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ACTUAL

All about politics, policy, society and how those things relate to culture and art.

'Art tax cuts and a cultural fund will be created as an incentive for homeowners to invest in works of art.' (How we think the throne speech should have read)

Members of the States General, This year about 72 years ago we had the first Holland Festival. After years of enslavement and tyranny, hope for a better future literally came from above, in the form of Maria Callas. Eyewitnesses who saw the lights in the Stadsschouwburg turn red that day would never forget that image. 72 years later, it seems... 

 'You know, why we used to call it The Golden Age?' Why new stories need old words.

The puppets will dance, the turnips are cooked and the shit has hit the fan. The Amsterdam Museum is replacing 'Golden Age' with the neutral '17th century'. A typical example of oikophobic repopulation and politically correct language purification, or a useful adaptation to a changing zeitgeist? Time will tell, but explosive it is. For me, it raises questions. That... 

At Leiden University, the end of patriarchy is shining. 

This weekend, there was some fuss on Twitter. Something about a Nazi comparison that didn't quite work out. Now there is quite often a fuss on Twitter because of a Nazi comparison that doesn't quite work out, but this time it concerned one of our cultural figureheads. Kees Vlaardingerbroek, artistic director of the NTR Saturday matinee and former head of programming at the Rotterdam... 

Striking: Amersfoort subsidises sports event with culture money

Amersfoort has some catching up to do when it comes to culture. Festivals like Spoffin, for instance, have no money to pay real fees for performing artists. So they are there with the name recognition as a reward. The same is not true for tennis players, it turns out. Indeed, Amersfoort's alderman for sports decided to enrich this year's atp tennis tournament with a €50,000 subsidy to, for instance,... 

Social Fund Performing Arts turns out to be moneypit: assets halved in five years. Why is this bad news?

'If we continue at the current rate, the fund will be exhausted in the foreseeable future.' This can be read in the 2018 annual report of the Performing Arts Social Fund. Plenty of reason to sound the alarm, indeed. Is this yet another victim of the cabinet's cuts? Not really, it turns out. When you look at the documents in detail, you see mainly that... 

Call by Wim Claessen, former director of Theatre Festival Boulevard: 'Are there any directors left who dare to turn the tide?'

This is a letter sent in by Wim Claessen, who founded Boulevard in 1984, and passed the baton to Geert Overdam in 2002, who was succeeded by Viktorien van Hulst in 2014. "It is a disgrace that we are still standing here," spoke Viktorien van Hulst at the opening of Theatre Festival Boulevard at the Theater aan de Parade. "How... 

Bring on that fair! 7 established facts that make an ever-younger festival Boulevard unique.

Theatre Festival Boulevard is a highlight of the festival summer every year. Because there are no barriers and because it carries the casual atmosphere of the city in every fibre. But it goes even further. Here are my seven learning moments: 1: Boulevard is more accessible than the city itself Some people find it verging on the hysterical, but... 

At last. Interest groups arts and creative industries seek collaboration

It is actually a footnote in the press release that lobby organisation Kunsten '92 sent out into the world today. But, as always with footnotes, it did contain the most important news. Because Kunsten 92, the club in which organisations in the arts sector polder, is "exploring cooperation" with the Creative Industry Federation. The latter is the Arts '92 of everything that is also culture and creativity,... 

A good artistic director is an invisible Emily Molnar to NDT

A good artistic director is an invisible one: Emily Molnar to NDT

Canadian Emily Molnar is the new artistic director of Nederlands Dans Theater (NDT1) from season 2020/2021. Looking at her track record, she has everything going for her: a loyal ten years as artistic director of Canadian BC (British Columbia) Ballet, a good reputation as a choreographer, acclaimed as a visionary, innovator and coach and she has a... 

No one in the art came up with a plan B. (Why the current chaos was caused by lobbyists)  

'I'm not going to make everyone happy with this.' These words were uttered by minister Ingrid van Engelshoven during the debate on her principles paper last Thursday. True words. Indeed, the shine of her ministership has now worn off. Van Engelshoven is, after Bussemaker, the second culture minister who had to implement Mark Rutte's culture policy, and had nothing to offer but a... 

Culture Council advisory committee chairman steps down: 'Nobody checks state museums anymore'

Wim Hupperetz, director of Amsterdam's Allard Pierson, has resigned his position as chairman of the museums and heritage advisory committee to the Council for Culture. In protest, he says, against the irresponsible way in which the minister is now implementing the Culture Council's advice. 'If this continues, we will soon be giving millions of euros to a few... 

With a cohesive team, you win the World Cup. How the Holland Festival gagged all the cynics this year.

