State-of-the-art robot dances to old reggae
To be seen from Friday 7 September in the Amsterdam Stadsschouwburg foyer: this dancing copy by the artist Leonard van Munster. A nice combo of dance, technology, theatre and art, we thought.
ACTUAL
All about politics, policy, society and how those things relate to culture and art.
Do we still like Facebook?
Naarmate internet voor veel mensen steeds meer synoniem wordt met grote bedrijven als Facebook, begint het oude ideaal van een open en vrij wereldnet steeds meer te vervagen.
Bold p***o on the euro note?
There has been another interesting cultural twist to the 'Europe debate'. Someone has called out that it watermark of the new series of euro banknotes will include a picture of 'the rape of Europe' by the Greek supreme god Zeus. The anti-Europe and anti-Greeks in the various timelines need no more to frame the banking mafia's plot against the European citizen.
Eric de Vroedt: 'Eventually reached Obama too'
Winning two awards in one weekend, that doesn't often happen to a person, not even in the award-winning art world. Eric de Vroedt is a theatre-maker and writer who did happen to one. Entering his final season 'MightySociety' he got the Amsterdam Prize (35,000 euros) and the Prize of Criticism (a statuette), determined by a jury of newspaper reviewers.
The Promise main theme at 32nd Netherlands Film Festival - audience recruitment stepped up
Next year, the Netherlands Film Festival will have to face extensive budget cuts. Therefore, let's enjoy this year extra, was the recommendation with which festival director Willemien van Aalst closed the press conference presenting the programme of the 32nd Netherlands Film Festival this afternoon. Precisely in this time of economic headwind, the festival has chosen this year's The Promise
Halbe Zijlstra: 'nothing to do with local arts policy'
Halbe Zijlstra is proud of his policy, and keen to come and tell it in front of the entire cultural sector. So on Sunday 26 August, he appeared on stage during the annual 'Paradiso Debate' to reiterate how well things had gone with the 200 million cut in the arts sector. He praised the resilience of the affected art world, and would be happy to do the same again.
'Windfall cuts': bricks saved, people sacrificed
The major research and management consulting firm Berenschot has calculated that, on balance, the cuts to the arts turn out to be not too bad. Client of the study, De Volkskrant, then headlined that big. And indeed, it is kind of good news that the pile-up of cuts (the state 24% less, the provinces 20% less and the municipalities only 9 % less) is so low in net terms. We were surprised for a moment, but when we asked around, we found out
Theatre on demand offers British quality
Lots of bobbing on boards. That's what drama on television is mostly. And actors with weird reverberations in intimate scenes. That too. It is easy to shoot at attempts to bring successful performances to the TV or cinema screen. They almost always make viewers feel that their medium is shooting back 80 years in development. This is also why every attempt by the Dutch Public Broadcasting Corporation to make our fairly highly regarded stage art attractive to a wider audience via TV fails. Theatre or opera on screen is especially suitable for
Cronyism at the Performing Arts Fund?
In the small Dutch art world, it is impossible to put together a committee of experts which is entirely independent. Anyone with knowledge of business also has knowledge of people, or has worked at an institution that is now to be judged. Or works there now. Reason enough, then, for speculation and conspiracy theories.
Culture Council hands out in second round
Yet money for the National Academy of Visual Arts, money for an orchestra merger in the south of the Netherlands and 4.7 million for a knowledge institute for amateur art. The clear-cutting of the Dutch cultural sector has become a little less extreme thanks to a second advice from the Council for Culture. Besides the aforementioned positive assessment, there is also money for a knowledge institute for the creative sector
Edelkoort signals development of animation art better than she thinks
On 12 August 2012, during the worst watched Summer guests-broadcast of all time (343,000 viewers) told trend forecaster Lidewij Edelkoort about The Johnny Cash Project. A great example of what crowdsourcing can do for creativity: in 2010, everyone was invited to add a drawing to an animated music video to Johnny Cash's latest song. We now know what and who is behind this:
Maastricht on slippery European ice with arts subsidy
Maastricht is going to do things differently. Starting next year, the city council will determine what art is needed, and art institutions will be allowed to submit plans that fit within that framework. If their plans do not comply, they will not get any money. Sounds nice, but the capital of Limburg is treading on thin ice.
