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PODCAST: Everything had to be different for Patricia Goduto

Patricia Goduto (37) was on stage in major Stage Entertainment shows early this century when an old childhood trauma played up and plunged her into a years-long psychosis. Her life changed irrevocably, she became addicted to drugs and alcohol and was declared incurable by her practitioners. Now she has been on stage for a few years, cured of her... 

Sandra Kramerová shows in 'Majka' that much fight is still needed for women's emancipation: how a good performance can still make you feel like you're missing something

Creating a character you really feel involved with as an audience is what dance maker Sandra Kramerová is rock solid at. Her solo performance Majka drags me along from the start. But precisely because she performs her choreography so strongly, I am left afterwards with the feeling that I am missing something. That's a wonderful experience. It's not going well... 

Words & Music: cut-ups & fuck ups, Berio & Burroughs at Asko|Schönberg

For the second time, Asko|Schönberg organises Words & Music, a festival full of cut-ups & fuck ups. A rush of sensations: fantastic, grim, absurd, disruptive and with humour. A day of cut-up, cut-up and brand-new performances in Muziekgebouw aan 't IJ and Tolhuistuin. After the successful first edition in 2020, Asko|Schönberg will once again bring together makers from different disciplines in unique ways,... 

Nerd podcast S2A3: With Cees Debets (National Theatre) and Marijn Lems (NRC) on the uncertain times in theatres

The theatres are struggling to fill up, technicians have hung up their lamps, but tickets are not on sale for Het Nationale Theater's Trojan Wars. So in this long-awaited Nerd podcast (the AVROTROS thinks the tune is really terrible), we talk to Cees Debets, the director of that great theatre company from The Hague. Marijn Lems also happens to have a few... 

Diepenheim's theatre workshop undermined by 'rules and codes' And Corona.

There is turmoil in the world of circus and open-air theatre as a major workshop cum festival in the famous artist town of Diepenheim loses its director. Ruth Semmekrot, director of Kunsten op Straat Overijssel since 2013, suddenly resigned her post last Friday. In a statement on Facebook, she stated: 'I have struggled. The administrative and political dynamics I was in... 

Review Hebriana: Dead-end lives

Put three neurotic sisters with their mother hen and errant brothers-in-law together in a parental holiday villa with beautifully translated text by Las Norén and you're bound to get some nasty Scandinavian family stuff. But luckily there is the wafting acquaintance Axel, a convincing role by Mark Rietman. Already at the start of the performance with the tableau de la troupe alongside... 

Podcast on the accordion's orchestral power: Blood Chorale by Toeac at November Music 2021.

The link between the Orpheus myth and Arnhem potenrammers is more obvious than you might think. At least, if your name is Peer Wittenbols and you are one of the country's best playwrights. That you can also think of accordions as part of that is, in turn, extraordinary. Still, Blood Coral, a performance by accordion duo Toeac, with a lead role for Jack Wouterse on a text that promises... 

Podcast artZINnig #1: comedian Thjum Arts on humour, social work and the meaning of life.

'The contact you make with your audience as a comedian is the highest thing for me.' When comedian Thjum Arts (1993) started breaking through as a comedian around 2018, he wondered if this was what he really wanted. As a human being, should he really want to talk about himself so much? Studying social work would have... 

Jan-Peter De Graaff composes Parallax: 'I show how much effort people put into creating their own world' #novembermusic

Jan-Peter de Graaff (b. 1992) is and thinks big. As an islander, raised on Terschelling as a child of musicians, he also perhaps perceives things a little differently from the peripheral city. The height of the sky, the nothingness of a strip of land surrounded by the movement and power of water; they suggest infinity and the mystery of higher powers. That perspective... 

Waanzee: Grunge theatre by Ko van den Bosch and Rosa could be a bit angrier

Ko van den Bosch once founded the ruthless theatre company Alex d'Electrique and theatre would change permanently because of him. They made punk theatre and because there was very little video anyway, the myths about trays of shit and actors attacking each other with chainsaws are more numerous than it actually occurred. I have long thought that in a... 

Compact Iliad by Alum is ode to invincible writer Homer.

Troy is rather hot, this year. The Hague has just premiered Trojan Wars, an insane marathon performance (5 hours), with 35 actors for 40 roles and a text that, apart from being by Homer, is very clearly by Peer Wittenbols. Who I admire boundlessly. A review by colleague Peter Olsthoorn can be read on this site.... 

