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ACTUAL

All about politics, policy, society and how those things relate to culture and art.

New: a Blab with playwright Nassim Soleimanpour.

Next week sees the start of festival Dancing on the Edge. Unlike its name suggests, this festival, with performances in The Hague, Amsterdam, Utrecht and Rotterdam, is not only about dance, but also about film, theatre and politics. The 'Edge' it is about, the festival looks for in its theme: an urgent artistic dialogue with the Middle East. More needed now than... 

In Memoriam: the Basic Cultural Infrastructure (2008-2015)

Apetrots they are, the MPs Jacques Monasch, Jasper van Dijk, Mona Keijzer and Alexander Pechtold. After all, they saved a youth theatre company and managed to add a few festivals to the basic cultural infrastructure of the Netherlands. In addition, they have also already earmarked an amount for some other festivals. Yesterday, the motions from the June debate were put to a vote. Almost... 

Watch tip: We Are Jung, We Are Stark

It is not often that a film about an event in 1992 is so poignantly topical. That was when a group of some 300 right-wing radicals set fire to an asylum seekers' centre in Rostock. Miraculously, no one died then. But it did scar many for life. Among them was the director of Wir Sind Jung, Wir Sind Stark. Filmmaker and son of... 

The Netherlands' most intimate film festival can be found in Leiden: #LIFF15

10 years ago, it all started. A group of recent graduates of Leiden University found that their dear Alma Mater [hints]Latin for nurturing or caring mother. Alma mater refers to the university or sometimes the school where someone received their education. In ancient Rome, the term Alma Mater was used for the mother goddess; in the Middle Ages, Alma Mater referred to... 

Refugee novels deserve a second life. Especially now

For months now, the news has been about little else but refugees and asylum seekers, and supporters and opponents of their reception have become increasingly polarised. A situation that is very reminiscent of the theme in Elvis Peeters' 2006 novel De ontelbaren (The Indivisible). The atmosphere in the countries where refugees - 'fortune seekers' according to some - seek refuge is becoming increasingly grim. Also in our... 

Unsuk Chin: 'Holland is more open to new music than other countries'

In 1985, Unsuk Chin (Seoul 1961) won the Gaudeamus Music Prize with Spektra for three cellos, six years later she made her breakthrough with her Akrostichon-Wortspiel for soprano and ensemble composed for the Nieuw Ensemble. In 2004, she won the Grawemeyer Award, the world's most prestigious music prize; in 2007, she made a deep impression with her opera Alice in Wonderland. Tomorrow, Thursday 22 October. 

Loïc Perela and Jan Martens: As a spectator, you are finally faced with a question again

As I wrote in my earlier article about the Nederlandse Dansdagen, choreographer Loïc Perela won this year's Nederlandse Dansdagen Maastricht Prize. It earned him 12,000 euros to put into his new project HASHTAG. The award has helped some previous winners on their way (Monique Duurvoort, Joost Vrouenraets, Erik Kaiel, Muhanad Rasheed, Joeri Dubbe,... 

Particular Dutch culture remains under the radar due to amateur status

The India Dance Festival received just a little less attention from the national media this weekend than the Amsterdam Dance Event. Something that theatre director Leo Spreksel of The Hague-based Korzo Theatre was a bit worried about on Sunday. Because for three days now, his halls have been so muddy that he even turned away visitors who came all the way from Switzerland.... 

John Adams Scheherazade.2 disappoints - despite phenomenal Leila Josefowicz

For a moment on Friday, 16 October, it looked like Leila Josefowicz would give an encore, but it did not happen. The audience in the sold-out Concertgebouw had cheered her for minutes for her phenomenal rendition of Scheherazade.2, the second violin concerto (or third, if you include Dharma at Big Sur for six-string electric violin and orchestra) by John Adams, who himself led the Royal Concertgebouw Orchestra... 

Rembrandt in the mirror

Selfies from the Golden Age. The Mauritshuis gives this subtitle with a wink to its new exhibition Dutch self-portraits. With it, the museum seeks a new connection between 17th-century art and today's world. And that attempt has succeeded, thanks in part to the ingenious exhibition design by Jelena Stefanovic of Studio OTW. Since the 2012-2014 renovation and expansion, the... 

