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Stunning transformations by Shelley Mitchell in poignant monologue 'Talking with Angels' #tf2010

Invisible forces, described as angels, speaking through a Jewish woman to her friends at the time of the Holocaust in Hungary. A mysterious and true story, translated into the one-woman performance Talking with Angels by American actress Shelley Mitchell. A huge success in America. Yesterday on stage for the first time in the Netherlands.

John Moran experiments with thousands of bits of sound you hear every day

Amsterdam's Stadsschouwburg is velvet red. Theatre Bellevue, the beating heart of the Amsterdam Fringe Festival, whorish pink. The Amsterdam Fringe, that means performances in more than 25 places. In theatres, but also on location. From 2 to 12 September 2010 Henk de Jong for The Dodo and performing arts trade journal TM in search of the pearl of the Fringe. Here he keeps a diary, and a longer article by him will appear in the next issue of TM.

Drama is much more suited to interpret history than film. @RvanH writes essay on Hannah and Martin at #TF2010

Hannah and Martin by Mugmetdegoudentand is not only a heartwarming performance, played by one phenomenal actress and one inimitable theatre personality, it is also a brainteaser. Trouw reviewer and theatre scholar Robbert van Heuven felt challenged to write a short essay in response to this performance.

First ACT Award presented to casting legend Hans Kemna: 'I didn't want to come at all' #tf2010

Everyone wants to kiss him for a moment. Hans Kemna, shining centre of the 'book ball for actors', has just won the very first ACT Award. The award was presented at Amsterdam's Stadsschouwburg, during the ACT gala, the prologue to the Dutch Theatre Festival.

The downsides of a Twitter success: trending topic spam on museum action #askacurator

It was a wonderful idea, but it is already, halfway through the day, in danger of falling victim to that same success. #askacurator, The Twitter campaign by more than three hundred museums from around the world, whereby internet users can ask questions to museum directors, is suffering from an onslaught of viagra, porn and other nonsense sellers. After all, that type of internet entrepreneur is figuring out what topics... 

The only governing party with a coherent vision of culture is the PVV, reports the Green Left at the Paradiso Debate.

Sound recording available to listen to here!

You will hear successively Axel Rüger, director of the Rijksmuseum Vincent van Gogh, responding to the assertion made by VVD member Mark Harbers that the art world is not entrepreneurial enough. This is followed by responses from former CDA culture spokesperson Nicolien van Vroonhoven (consistently called Nicolien van Vroemhoven by presenter Twan Huys) and former NNT actor Boris van der Ham, now culture spokesperson for D66.

Maxima opens new home for Youth Opera House Holland Opera on 3 October

Indeed, the name Xynix was somewhat outdated. And since, thanks to the efforts of its own company and Yo! Opera, which started as a youth opera festival, opera nowadays turns out to be suitable for young people too, a more adult name is appropriate: Holland Opera. The company settled in Amersfoort in a former company building near the railway station: De Verensmederij. The building, after a renovation, is... 

The Dodo spreads its wings in dire times for subsidised art

Then you just have to have Twan Huys. The presenter of Nova who managed to kill all Job Cohen's election ambitions in a few schoolmaster questions. He will be able to pull the same trick on Sunday 29 August with a few left-wing politicians and arts bobos in the traditional Uitmarkt debate in Paradiso.

Museum Belvedere: 'Floods in Pakistan, forest fires in Moscow, a cabinet tolerated by Wilders. How lousy can a landscape be?'

'In this museum, we so often extol the landscape, that for once we wanted to show the destruction, upheaval and impending change of the landscape.' According to Han Steenbruggen, director of Museum Belvedere in Heerenveen-Oranjewoud, it was time for an exhibition that shows what war, natural disasters and climate change do to the landscape: 'With this exhibition, we reflect and respond to... 

Museums' first global Twitter campaign: The Cultural Press Agency is there and reports

1 September is 'Askacurator day'. Already more than a hundred museums in now 14 countries are putting their curators at the computer on that day to answer questions from internet users. It is a first. Never before has such an askacurator day been available worldwide, and never before have internet users been given access to the people behind museums such as the Tate Modern, Van... 

'What is that turd doing on your pedestal?' Museums again take lead on social networks with 'ask a curator'

Paul McCarthy - Shit pile (2007)

Back in February this year, you could add museums worldwide to your Twitter lists thanks to #followamueum, and now they have come up with another new thing. It's unprecedented, and very simple. On 1 September next, anyone, anywhere in the world, can ask questions to people who know about art. Only condition: that you are on twitter sits and knows where the 'hashtag' button is. Because with the 'hashtag' #askacurator ask your question to a museum conductor or exhibition maker, and by using the search function on the twitter website, or in a twitter program like Tweetdeck, searching for that same #askacurator, you can follow anyone with such a question, and also keep track of the answers.

