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ACTUAL

All about politics, policy, society and how those things relate to culture and art.

Conductor Jurjen Hempel: 'The students of Score Collective have an unprecedented technical ability.'

Music students are generally conservative. When I studied musicology in the 1990s, we could go to the concerts in new-music temple the IJsbreker for only five guilders. I eagerly used this opportunity to hear the very latest notes by living composers like Pauline Oliveros and Sofia Gubaidoelina for a trifle. I never saw a single fellow student there. Still I am... 

Isabelle Beernaert

Isabelle Beernaert does it again in Under My Skin

When the car park of the Zuiderstrandtheater is full at a pre-premiere, you know something exciting is happening inside. And that's right: Isabelle Beernaert and her ensemble present the new production Under My Skin. Dance like an Instagram account: popular, photogenic and ephemeral. Woman Actually, dance is like a Pinterest account. Because that seems to be mostly for women. And there is a lot of... 

Welcome to the Jungle: a catastrophic clusterfuck at the Channel Tunnel

Maaike Engels (video artist and filmmaker) and Teun Voeten (war photographer and cultural anthropologist) made Welcome to the Jungle. A documentary about the utter chaos in the makeshift migrant camp near the canal tunnel in Calais, where some 6,000 people are now waiting in harsh misery for their chance to travel clandestinely to England. Welcome to the Jungle is a painful and bij... 

HET Symphony Orchestra director steps down - just before scathing report on business plan

Failing directors stay put, the Supervisory Board disqualifies itself. No other conclusion is possible after reading the counter-expertise commissioned by the province of Overijssel and carried out by Berenschot. The provincial millions intended to make the orchestra subsidy-independent have not only evaporated, but show a negative balance in every area. Every estimate was too optimistic,... 

Dancing on the Edge festival started with a sense of urgency.

At Amsterdam's Brakke Grond, the Dancing on the Edge festival (DOTE) opened yesterday with an evening that immediately showed what the span is all about. The first performance, Blank, engaged directly with the audience. The second, and official opening performance, Plastic, was more about the dynamics between the performers themselves and with the soundscape. With her opening speech 

"This piece already carries history with it"

Terezín, 1944. In the most deplorable conditions imaginable, Victor Ullmann completes the opera Der Kaiser von Atlantis. The camp authorities forbid a first performance after a few rehearsals. The unmistakable allegory on Hitler and his downfall leads to one of the rare forms of censorship in the camp, which the Nazis showed as an example to the Red Cross.... 

AUREUM by Medhi Walerski, still from trailer

Young choreographers triumph in NDT2's 'Shearing the Wolves'

In the wings of Nederlands Dans Theater, the new generation of dance makers is ready. Medhi Walerski and Johan Inger are both former dancers of the company and have previously created pieces there. In NDT2's Shearing the Wolves programme, they each surprise with a world premiere full of intense, pure dance. In comparison, an older work by house choreographers Sol Léon and... 

Choreographer Meher Debbich Awrachi on #DOTE2015: 'Old ideas pollute the world'

Unemployment is rife in Tunisia. Young men there now clean plastic from the streets and beaches, as a heavily underpaid job. It led theatre-maker Meher Debbich to a surprising insight: 'Old ideas are like plastic. They don't decay. They have to be disposed of, for recycling. Otherwise we will perish in them.' He tells me about this in the interview below 

New: a Blab with playwright Nassim Soleimanpour.

Next week sees the start of festival Dancing on the Edge. Unlike its name suggests, this festival, with performances in The Hague, Amsterdam, Utrecht and Rotterdam, is not only about dance, but also about film, theatre and politics. The 'Edge' it is about, the festival looks for in its theme: an urgent artistic dialogue with the Middle East. More needed now than... 

