Cinedans festival: the images move. So.
Fransien van der Putt, dance expert from Culture Press, and Helen Westerik, film expert, attended the opening of Film Festival Cinedans and were amused, but not always by the programme.
Underdog Argo winner at the Oscars
The big story of the 2013 Oscars, of course, is how underdog Argo eventually surpassed initially-dead favourite Lincoln. When Sunday night Ben Affleck picked up the statuette for best film, he did so not as director but as producer. He wasn't even nominated for the Oscar for best director, and that comes with a film that...
Prokofiev fairytale opera on repeat
In 2005, director Laurent Pelly and conductor Stéphane Denève enchanted Dutch audiences with their vision of L'amour des trois oranges By Sergei Prokofiev.
Cultural anthropologist on stage
Treaty of UtrechtMarjolein Jegerings (21) is studying cultural anthropology at Utrecht University and went to Guatemala last year for her undergraduate research on conflict mediation. When she had just returned, she called
'A lot of art is too much about pleasing'
It started with an email out of the blue. Artist Joncquil had Googled my website and was struck by the name. I myself had almost forgotten how I had ever come up with the name, Joy of Irony: a song by the legendary, highly underrated English noise/metal band Fudge Tunnel. Joncquil came to my site because of his expo at the time, Himmel und Joy. He had read some of my pieces and introduced himself. Maybe one day we could have coffee to talk a bit about art.
Thus it happened.
Dutch dance audience chooses Belgian dance
The Dutch Dance Audience Award 2012 was awarded on Saturday 9 February 2013 to the Belgian performance Et Après By Isabelle Beernaert. During the festive ceremony on the closing night of The Hague CaDance Festival, awards were also presented to
Choreographer Cecilia Moisio: scared to death of the 1950s
''You would think: women are emancipated. But people long for the clichés and prejudices about women from the 1950s again. If you dress super-feminine, you get whistled at like a dog. But how should
Crystal Pite: 'The most exciting choreographer on the planet'
Advertorial Mysterious shadows. Puppets controlled by dozens of invisible hands and music that emphasises the very silence. An evening with Crystal Pite is an adventurous journey into the unknown regions of our imagination. On 7 February 2013
Only in final scene does Guillaume Tell bathe in golden sunlight
After more than four hours, it happens: emotion. Free Switzerland is bathed in golden sunlight and the choir swells over the most beautiful orchestral sounds Rossini composed. Unworldly sounds, which have little to do with the best-known sounds from Guillaume Tell - The canter from the overture.
Utrecht deploys army at opening of festive year
200 military personnel and JunkieXL are expected to cause a spectacle on the A2 motorway near Utrecht on 13 April. The roof of the new tunnel trench will be the stage for a battle of medieval proportions, in which peace will be conquered by our army over something with a wall and 'war' on it.
'Mogadishu' fits into zeitgeist of moral confusion
Once upon a time, subsidised theatre was a left-wing hobby. Now, two years on, subsidised theatre has effortlessly conformed to the prevailing, much more right-wing trend.
'Jeremiah Runnels expelled for stunt': hoax by Brussen&Co
UPDATE 17:45 Thanks to Dimitri van der Werf (in the comments) The composer in question does have to leave the country, but not because of this stunt, but because he did not fulfil his reporting obligation, which he
Writers Unlimited successful thanks to tight direction
Writers like to talk, and people like to talk about, with and through writers. As much as that may be reason to organise a literature festival, it is also why
'Oh, it's being torn apart a bit' #wu13
At 1 strip or 1,000 words blogger and columnist Peter Breedveld spoke to three influential illustrators, Barbara Stok, Peter van Dongen and Thé Tjong-Khing using projected images from their beautiful work. The relaxed conversation was a breath of fresh air among the other ferocious debating violence at the festival.
Writers Unlimited 2013: about writers and people with a story #wu13
Whether Tahmina Akefi is a good writer, I dare not say. The Afghan beauty can at least glue sentences together, and knows how to add an erotic layer on top. But whether this means she surpasses the average penny novel, or whether she has nothing to offer but oriental soft porn anyway? Tricky.
Blogging vs demons #wu13
"We don't use social media because it's cool," says Tunisian internet activist Sami Ben Gharbia. "But in a dictatorship, it is the only way to inform people about what is really going on. To fight the demons in society. I am not a techny Became because it's fun. I just needed useful knowledge about internet codes, to improve my civic activism possible."
Really free poetry can be learned #wu13
We spoke briefly at Writers Unlimited 2013 with the woman who has been giving workshops in poetry to schoolchildren for a few years now. And we wondered again if rap wasn't enough for them, those kids. No. So it turns out. And she explains it clearly.
Hassnae Bouazza's Thousand Shades of Arabia on #wu13
John de Mol is doing good business in the Arab world. He acts rather dismissively about this, according to Hassnae Bouazza. According to her, the television producer talks publicly mainly about the many restrictions on his formats because of Islam and the sentimentalism of TV in the Middle East in general. That De Mol's success number The Voice of Arabia during the final in
'For me, only the text exists' - Alberto Manguel & Hans Goedkoop on black pages #wu13
With a jam-packed programme like Writers Unlimited 2013, it sometimes happens that, even as a professional journalist, despite everything, you end up dropping in somewhere too late, and then just catching a glimpse of something really great. In this case, after the tour de force of Amos Oz and Adriaan van Dis, was that Kenyan Ngwatilo Mawiyoo's spoken word performance. Mea culpa for that.
Does it luckily still involve sex on #wu13
How many male genitals Yasmine Allas had weighed in her hand. For a while, that was the question during Writers Unlimited's most shameless programme to date. This latenight talk show addressed the question of how shameless writers actually dare to be these days. Kristien Hemmerechts, always good for a few firm statements, met her peers in
Presenters can make a Winternight. And break it. #wu13
And then, just like that, you can miss the highlight of the first Winternacht because you don't pull it together with a presenter. Flemish author Bart van Loo, according to many a twitterer, seems to have uttered beautiful sentences in the programme 'Daar geef ik mijn leven voor', but that was well after midnight and I was already
A lot of Oz & a little Van Dis on impossible dreams and ideals #wu13
During the kick-off of Winternacht 1, publicist Bas Heijne brought the two literary giants Amos Oz and Adriaan van Dis closer together. What remains of their former idealism? Oz's barrage of wonderful one-liners proved difficult to tame and made for a hilarious but somewhat unbalanced conversation.
Heartfelt plea against Arab shame culture #wu13
Lebanese writer Hanaan al-Shaykh (Beirut, Lebanon, 1945) opened Wrtiters Unlimited on Thursday 17 January with a blazing argument against Arab culture of shame. This, according to the writer whose books The story of Zahra, Women between sky and sand, Beirut blues and Only in London have been translated into Dutch, so deep in
'Readers need to be approached in a different way'
Writers Unlimited Special - One of the important guests at Writers Unlimited is Roland Colastica. This Curaçao author made his debut in 2012 with the children's book 'Fireworks in my head'. The book was enthusiastically received, and has since grown into a modest bestseller. Great strength of the story is its colourful and rhythmic style, but just as important is
Theatres take matters into their own hands
As the government has killed the entire circuit of production houses and further education, seven theatres have jumped into the gap. They are joining forces to enable a number of 'young' makers to develop their work after all. By offering a number of performances in advance
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