New Maas Theatre and Dance management sets high stakes with peppery game show

We spend much of our lives saving our asses. You'd better be a bit cheerful about that, because life isn't manufacturable anyway. These are no small life lessons that René Geerlings, the new boss of Rotterdam-based Maas Theatre and Dance, deploys in his first play as artistic director. Still... 

Great, scintillating Trojan Wars from National Theatre

Dance and ballet, drama with gory atrocities and clattering emotions, imaginative lighting, set and costume effects and, above all, enthusiasm bursting forth. HNTjong's 'biggest production ever' with 30 actors for 50 roles is overwhelming. Thanks also to the corona crisis: the National Theatre had to postpone the performance for a year and a half and lift it over two summer holidays, with all the misery... 

Night-time silence walk with Schiphol hatred to close Holland Festival 2021

Admittedly, I was never a fan, but how I hated those planes last night. I was walking through a dark, nocturnal forest between Lage Vuursche and Hilversum. Where, in the silence, I could have listened extra carefully to creaking twigs, shuffling insects, whispering trees and the occasional owl, I mostly heard how happy we all are that after corona we have another... 

Tobias Kokkelmans starts as director of the Dutch Theatre Festival: 'More exchange between different groups in audiences and creators.'

'As for many people, the theatre festival really does mean something. Like the Fringe, it is impossible to imagine without it. I've been able to make artistic friendships there, I've been able to have arguments there, I've met people who I thought were adversaries who turned out to be comrades-in-arms. Because there are not only performances, there is... 

Back to the primal power of magic, through youth theatre. With thanks to Jetse Batelaan.

Plays often end in chaos. An overturned liquor cabinet, a blood blade among royals, we are used to a few things. Jetse Batelaan's latest play, baroque and sharper than he showed before, also ends in beauty, but then that is actually the beginning. Indeed, the ending is sterile and stripped of any life. But that is where the performance begins. The artistic director of... 

NTF Pro: professionals look for gripes at Dutch Theatre Festival.

Those who fear - by virtue of being white men or women - that the descendants of enslaved people are coming to punish them for being grossly at fault for the consequences of the now infamous VOC Mentality, can sleep a little more peacefully again. During the first day of the Dutch Theatre Festival, Thursday 2 September in Amsterdam, surprisingly conciliatory noises rang out when it came to... 

Nerd podcast with Jan Veldman, Marijn Lems and Wijbrand Schaap on theatre refusers and cabaret.

We're talking about the non-attending theatre. Because it was all about it last week at Theatre Festival Boulevard and then on social media following this post. One who spoke out very strongly about it was theatre and screenwriter Jan Veldman (a.o. Theatre Group Jan Vos). 'I think thinking theatre is an elitist idea, and at least... 

Like the best clowns, Elias de Bruyne knows how to connect humour with existential angst. At Festival Boulevard #tfboulevard

One of the very best things about Festival Boulevard is the variety of programming. Theatre, dance, music, youth performances, mime, comedy, it all mixes together. And the festival offers just as much space to young makers as to the old hands. So you get a good overview of what the up-and-coming generation of theatre makers has to offer.... 

This year's Theatre Festival Boulevard feels greener than usual - and you'll notice it in the performances #tfboulevard

The permanent site of Boulevard's festival centre has largely turned into a construction site this year. This forced the organisers to move to Zuiderpark. Although this is a bit outside the city centre, it is much more spacious and green than the Parade square. It gives the festival a nice feeling of air, space and proximity to the... 

Benjamin Verdonck renews, for a moment, your view of the world. At Theatre Festival Boulevard #tfboulevard

One of the things that make Boulevard so special in the Dutch festival landscape is its generous focus on Belgian performances. Where Dutch theatres programme less and less work from across the southern borders, Boulevard continues to offer a stage to a large number of Belgian makers. Learning to live together This produces very varied work again this year. At the heart of the festival is... 

Why laughter is best left to us more often: Joseph Toonga teaches theatre rage #tfboulevard

Think Pussy Riot, think Rammstein, maybe think Nina Hagen before she found Jesus and mix that up nice and fierce. Then you get something that is basically an insane festival act. Raging female punk in a beer- and smoke-soaked nightclub, ferocious moshpits full of people who really have something to dance out of their souls. It's all in there... 

The NUT delivers splendour with Never Work Again.

On the day that Mark Zuckerberg, CEO of the world's Facebook, announced his launch to the 'Metaversum', in order to trounce his collegatechies Bezos, Musk and Branson, who had only had a little sniff of the Universe, I attended the performance 'Never work again' by the Nieuw Utrechts Toneel in Utrecht Leidsche Rijn. In these times of lockdown and... 

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