Inequality and exploitation: from Genesis to today

At the Gala van het Nederlands Theater, she won the Colombina 2015 for best female contributing role, in Genesis. From this week, Antoinette Jelgersma, actress with the Nationale Toneel, plays in Ronald Schimmelpfennig's The Golden Dragon. From biblical history to life anno now - but there are more similarities than you might think. Jelgersma sits relaxed 

Berlin plays Tagfish, poetic documentary theatre about emptiness, and more emptiness

From today, the documentary performance Tagfish tours the Netherlands. The Belgian theatre collective Berlin has been making finely crafted theatre installations since 2004, playing on the border of documentary and fiction, television and theatre, current affairs and eternity. Tagfish is ostensibly about the perils surrounding the redevelopment of a piece of wasteland near Essen. Die Zeche Zollverein already had a monumental... 

Modern. Medieval. Mariken

OPERA2DAY presents the world premiere of Mariken in de tuin der lusten at the Koninklijke Schouwburg in The Hague on 11 October. An opera with the collaboration of an impressive list of artists, including composer Calliope Tsoupaki, Asko|Schönberg and actress Hannah Hoekstra as Mariken. But will you achieve success with an opera, with modern-classical music moreover and Middle Dutch text? Director and creator Serge van Veggel... 

Gray Trovatore does not strike to the heart

On Thursday 8 October, I saw a live performance of Verdi's opera Il trovatore at Amsterdam's Muziektheater for the first time. It was not an unmixed pleasure. During the first two acts, The Netherlands Philharmonic Orchestra, the National Opera Chorus and the soloists were so out of sync that I considered leaving at the interval. A good friend... 

Impressive Waterline Museum maintains mystery of Fort near Vechten

A few thousand years from now, archaeologists will find a bizarre concrete sculpture in sediment layers at the bottom of the future European Sea. Round, organic shapes, a square box with ready-made chambers, pipes, and a relief in the soil. Totally different from the concrete boxes they found before. Unknowingly, they will rediscover the mystery of the Nieuwe Hollandse Waterlinie. The... 

Dutch Dance Days show artistic challenge only on fringes of programme

The first weekend of October saw the Netherlands Dance Days (NDD) take place in Maastricht. As Ruben Brugman reported, important prizes for the dance world are awarded there. But the Dance Days seem mainly intended to promote Dutch dance, more than being a critical evaluation or artistic boost. At the Dance Days, no pithy speech on the State of Dance as... 

Architecture Film Festival: Raw concrete on the big screen

From confrontational brutalism to the flowing lines of Frank Gehry and from timeless London to the Paris of Eric Rohmer. Some of the selections from the Architecture film festival that starts on 8 October in Rotterdam. We take a dive into the programme in advance. In its existence, the AFFR has managed to hold its own against other thematic... 

Chantal Akerman: 'I cannot see myself, because I am myself'

Not many directors have become very iconic very young. Chantal Akerman was, both for experimental film and feminist. She broke through in 1975 with Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, a film that is as disruptive as it is understated. It is her most important work, and also her most radical. The protagonist leads an existence of... 

Eline van Ark makes dance not to watch especially

Those who go to a dance performance want to enjoy beautiful movements, expression, movement composition and a fine stage setting, wrapped in music or a soundscape. But there is something, which is always overlooked: the sound of dance itself. Dancer and choreographer Eline van Ark discovered that this forgotten aspect holds great richness and subtle expressiveness. The sound... 

The six shows you must see in October

Opera2Day, Mariken in de tuin der lusten (opera) The young The Hague company Opera2Day produces one splendid performance after another. But at the same time it does not rest on all its laurels, opting for adventure by presenting an entirely new opera together with the Nationale Toneel. At the centre is Mariken van Nieumeghen, the girl "who lived with the devil for seven years", the music is by Calliope Tsoupaki and... 

Recognition at Dutch Dance Days for plodding 'Swans' 2015 winners

During a festive dinner at Theater aan het Vrijthof in Maastricht, 'Zwanen' were awarded to dancer Jorge Nozal of NDT 1, Ann Van den Broek for The Black Piece and to Roel Voorintholt (Gouden Zwaan), artistic director of Introdans. The annual highlights festival De Nederlandse Dansdagen hosted this successful 'Swan Dinner': posh sponsors and stakeholders ate side by side with messy dance artists. This is how it should be... 

Rik Wouters, Autumn, 1913, 135 x 140 cm, Oil on canvas, Royal Museum of Fine Arts Antwerp ©Lukasart in Flanders

Belgian colour on Dutch cheeks - 7 reasons why you should visit 'Colour Unleashed' soon

Sometimes I think I was born in the wrong time. Wouldn't it be wonderful to live in the period when modern art was born? Then I correct myself: no, there were many problems and uncertainties back then too. But the new exhibition Colour Unleashed at the Gemeentemuseum Den Haag makes me hesitate again. Because the exhibited... 

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