Moving image. To be seen on TV, in a museum, in a cinema. On an iphone.
Earlier this year, business director Marjan van der Haar announced her departure from IFFR. It was announced yesterday that Clare Stewart will be her successor next week. Stewart has earned her spurs at numerous leading festivals, including the BFI London film festival and BFI Flare London, the British Film Institute's LGBTQIA festival; the Sheffield documentary festival...
What if 200 of the greatest thinkers and poets this planet has known in recent centuries were just one of us? An ordinary stranger on a bus, or your taxi driver, or a skater? Or a singing tiger in a supermarket? Julian Rosefeldt makes that thought audible, tactile and almost tangible in the mega-installation 'Euphoria' at the...
On 26 April 2023, Cilia van Dijk, independent animation producer and heavily involved in the revival of Dutch animation film from the late 1970s, passed away. In 1986, she was awarded the Oscar for Børge Ring's Anna & Bella, which she produced.
Sometimes a festival only really begins after the halls have emptied. Red threads become visible, themes buzz after, research continues, archives are unlocked. What struck me about the nineteenth, somewhat smaller edition of Cinedans is that there was a lot of work on the vulnerability of the body. Not surprising after a pandemic, during a war and with an even more...
The Kaboom Animation Festival 2023 opened with an audiovisual walk. With two hundred fans past animation films on walls around the city.
With Kaboom!, Movies that matter, the Pink Film Days and Cinedans all four at the same time, it will be hard to choose next weekend. Cinedans, dance on screen, is a festival very dear to my heart, which is where I will be found next weekend. Cinema is, after all, movement, in montage, découpage, action, mise en place. And slowly the realisation that dance and film are a...
Last May, I expressed my concerns about the restructuring at IFFR and wondered whether the festival would remain as quirky as it always was. The dismissal of a number of programmers and the departure of other staff members laid a grey veil over the past edition beforehand. Was that justified? Had the festival lost its luster? Or did...
There is quite a stir among mostly people of certain (white) colour and age about a documentary now playing in movie houses. In White Balls on Walls, maker Sarah Vos shows how the Stedelijk Museum in Amsterdam has to get used to a new era in which old self-evidences are shaking to their foundations. The uproar revolves mainly around the artworks created by established...
The original and committed Iranian drama No Bears has its Dutch premiere, while the director has just been released again. Jafar Panahi continues to film against the odds.
IFFR 2023 is not only a platform for filmmakers with their own voice, but also makes cross-connections with other arts. What else can cinema be?
The 52nd edition of the International Film Festival Rotterdam kicks off on 25 January. Four questions to the artistic director on the course set.
At the New Year reception, the Dutch cinema industry announced its 2022 results. Solid recovery, but we are not quite back yet. Top Gun: Maverick is the best-attended title, Soof 3 scores highest among Dutch films.
This 19th edition of the festival is the short three-day Practice & Potential edition of the Cinedans festival and focuses on the development of the dance film genre. For three days, Cinedans presents, the state of the art of Dutch dance film, the International Student Film Competition, special themed programmes and special documentaries. New Dutch Shorts A wide selection of...
From 16 to 18 December, Cinedans WEB presents WEB Special: Inevitable Dances. Available online at Cinedans WEB, the programme consists of the documentary When Arabs Danced by director Jawad Rhalib and four dance shorts by makers from Iran, Lebanon and Egypt. The programme is offered free of charge at https://cinedans.nl/inevitable-dances/ A donation is appreciated and benefits filmmakers in need. With.
IDFA DocLab has returned home to the Brakke Grond, and how! More than thirty-five works explore the boundaries of documentary in content and form. DocLab is the digital playground where anything is technically and conceptually possible now. So I watched a work with scent, danced in the 80s and got so relaxed I almost...
Following the screening of her Venice Golden Lion-winning All the Beauty and the Bloodshed, committed and critical documentary filmmaker Laura Poitras had a good chat with IDFA's artistic director Orwa Nyrabia at Carré. About her discovery of the documentary world, her outrage at American politics and how she also learned to see hope.
Making is most beautiful, Rolf Orthel's latest film, is an ode to making and its makers. Why does the process of making fascinate? What is creativity or artistry? We meet at bodega Keijzer in Amsterdam, where the waiter knows his coffee preference. We talk about film, parents, getting older, primary school, forests, taking detours to see new things. If...
Patronisation! Woke terror! These were some of the reactions from the film world when there were calls for the appointment of an intimacy coordinator at Dutch film productions. As if anyone could allow or display sexually transgressive behaviour in a studio with 40 other staff around it. Impossible! Yesterday, the book Wat de Fak! by award-winning actress Maryam Hassouni was published and in it, it states...
The 35th edition of the IDFA documentary festival will kick off on 9 November. About the film selection, he remarked that it is "not only a judgement, but also a statement". In this interview, he talks about the choice of filmmaker-activist Laura Poitras as guest of honour, and much more.
Mountains and Molehills is the name of the exhibition EYE has dedicated to Fiona Tan. A video artist who often works with archive footage. From EYE's image bank came the raw material for Footsteps: a personal document and also a look back at the Netherlands as we rarely see it.
The Netherlands Film Festival Conference also addressed the theme of diversity. How do we really make Dutch film for everyone? There is no ready-made answer. But there is the incentive to keep raising it. Speak out!
Rare re-screening of Olow Seunke's highly acclaimed debut 'The Taste of Water' on the occasion of 40 years of Kring van Nederlandse Filmjournalisten. Gerard Thoolen and Dorijn Curvers are breathtaking as the cynical civil servant and the girl in the closet. As if Seunke had foreseen the problems in youth care.
Small World is a colourful film symphony about a mouse that moves right through the music. Composer Camiel Jansen wrote the piece especially for Asko|Schönberg and the Grachtenfestival, where it will be premiered. In viewing and listening spectacle Small World, we follow a mouse that moves through the big world and experiences increasingly wild adventures. The music, played live...
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: media art. Aan het Haagse Spui It were tough negotiations. The battle for the meter cupboard symbolised that. The chairman of the Hague Filmhuis, a former alderman, went hard at it. And the board of the World Wide Video Centre & Festival...
Seven new, very different animated films coming to cinemas this summer showcase the richness and power of this genre.
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