The 2019 Holland Festival was the best in decades. At least in the 25 years I have consciously witnessed it, I cannot recall a national festival that coupled so much impact with so much prestige. Whether visitor targets were met or not will be of no concern to me in this regard. It is, as Volkskrant colleague Hein Janssen once remarked,... 

Art is totally useless, and politicians need to make that clearer. (Why Mark Rutte should go out more often)

This afternoon, there will be a hearing in the Lower House on Minister Ingrid van Engelshoven's guiding principles note. That memorandum which everyone now realises is a fig leaf from her own pocket. Speakers have prepared their finest speeches, and some of it will surely go viral within the various cultural social media bubbles afterwards. I was getting a little despondent... 

'Meat sandwich' still most popular at food festivals Festival Atlas sees festivalisation declining

The peak of the festivalisation of the Netherlands seems to be behind us. The number of festivals has declined by over 10% in two years. This is according to research by the Hogeschool van Amsterdam into the festival landscape in the Netherlands. Responsible lecturer Harry van Vliet (Crossmedia): "The decline in the number of music festivals was already visible in 2017, but the decline is the... 

'Congo' is another highlight of one of the most meaningful Holland Festivals in years.

'I think they understood.' Faustin Linyekula says it, very quietly, a little apologetically almost, to his fellow actor at the end of the performance Congo. A slightly relieved laugh can be heard in the main auditorium of Frascati, where Princess Beatrix is also seated. Shortly before, Daddy Moanda Kamono had erupted in an increasingly desperate tirade against our shared past.... 

New arts plan cabinet-Rutte III: 25 million less arts supply. (But more happy artists)

How harrowing the payment of artists, musicians and theatre actors, screenwriters and all those other 'creators' is, became clear again in recent weeks. In newspaper Trouw, a musician - finally - came out of the closet of poor working conditions. Against the prevailing mores, she revealed how much she earned. What transpired: top national institutions like the Concertgebouw allow musicians to perform for free, orchestral musicians... 

Angélica Liddell's screams are particularly interesting in The Scarlet Letter

The much nudity and sex in Angelica Liddel's adaptation of Hawthorne's famous novel are a bit old-fashioned. The Spanish language is the real attraction. In his review of Angélica Liddell's play 'The Scarlet Letter' on this website, Wijbrand Schaap calls the scene with a naked black man "a painful low point". According to Schaap, the man is treated by Lidell as... 

Pipi Longstocking rules in Zwolle. (Why everyone who cares about learning should go to Festival Woest)

Put 15 or so bouncy balls from the first grade of primary VMBO in an antique cabin of a few square metres and you can be sure there will be a hundred of them. Music they will make and they themselves had thought it should be about a forest. Protoon's accompanist is going to arrange that for them. There are pads ready,... 

Iranian Turandot disarms with engaging music. But Puccini remains undefeated

It is quite daring. To take a classic Italian opera and give it a 'primal version'. I know a small army of militant opera critics who would prefer to take up arms against that. If that comes from Iran, you soon have the puppets dancing. To get right to the first... 

Black, French, or African: The Welcome Table holds discussion on 'négritude' well away from Holland Festival

The ground beneath your feet is sacred. It is, in these times of left-wing identity politics and emerging right-wing blut und boden thinking, quite a risky remark, but Faustin Linyekula used it anyway, in an answer to a question from the audience. That question was about the need, to defend your own place in an increasingly globalised world. Because. 

At Festival Woest, young people figure out for themselves how they want to play life (Why you can't avoid Zwolle in early June)

Woest is a cultural education festival for and by young people and offers a place for experimentation outside education. Woest is a unique partnership between education, culture providers and young people. In fact, what makes Woest unique is that young people themselves come up with new things that can make education more fun and better. The pupil's voice is always the starting point. In recent months,... 

New audiences for subsidised theatre? The Netherlands is working against that.

Together with two 12-year-old kids, I go to a theatre performance. To a theatre performance labelled 'adult performance'. Tickets cost 25. Discount for students. Discount for CJP. No discount for children, excuse me, youngsters, because yes, those two bridge students are already 12. Is this performance made for children? No. It is made for the curious, open viewer, for... 

Faustin Linyekula and the tearfulness of the travelling artist

'Aid workers come to my city to leave again. I come there to stay.' You cannot get Faustin Linyekula any more concise. 'Aid workers do not create a bond with the people they want to help. Their work is gone as soon as they leave. I don't come to help, but because I want to be there. If that makes me a few... 

'We have become spectators rather than actors'; Philipp Blom tells performing artists on SPOT-Live what is at stake.

'We are on the brink of a new cultural revolution. We need to move away from our paradigm and art can play a role in this. Art can show us images of a different future, a different thought. Artists can help bring that realisation in.' Speaking is writer and journalist Philipp Blom. In 2017, his... 

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