European austerity map runs out
The Guardian, the newspaper at the forefront of crowdsourcing, has made available an interactive map showing the cuts to culture being made by governments across Europe. We already know that the Netherlands is in the lead, but Spain is not doing well either, as we might have expected. You can help build the map yourself, and that...
Volkskrant fails: not 'region' but Randstad suffers
I would like to take a moment to put this one to you. Quote from this morning's volkskrant, where editor Harmen Bockma makes a valiant attempt to list all the figures of culture carnage, but fails a little in doing so. It also remains difficult to identify the breakdown in the basic infrastructure add to the dropout at the fund, but it is proving altogether difficult to discern what
Baldwin Live
On Wednesday 1 August 2012, the Performing Arts Fund will announce the results of the lottery that granting arts subsidies has now become. Huge cuts are looming: companies and creators that by now seemed to be a permanent part of the Dutch arts landscape will disappear. Exactly what it will look like, we know
Nobody likes a critic
While YouTubesurfing, I stumbled upon these razor-sharp sketches of Stephen Fry and Hugh Laurie. Descended from the heyday of their genius programme A Bit Of Fry & Laurie. Watching this beautifully parsed windbag, a nasty feeling came over me that damn little has changed in the mindset of art critics since this skit was broadcast. Complacency is always lurking.
Paradiso full of dance energy at I Like To Watch Too
I Like To Watch Too: abundance of performances shows that dance and performance are powerfully connected to modern society. The dance moves rain down on you even before you have entered Paradiso. Tim Boerlijst tap-dances on the pavement. This infectious welcome immediately draws visitors into the atmosphere of 'I Like To Watch Too'. This festival showcases dance and performance from...
William Kentridge & the dress rehearsal for the Holocaust
With Black Box / Chambre Noire the Jewish Historical Museum presents the first exhibition by South African artist William Kentridge in the Netherlands. A multimedia artwork On the first genocide of the 20th century. Now on display at the Jewish Historical Museum.
Halbe Zijlstra should fund Culture Card after all.
It was the issue on which he lied the hardest, as we demonstrated a year ago, but the country's most hated secretary of state did not care. Despite its great success, the culture card for schoolchildren had to be killed off, and on spurious grounds. Now the card has been saved by the chamber. A majority voted in favour of a motion by CDA and PvdA,...
Tate London has 100,000 members. Fortunately not all of them are active
Martin Barden realises that an old model works, where everyone is always clamouring for new forms. As marketing boss of the Tate museums in London, he created a large network of friends. So that museum has more than 100,000 members. people who feel part of the club, and whom you have to pamper.
Awards for experimental docu and absurdist fiction
EYE is pulling out all the stops. This year, the final exam papers of the students of the Netherlands Film and Television Academy will get an ideal presentation in the largest auditorium of this new film centre. What is also new is that yesterday, immediately after the screening for press and relations, awards were handed out for best commercial (The End, Soon), best documentary (A Twist in...
Nancy Wiltink: 'a good story has to smell like blood'
People asking for clarity often clamour for "names and (back) numbers", but in classical music, that fuss with names and numbers is precisely why nobody understands anything anymore. So, according to ex-marketer and now storyteller Nancy Wiltink, it's not only about your story, but also whether that story is
'FATFORM is fat enough for all free radicals'
Two years ago, a number of artists from collective FUCK and production company Finger.co.uk the roof of Kraaiennest shopping centre in Amsterdam Southeast, and stomped FATFORM out of the ground. An elusive art project, rooftop party and free state. Now they have moved up a hundred metres.
Theatre Museum collection to be lost for good
[July update: the 2nd chamber passed a motion instructing the cabinet to save the collection from destruction. Where this is to be paid for, however, is still unclear]
It is now becoming clear where the laissez faire-laissez mourir (let it be done, let it die) policy of Halbe Zijlstra, Martin Bosma and Mark Rutte will lead. Of the dozens of institutions that will close, downsize or die off in the coming months due to vacancy of quality staff, the demise of Theatre Institute of the Netherlands (TIN) is starting to take on very tragic proportions.
"Janine Dijkmeijer to National Ballet"
The message below has since been confirmed. But we like to cherish our firsts. Hence. Of course, the merger event in and around Amsterdam's Muziektheater, where ballet, opera and theatre will work in unison, also produced a game of musical chairs. Stijn Schoonderwoerd, for instance, announced a month or so ago that he was going to do something else, and so the Dutch National Ballet was looking...
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