The International Choice of Rotterdam Theatre on location

Rotterdam is renovating its theatre into something that should be cosy in its Jan Versewyveld way with lots of wood. The International Choice, the increasingly exciting season opener by Quist's Kist, as the building opposite the Pathé multiplex on schouwburgplein is called, can therefore be seen everywhere except the theatre. Last-minute searches for locations are ongoing.... 

On to Theatre Festival TF and International Choice Rotterdam Theatre

  The Dodo has had its baptism of fire. We now know what the basics are, and therefore what can be improved. and of course there will be others with even more suggestions. We're going to take all that into our tents this July, think and sleep on that and then go with the new insights.... 

Oerol arrives. Competition for Holland Festival on scarce arts pages in Festivalland #hf10

 The Marathon Effect is well known: put spectators together in a theatre for half a day or more, preferably on uncomfortable seats, and hand them over to a couple of actors with a play. Success seems assured, and the ancient Greeks already knew that. So that there would be no discord around the monster project I Demoni, the Dostoevsky adaptation of Peter... 

Demoni by Peter Stein: Masterpiece leads to masterpiece #hf10

 After a 12-hour theatre marathon, what can be said? That it was good? Good. It can. That it was rare? Also true. That it takes a director in his 70s to stage a Russian novel with such calmness, and that it takes such phenomenal actors to keep the audience hooked for 11 hours to the not-very... 

'Calliope writes very essential notes'. Premiere Greek Love Songs by Calliope Tsoupaki #hf10

 Image report: Ellen Segeren A few years ago, Greek-Dutch composer Calliope Tsoupaki wrote songs with piano accompaniment for Greek singer Nena Venetsanou. Some of these Tsoupaki arranged for the four brass players of the Rotterdam Philharmonic Brass Soloists and the four singers of the Egidius Quartet, whose tenor part is filled in for this occasion by Marcel Beekman. For him, Tsoupaki also wrote... 

Jelineks Rechnitz impresses Holland Festival visitors #hf10

Image by Andrew B47 via Flickr Photo: Chris Vanderburght It was time for a real theatrical hit at the Holland festival, after the rather lukewarmly received British-American Shakespeares of Sam Mendes' Bridge Project. And clap it did with Rechnitz by Elfriede Jelinek dooor the best actors of the Münchener Kammerspiele. Karin Veraart of De Volkskrant was deeply impressed: ...Not... 

Amsterdam FM Clash of Reviewers on Holland Festival #hf10

 Loek Zonneveld is furious about The Bridge Project, but overjoyed with De Keersemaeker's The Song and Wijbrand Schaap still enjoys Amal Maher in the broadcast of Clash der Recensenten on Amsterdam FM, Tuesday 8 June, between 15:00 and 16:00. Also featuring a clear explanation of what The Dodo is, and what it is for... 

In veil spiral by Zaha Hadid, Bach sounds beautiful, but cellist Queyras lacks feeling #hf10 #gast review

 Sometimes we are not at a concert or performance ourselves, but there is a spectator who dedicates a beautiful or critical reflection on a performance in more than a few sentences. You may submit those pieces, and if they are deemed good enough, we will repost them on The Dodo. With our heartfelt thanks, of course. Mail your pieces to: dedodo@cultureelpersbureau.nl... 

High praise for Curlew River; less for De Keersemaeker and Mendes #hf10

 Curlew River Photo: Bertrand Stofleth For every independent journalist in the Netherlands, there are about 15 information officers. It is therefore obvious that these spokespeople largely determine the image in the media. Could that be why in the newspapers and television programmes surrounding the Holland Festival, the announcements are far more numerous than the critical reviews? A look at the... 

For at least €10,000 and lots of art love right to unsolicited advice to Holland Festival #hf10

 We at the press do it for free, but people with really big money can buy it: the right to unsolicited advice to the Holland Festival. Today, the festival announced the appointment of a Board of Governors. People with money who like to put it into top culture. A novelty for the Netherlands. We have the names: G.J. van den Bergh and... 

Press review: webloggers and newspapers unanimously happy with Amal Maher

 Those who missed it, like our Beatrix, will increasingly realise that something important happened, Tuesday 1 June, at the opening of the Holland Festival. Egyptian beauty Amal Maher performed an hour and a half of classical Arabic music at Carré, making her first small step into the Western mainstream. We ourselves were from The... 

We provide links at NRC culture blog #hf10

 Wilfred Takken muses today on the character Jacques in the Shakespeare comedy As You Like It. The actor Stephen Dillane turns it into a wonderful Bob Dylan in The Bridge Project, says NRC reviewer Takken: When Dylan was once asked if he considered himself the "voice of a generation", he replied, "I'm just a song and dance man. Everyone laughed, but... 

Now we know what Amal's fuss with that watch was about #hf10

 Wereldjournalisten.nl, a site with journalistic productions by and about the multicultural society was also present at the opening concert and did understand the many cries from the audience. At one point, for instance, there was an incident where Amal Maher apologetically pointed at her - otherwise extraordinarily chic - watch. For a moment, we thought it was about that, but it was about... 

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