In Memoriam: the Basic Cultural Infrastructure (2008-2015)

Apetrots they are, the MPs Jacques Monasch, Jasper van Dijk, Mona Keijzer and Alexander Pechtold. After all, they saved a youth theatre company and managed to add a few festivals to the basic cultural infrastructure of the Netherlands. In addition, they have also already earmarked an amount for some other festivals. Yesterday, the motions from the June debate were put to a vote. Almost... 

Watch tip: We Are Jung, We Are Stark

It is not often that a film about an event in 1992 is so poignantly topical. That was when a group of some 300 right-wing radicals set fire to an asylum seekers' centre in Rostock. Miraculously, no one died then. But it did scar many for life. Among them was the director of Wir Sind Jung, Wir Sind Stark. Filmmaker and son of... 

The Netherlands' most intimate film festival can be found in Leiden: #LIFF15

10 years ago, it all started. A group of recent graduates of Leiden University found that their dear Alma Mater [hints]Latin for nurturing or caring mother. Alma mater refers to the university or sometimes the school where someone received their education. In ancient Rome, the term Alma Mater was used for the mother goddess; in the Middle Ages, Alma Mater referred to... 

Refugee novels deserve a second life. Especially now

For months now, the news has been about little else but refugees and asylum seekers, and supporters and opponents of their reception have become increasingly polarised. A situation that is very reminiscent of the theme in Elvis Peeters' 2006 novel De ontelbaren (The Indivisible). The atmosphere in the countries where refugees - 'fortune seekers' according to some - seek refuge is becoming increasingly grim. Also in our... 

Unsuk Chin: 'Holland is more open to new music than other countries'

In 1985, Unsuk Chin (Seoul 1961) won the Gaudeamus Music Prize with Spektra for three cellos, six years later she made her breakthrough with her Akrostichon-Wortspiel for soprano and ensemble composed for the Nieuw Ensemble. In 2004, she won the Grawemeyer Award, the world's most prestigious music prize; in 2007, she made a deep impression with her opera Alice in Wonderland. Tomorrow, Thursday 22 October. 

Loïc Perela and Jan Martens: As a spectator, you are finally faced with a question again

As I wrote in my earlier article about the Nederlandse Dansdagen, choreographer Loïc Perela won this year's Nederlandse Dansdagen Maastricht Prize. It earned him 12,000 euros to put into his new project HASHTAG. The award has helped some previous winners on their way (Monique Duurvoort, Joost Vrouenraets, Erik Kaiel, Muhanad Rasheed, Joeri Dubbe,... 

Particular Dutch culture remains under the radar due to amateur status

The India Dance Festival received just a little less attention from the national media this weekend than the Amsterdam Dance Event. Something that theatre director Leo Spreksel of The Hague-based Korzo Theatre was a bit worried about on Sunday. Because for three days now, his halls have been so muddy that he even turned away visitors who came all the way from Switzerland.... 

John Adams Scheherazade.2 disappoints - despite phenomenal Leila Josefowicz

For a moment on Friday, 16 October, it looked like Leila Josefowicz would give an encore, but it did not happen. The audience in the sold-out Concertgebouw had cheered her for minutes for her phenomenal rendition of Scheherazade.2, the second violin concerto (or third, if you include Dharma at Big Sur for six-string electric violin and orchestra) by John Adams, who himself led the Royal Concertgebouw Orchestra... 

Rembrandt in the mirror

Selfies from the Golden Age. The Mauritshuis gives this subtitle with a wink to its new exhibition Dutch self-portraits. With it, the museum seeks a new connection between 17th-century art and today's world. And that attempt has succeeded, thanks in part to the ingenious exhibition design by Jelena Stefanovic of Studio OTW. Since the 2012-2014 renovation and expansion, the... 

Inequality and exploitation: from Genesis to today

At the Gala van het Nederlands Theater, she won the Colombina 2015 for best female contributing role, in Genesis. From this week, Antoinette Jelgersma, actress with the Nationale Toneel, plays in Ronald Schimmelpfennig's The Golden Dragon. From biblical history to life anno now - but there are more similarities than you might think. Jelgersma sits relaxed 

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