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Two unique (dance) productions created in pandemic Tears of Peter and the National New Year's Blessing

Two unique (dance) productions created in a pandemic: Tears of Peter and the National New Year's Blessing

It is remarkable to see two productions bringing together dance and faith in a short time. Dancer Marijn Rademaker (former soloist Het Nationale Ballet) portrays the suffering of the apostle in Di Lasso's Tears of Petrus by Nederlands Kamerkoor and Dance Company Nanine Linning, dancer and recently assistant artistic director of The Dutch Don't Dance Division Kiran Bonnema portrays the change in the life of the still-young patriarch Jacob in EO's National New Year's Blessing.

Alaa al Aswani: 'Literature doesn't change politics, it changes people'

Four years ago at the Winternachten Festival in The Hague, we spoke about it with Egyptian writer Alaa al Aswani, who was disarmingly upbeat despite the fact that he can barely publish in his own country. On lack of freedom of expression and fiction in times of fake, this year's theme, Al Aswani could have a word. 'Freedom of expression is even worse now than under dictator Mubarak.'

Guilt helps no one. Philosopher and writer Jannah Loontjens took a closer look at her gnawing conscience

I have come to realise that guilt creates a distance. To others, I sometimes come across as cool and reserved; this is because I unconsciously shut down to suppress my feelings and desires. I don't want to get in the way of others with my emotions. But that also means I rarely let the other person get close.

Leading starts with yourself. Learn more about that in this podcast on LinC-Artistics

In this podcast, I talk to Marjolein Verhallen and Paul Adriaanse from Public Administration, Nanna Verhoef from Media and Iris van der Tuin from Philosophy, and artistic directors Lars Ebert and Jente Hoogeveen about what that is: leadership. And we talk about how you can learn it. 

The Rolling Stones-Unzipped at the Groninger Museum: dynamic, yet somewhat well-behaved tribute

Fortunately, the Groninger Museum also puts enough focus on the aural aspect; not only are visitors treated to the various Stones songs, culminating in the concert in Cuba in 2016, but they also pass by fragments of der band members themselves and (popular) cultural figureheads such as director Martin Scorsese.

Renzo Martens on White Cube: 'From now on, the Stedelijk should devote its entire acquisitions budget to art by plantation workers.'

A sleek, snow-white art temple in the middle of the Congolese interior. What does that mean? Renzo Martens talks about his new documentary White Cube, and the art project that allows plantation workers to buy back their land. Premiering at IDFA and in Lusanga, Congo.

PLEIN THEATER presents The Week of Karina Holla from 25 to 28 November

Therefore, from 25 to 28 November, the PLEIN THEATER presents The Week of Karina Holla: An in-depth look at the performance War Women and an ode to the work of Dutch mime player, actress, choreographer and director Karina Holla and her significance for theatre.
An in-depth look at the performance War Women and an ode to the work of Dutch mime player, actress, choreographer and director Karina Holla and her significance for theatre.

1 January 2021 - NBE New Year's Concert at The Concertgebouw: unlike anything else

The Dutch Wind Ensemble's (NBE) traditional New Year's concert at The Concertgebouw on Friday 1 January 2021 is going to look completely different from all previous editions. As it is currently unclear whether, or how many, visitors The Concertgebouw is allowed to admit because of RIVM measures, the difficult decision has been taken to play the New Year's concert entirely without an audience.

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