Anything for which people enter a stage.
'I didn't know you could also be digitised away in this sector, but so you can.' Susanne Visser and Annemiek Lely sounded the alarm on Saturday 7 December. Their jobs as ushers at theatre performances are in jeopardy. Companies would rather keep people engaged through podcasts, and such an usher only costs money. On Monday, December 9, we obtained...
Over the past year, we, Annemiek Lely and Susanne Visser, heard various noises about boring introductions and useless fringe programmes that would add nothing. Such comments pass the revue in the artist foyer, at the bar or find their way onto social media. 'I want after-shows led by a local presentation talent instead of a drawling dramaturge,' wrote an already established director
I spoke to Peter Pluymaekers, artistic director of Theatre Group Zep, about what it is like to make theatre for vmbo students. The occasion was the not-so-jubilant performance of Cleopatra. Listen to the podcast on anchor: 'I'm always a bit reluctant to do Shakespeare. I find him difficult, and young people often find him corny. I felt the same about the...
With red cheeks, I hang up the phone a little bewildered. Just now I had a telephone appointment that took a completely different turn. I had a brief conversation with a theatre programmer who is still unknown to me. She unfortunately told me not to programme anything with our impresario, because there was really no need for artistic performances in her city. This lady stated that her...
For De Stadsbron, Amersfoort's journalistic background site, I chart the cultural sector of the Keistad. On that site now, an interview with Friederike Weisner, director of Theatre De Lieve Vrouw. 'According to Weisner, the lack of a university or college ensures that the need for knowledge is visible: 'You will always have to be innovative as a city. There ...
As an intro, the percussionist of orchestra the prize of honour played a cadenza of air beats. When he unexpectedly gave a cutting blow on his snare drum, everyone was startled. Thus, with Bewegung ohne Bewegung for cello and ensemble by Jan van de Putte, opened the anniversary concert of the ensemble founded in 1979 by Wim Boerman. Last year,...
I went to Rotterdam Zuid to see Shakespeare. The play was called Cleopatra and someone had tried to turn it into a feminist manifesto. That is something like making a rhinoceros jump through a hoop: the British bard relates to feminism as Thierry Baudet relates to Greta Thunberg. So it had not succeeded, and the reviewer of...
Modest cheers in the performing arts world. A motion tabled on 18 November by Corinne Ellemeet (GroenLinks), together with PvdA, CDA and D66, forces minister Van Engelshoven to investigate the consequences of the cuts to the Performing Arts Fund before the subsidy is distributed. The House approved this on 26 November. Wonderful, you might say, because if clear...
'A new piece is usually only heard once, then it disappears into a drawer forever.' Such a sigh I often hear, in all tones. Not only from composers, but also from ensembles, concert organisers, musicians and even subsidy providers. Good news, then, that Meriç Artaç's opera Madam Koo will be repeated twice this month, Wednesday 11 December in CC...
The culture sector will have to be patient for a while yet. Minister Ingrid van Engelshoven had no intention of changing any of her policies on Monday 18 November, during the discussion of the culture budget in the Standing Parliamentary Committee on Culture. Despite a fairly widely supported desire, especially from the opposition, to do something about the 8.6 million cut in the...
The myth just had to end. Nan van Houte, former director of Amsterdam's small theatre Frascati, has buried Action Tomato. During Requiem for Tomato, on 4 November 2019, she made it crystal clear that this legendary event has been measured too big by our theatre historians. In 1969, when a few tomatoes were sent to the al...
'There is an information war going on right now, which shows how important data is. The Assange case is the most poignant example of this.' Dutch-German composer Iris Ter Schiphorst wrote a piece about Julian Assange, the now controversially declared founder of Wikileaks. She is on a mission with this: 'Although Wikileaks has never been caught at a single fault, Assange has been accused of...
Things are once again going insane for Dutch theatres and concert halls. Every year, the directors, gathered in the VSCD, manage to come out with truly fantastic figures in the autumn. This year too, the cheers are unrelenting. Everything is growing. The number of jobs, and the number of volunteers, for example. (both up by 3% in...
