and to look for new audiences even more than usual.
On 1 February, the 50th International Film Festival Rotterdam kicks off online. Here are some advance viewing tips.
Cinecitta Tilburg gets 280,000 euri a year from the province of Brabant, or rather the founder's mother. Despite there being quite a lot wrong with the application.
Animation came under accelerated attention as a replacement option for live-action in early 2020 thanks to Covid19 measures. While many film productions came to a standstill, several animation productions continued to work solidly 'just at home' on series, short and longer films. Of course, in the industry, we very much encourage the idea of using animation more, but how simple is it really to just switch...
Due to the corona pandemic, 2020 was also a crisis year for the cinema industry. Attendance fell by 56% compared to 2019. But the cancellation of US blockbusters allowed the Dutch market share to rise.
Especially in a bizarre year like this, I need hot films: classics, found footage or children's film, all are allowed. As long as it deals with big emotions or offers the perfect escapism. Like every year, there is plenty to enjoy on TV. Not like every year, there is no option to seek refuge elsewhere, but streaming offers the solution. Five tips to get through Christmas.
These actors sit at their kitchen table and we fly through space with them. Art can be that simple, because we, the viewers, actually make the story.
Earlier this year, Cinekid was in danger of dropping out of the basic cultural infrastructure due to a 'no, unless' advice from the Culture Council. An updated application has now changed the Council's mind. If the minister adopts it, Cinekid can go full steam ahead for four years. An interview with Cinekid director Heleen Rouw.
In IDFA winner Radiograph of a Family, the Iranian revolution invades the marriage of filmmaker Firouzeh Khosrovani's secular father and her religious mother. What makes this family portrait so special?
Today opens IDFA's The DocLab, perhaps my favourite part of the festival. With its own competition, commissions and exhibition, this is the realm of digital experimentation.
Weismann strikes me as too brilliant and intelligent a director to throw himself into an adventure that could break him for good. An alpha male, a big ego, it was well known. And couldn't keep his paws off young women.
A sleek, snow-white art temple in the middle of the Congolese interior. What does that mean? Renzo Martens talks about his new documentary White Cube, and the art project that allows plantation workers to buy back their land. Premiering at IDFA and in Lusanga, Congo.
Golden Calf winner Buladó is now our Oscar entry. That will satisfy advocates of more colour in Dutch cinema. And on Sunday, check out Festus Toll's When You Hear the Divine Call, a more modest but equally telling example of new light in Dutch cinema.
The Garden is a new dance film by Sem, now also a dancer with the Dutch National Ballet, which premiered last week. The choreography is by British dancer Pascal Johnson, with five dancers dancing on the roof of artist Jean Dubuffet's famous artwork Jardin d'émail in the sculpture garden of the Kröller-Möller Museum. That in itself is special enough, however, it is the optimism of the dance film that impresses.
The 40th edition of the Netherlands Film Festival pushes the boundaries. Corona makes everything go differently. Now in more than 100 theatres across the country, and also online. For groundbreaking work, there is the sixth instalment of the Directors' Forum.
Traveling While Black touches you deeply and that is exactly the intention. The 20-minute or so Virtual reality film immerses you in the history of institutional racism in the US and especially what it does to people. The location is Ben's Chili Bowl in Washington DC*. We sit at a table in a classic diner with people...
Animation Festival Annecy 2020 is online. The Black Women in Animation panel addresses the paucity of black role models for young viewers in animation.
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