writing ex-dancer
Got that. Do I get increasingly impressed during the National Ballet's evening Cool Britannia, turns out it's not that good at all. Because connoisseurs react lukewarmly afterwards. Am I that dumb, or are they that smart? There is actually very little British about Cool Britannia. Except that the choreographers are from there. An obvious...
When you think of Carel Kraayenhof, you don't immediately think of a young squatter orating about Karl Marx in circle discussions. Yet protest resides in the musician, just like in the tango. This becomes apparent when the interview gets off to a brisk start.
Last week, the planned dance performance Q61 Cemetery at a cemetery in Alkmaar caused a stir. After threats, it was cancelled. Still, we have to get used to theatre in the cemetery. Because it is changing. A reaction from a bereaved person and the cemetery manager. It was big news. And it started with summary proceedings. Relative Leen Spaans objected to a dance performance at...
It is a special year for Ann Van den Broek as she celebrates a 15-year anniversary as a choreographer. That the performance Q61 Cemetery of dance collective WArd/waRD would cause so much noise she probably did not foresee.
It's dance, but not as we know it. That's the best way to describe the current edition of Korzo and Nederlands Dans Theater's dance festival Spring Awakening. With two wonderful standouts, by choreographers Tom Weinberger and Kenzo Kusuda.
The only thing really old-fashioned about La Dame aux Camélias is the cheering applause, as if you were in Milan's Scala. And it's not even premiere night. Director Ted Brandsen did a hit with this classic with the Dutch National Ballet. We have proof of it. With Periscope.
Bring 50 distinguished and cross-disciplinary artists together and things will crackle tremendously. That will be the thinking behind the new Academy of Arts. The installation of 16 new, high-profile members already gave a taste of this. Actor Gijs Scholten van Aschat (board member) and visual artist Barbara Visser (president) expressed themselves a little cautiously a while ago about what the Akademie...
In June, Boris Charmatz comes to the Holland Festival with manger. He introduced the theme of adults touching children at the former papal palace in 2011. A statement on a tricky current issue. Why don't choreographers speak out more often on poignant topical issues? Pass by new works from recent months and it strikes you that there are hardly any choreographers among them who...
They are each other's opposites: Michiel Borstlap exudes luxury and relaxation, Micha Hamel a tense frown. But the two not inconsiderable gentlemen have both recently joined the Academy of Arts. They played new work last weekend and I spoke to them afterwards. Actually, I was programming Michiel Borstlap's concert for a theatre in Driebergen. In an expensive Jaguar, we drove to a restaurant for coffee...
In a chock-full DeLaMar theatre, deputy director Robert Guijt presented the 2014 Dance Audience Award and Dance Photo of the Year on 23 February 2015. This fitted well with the festive premiere of Crazy Blues by winner International Dance Theatre. Many acquaintances from the dance world performed at the DeLaMar. 'Hans van Manen is sitting beautifully on Princess Beatrix's chair,' joked Guijt. The same...
Ukraine, Boko Haram, IS, the economic crisis. The world resembles a borderline patient, as Ricardo Semler states. Dance festival CaDance also likes to hold a mirror up to politicians and power. With Exhausting Space by Spanish choreographer Iván Pérez succeeds just fine.
Contemporary choreographer Sibi Larbi becomes the new director of Ballet Flanders in Antwerp. A striking and unorthodox choice. Anne Teresa de Keersmaeker, meanwhile, may stay away from De Munt in Brussels. What's up Belgium?
Recently, a choreographer in England lay under fire. As artistic director, he would not be able to judge his own work objectively. Promptly afterwards, a debate ensued under the title Do choreographers need editors? On seeing Strike Root of NDT, that question lingered: do choreographers need a dramaturge?
NTR Podium: the television programme about music and dance, is calling it quits. Tonight is the last broadcast with the Harmonium by John Adams by the Residentie Orkest. In 2015, NTR Podium gives way to the new Podium Witteman. This will be mainly about classical music and jazz.
In the city where Geert Mak was born and Lévi Weemoedt spent thirteen years as a Dutch teacher in front of the classroom, culture has to make way. On 6 November, the city council decided to cut back to such an extent that the BV Stadsgehoorzaal could close. The director put the theatre up for sale on marktplaats.nl. In archaeology, Vlaardingen culture is a well-known concept, but in Vlaardingen itself you will actually find less culture...
While Amsterdam languished for years with a plan for a Dance House, Chassé Dance Studios will open its doors in December. The former Chassé church has been transformed into a multifunctional centre with eight professional dance studios, 45 hotel rooms, a gym in the ridge, and a grand café. Lenny Balkissoon, ex-dancer and actor (Zeg 'ns Aaa) financed, designed and organises the construction. Cultural entrepreneurship in turbulent times. It can be done.
On 10 November, the White House announced that President Obama is selecting choreographer Alvin Ailey for the Presidential Medal of Freedom. The recognition is for Alvin Ailey's contribution and dedication to civil rights and dance in America. Interestingly, Obama is now awarding the prize.
When De Wereld Draait Door shows live ballet on air, there must be something going on. And indeed, dancer Marijn Rademaker announces that he has been appointed principal with the Dutch National Ballet. That's no mean feat. He is considered "the best Dutch ballet dancer in the world today".
At Bare choreographer Kenzo Kusuda shows portraits of six musicians of the New European Ensemble as in a choreographic documentary. These come at you in the dark and finally climb over your seat. You can't make your message any clearer.
Playing in your socks in front of 1,000 people on the Saturday night of the TodaysArt festival? Should be possible, thought musician Nils Frahm. And he has a very logical reason for it.
A year ago, one of Holland's most legendary dancers died: Ellen Edinoff. She danced mainly in the 1960s and 1970s but there was always a hint of grandeur and mystery surrounding her and her husband, choreographer Koert Stuyf. Now a fund is being set up at the Prince Bernhard Culture Fund to support young dancers and creators of contemporary dance. 5 reasons why.
At some performances, you groan inwardly whether it will all work out. At other performances, you groan that it turns out so well. The Black Piece is the latter. Ann Van den Broek's latest production was created with input from dancers and test audiences. Then it can hardly go wrong. The preview shows a penetrating mix of versions of the term black. As if, as an audience, you are forced to stand in front of a fogged-up mirror where the mist slowly lifts and someone says: look! The choreographer gives an account afterwards.
On the phone, it takes some getting used to. 'Good morning, Holland Symfonia speaking,' you hear as you listen to the orchestra in the Amsterdam Q-factory studios calls. But that's not the orchestra's name at all. In fact, Holland Symfonia has a new name: The Ballet Orchestra.
In various studios around the country, for almost a year, many boys took dance classes at the Billy Elliot sCOOL to qualify for one of the most coveted roles on the dance stage: Billy Elliot. Eventually, these participants were brought together for lessons at Stage Entertainment's beautiful new building at Zuidas in Amsterdam. Under the watchful eye of admirer Joop van den Ende, six young dancers were eventually selected by professionals from England, among others. Vanafrom 4 November in Scheveningen in the compelling ballet musical Billy Elliot with music by Elton John.
The dance course at The Hague Conservatory of Music has exploded. Sort of. Nancy Euverink, director of dance education is in fact stepping down from the Royal Conservatoire (KC). And not only that. Deputy director Tom Bosma is not staying on either. Who will take over after the final performances and in the new season is still unclear. An international vacancy has been posted.
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