'Everything I make stems from feeling, from being touched', Joost Kleppe (1963) once said about his music. That sensibility is often triggered by poetry and his oeuvre therefore includes many vocal works. His lyrical, rhythmically varied pieces regularly appear on the desks of both professional and amateur choirs. With his appealing style, Kleppe follows in the footsteps of illustrious composers,...
On 23 October, website Theaterkrant.nl wrote a piece on the future of the performing arts. A future that is black and gloomy when you, as a creator, count on growth, or even survival at all. In short: so much money is going away from the Performing Arts Fund, that from next year only between 50 and 60 applications can be honoured, in...
German composer Helmut Lachenmann (1935) is a champion of evocative squeaks, creaks and crunches. Like John Cage, for instance, he hears music in unusual sources. Rarely is an instrument played the way it is written in the books. 'Making music with sounds is relatively simple and always somewhere modern,' he once said of this. Although he started his career as a choirboy counts...
'Anna Korsun stood head and shoulders above her peers with her surprising, introspective and communicative music.' I wrote that in 2014, when she won the Gaudeamus Award. 'We are definitely going to hear more from her,' I concluded, and since then the Ukrainian has more than fulfilled that promise. She has made a name for herself as a composer, pianist, vocalist, conductor and (co-)organiser of concert series....
Before I say anything substantive about Lazarus, Sunday 13 October the musical premiere for people who never go to musicals, a few misunderstandings the world over. First of all, the album Blackstar, which David Bowie released three days before his death on 11 January 2016, is NOT the soundtrack to Lazarus, his musical that was released a month before his death....
Last year, Austrian Georg Friedrich Haas caused a stir at the Holland Festival by openly talking about his master-slave relationship with his wife Mollena. If possible, even more startling was their joint production Hyena. Mollena Williams-Haas told a blood-curdling tale of how she rehabbed from her alcohol addiction, her husband providing the hypnotic music. This year, Haas is one of the central...
Being creative on demand? That's impossible, you would think. Yet it is the reality for composers and artists who work on commission. Mathilde Wantenaar (1993) therefore got acute choice stress when the Rotterdam Philharmonic Orchestra asked her for a new piece. She was just working on a commission from De Nationale Opera. 'I felt like a rabbit in the...
'We will never be 'the same' enough, we fringe characters: bipolar, borderline, gay, lesbian, indeterminate, narcissistic, autistic, hysterical - and we are all fatally insecure and we all need a hug.' Permanent, seemingly inevitable insecurity is peculiar to the theatre industry. Ramsey Nasr hit that sharply in his speech on receiving his second Louis D'Or. The courage, or sometimes almost masochistic...
Ruben Brugman predicted it on 22 June. So it was not a total surprise. On Friday 4 October, the VSCD Dance Awards, the Swans, were presented at The Dutch Dance Days Gala of Festival de Nederlandse Dansdagen 2019 at Theater aan het Vrijthof in Maastricht. Conny Janssen, artistic director of Conny Janssen Danst, received the Golden Swan from minister van Engelshoven....
'I always draw out my characters before I start composing. They are inspired by people I see on the street, personalities I admire, details that make someone special... I usually focus on one specific aspect of a character, a dominant mood that I then highlight in my composition.' Born in 1990 in Istanbul, Meriç Artaç was already...
Last Wednesday, 2 October, at the annual congress of the Vereniging Nederlandse Poppodia en Festivals in Tivoli/Vredenburg, I saw an interesting presentation by Jonas Kiesekoms, research coordinator at PXL-Music in Hasselt, Belgium, and musician. The question is now classic: can a robot replace the music programmer? With his research group, Kiesekoms is working on several applications that use data science to improve ticket sales for concerts,...
'Nothing can make up for the past. But the real, enduring power of the past lies in how it affects our present and our future. What we can do is shape a future history in which we consciously and determinedly carry with us only the best of our past.' Not keep rooting, but cognitive behavioural therapy for the whole of Europe, you might...
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