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Irony and purity want to stand side by side in 'Free Mason' by Tjon Rockon #International Choice

It takes guts: walking down Rotterdam's Kruiskade with a big wooden cross and shouting "Mason was a fish!" shouting. The drug-addicted residents of St Paul's Church, the dishwashers at Chinese restaurants and waiting passengers at the tram stop look on in bewilderment. Sandro Lima shouts lyrics about Mason the saviour like a possessed religious maniac. Moments before, we are at... 

Rebellion and resignation hand in hand during beautiful opening weekend The International Choice at Rotterdam Theatre. #hechoice

Opinion pollsters take note: "People give the moderate answer to most questions they are asked in life. The characters in 'This is not a love story' are very ordinary, very average. In that, it clicks between those two. It's an ending where you feel an enormous satisfaction." Enthusiasm prevails after the opening weekend of The International Choice of the... 

'This is not a love story' is intimate and simple, but takes you on a journey for which the globe is not big enough #International Choice

What is your relationship with whales? A. Totally not interested in it. B. Somewhat interested. C. Very fond of whales.
You don't often hear such a question in everyday life. It appears in 'This is not a love story', a narrated, danced and musically performed 'Swedish road movie' by choreographer/filmmaker Gunilla Heilborn. A journey Heilborn took with dancers Johan Thelander and Kristiina Viala from Tromsö to Lisbon provided the material for this performance.

Pollesch and Hinrichs turn opening night The Choice into a theatrical philosophical happening #The International Choice

For the opening night of The International Choice, the Rotterdam Schouwburg was briefly transformed into Berlin's Volksbühne. The same black plastic rags on the walls, the same ugly yellow front curtain and - most strikingly - the seats in the auditorium have been replaced by white beanbags. Those beanbags, by the way, are widely despised and mocked in Berlin. They should... 

Festival 'The International Choice' opens as it should: abrasive, confrontational and tad disturbing #thechoice

Strange how quickly history detaches itself from your memory. We had gradually come to think here that the camping uprising in Cairo's Tahrir Square was a kind of summer of love. That everyone there was cramming roses into cannon shells singing together and that the whole world was just there to give each other love and hugs. Time for a lesson in rebellion.... 

Welcome in the human zoo is een spannend en soms beklemmend spel met echt en onecht #DeBasis

Vaak roepen publiciteitstekstjes een niet passend beeld op van de voorstelling waarnaar ze verwijzen. “De vliegbasis als een niemandsland: een militaire staat die is uitgevaagd en waar de natuur het gebied heeft overgenomen,” is er zo een. De tekst hoort bij Welcome in the human zoo, een ervaringstheatervoorstelling gemaakt door Suze Milius en Bram Jansen. Zo’n zin roept associaties op… 

There is crying, screaming and dancing frenziedly in Helium by Davy Pieters on #debasis

  "You are my sunshine," sings a woman very softly. Meanwhile, the audience sits in pitch darkness. We are trapped. Banished to a shelter that, it seems, suddenly has no exit. It is a real shelter in which theatre-maker Davy Pieters holds her performance Helium. Shelter 313 at Soesterberg Air Base once served as a refuge for personnel. Via... 

An unfathomable well of sadness in Thousand Yard Stare at #DeBasis

Soesterberg Air Base is full of large hangars, hangars and other massive buildings. All dream locations for theatre-makers, it seems. Director Ilmer Rozendaal made a different choice for her performance Thousand Yard Stare. She placed the solo in a small, airy oak forest containing an old and dilapidated bunker. The timelessness of this place turns out to be ideal for her small and human... 

Prachtige combinatie van verstilling en vertraging doet verlangen naar meer van Daria Bukvic’ ‘ Verwoest’ op #DeBasis

Een open plek in het bos. Dat zou idyllisch kunnen zijn, maar uit het bos komen verdachte geluiden. Mannen zingen en halen trekkers over. De echo’s van explosies weerklinken. Het is allemaal maar nep. Het is maar theater – dat toch angst aanjaagt. Daria Bukvic, een pas afgestudeerde regisseur van de Toneelschool Maastricht, maakte een voorstelling over haar moeder. Die… 

Artists bring paradoxes of Soesterberg Air Base to light at Festival #DeBasis

Art at Soesterberg airbase is almost by definition a paradox. So is the natural site that was a military base. And that is why visual art finds a perfect home here. For festival De Basis, artists from five countries were asked to enter into a dialogue with this absurd, until recently forbidden terrain. This results in beautiful contrasts. First of all in... 

Heet en zonnig weekend op vliegbasis Soesterberg: tijd voor nieuw experiment met De Dodo

Het wordt met temperaturen boven de 25 graden een broeierige, maar ook unieke zomerdag, die 10e september. Het Cultureel Persbureau is die dag en zondag met 4 journalisten aanwezig op de voormalige Vliegbasis Soesterberg om verslag te doen van festival De Basis. Wanneer u daar komt, maakt u veel natuur, nog meer indrukwekkend oorlogsverleden en een stuk of wat theatervoorstellingen… 

De warmste dag van deze zomer staat in het teken van Festival De Basis op Soesterberg. Be there. #debasis

Het wordt met temperaturen boven de 25 graden een broeierige, maar ook unieke zomerdag, die 10e september. Het Cultureel Persbureau is die dag met 4 journalisten aanwezig op de voormalige Vliegbasis Soesterberg om verslag te doen van festival De Basis. Wanneer u daar komt, maakt u veel natuur, nog meer indrukwekkend oorlogsverleden en een stuk of wat theatervoorstellingen en beeldende… 

Argentine lives inexorably turn to destruction at Mariano Pensotti's hands

Turntables and theatre have something in common. Especially in recent years, theatre-goers increasingly run the risk of facing a so-called rotating stage. After Johan Simons made use of this technical style figure in his direction of Hiob at the Munich Kammerspiele and Christoph Schlingensief made the stage turn spectacularly in his swan song Mea Culpa, it is now... 

Rotterdam Theatre's International Choice has always been a personal choice

Last year, it was still about 'a sense of belonging': the ability to feel at home somewhere, to know you belong somewhere. This year, the motto of the quirky Rotterdam festival De Internationale Keuze is almost diametrically opposed to that: parallel reality. Instead of one place offering warmth, the festival now says that place is there... 

Cackling fresh location artists prepare for Festival DE BASIS

With a few creative friends and a nice budget, romp around in a playground of many tens of acres of pristine nature. Surrounded by the remains of military might. It automatically makes you go roaring. But that's how it goes sometimes. With art. So, to get right to the point: cuts are not always bad. For instance, divesting the... 

Eszter Salamon and Daniel Linehan gems of highly diverse Julidans

Holland Festival, Julidans, IT's, Over 't IJ. End-of-season theatre is always strewn across Amsterdam. Between April and September, international performance offerings migrate from Utrecht (Springdance and Festival aan de Werf) via Amsterdam to Rotterdam (Internationale Keuze). If you want to experience something of contemporary, international dance, Springdance, HF and Julidans are the places to be. [For... 

#HF11: We chat with Jeroen Stout, Daniël Bertina, Fransien vd Putt and Wijbrand Schaap.

  In conclusion. The 2011 Holland Festival could well be historic. Not only was it the festival that attracted the most audiences for years, it was also the festival that took place while a minority government of populists, nationalists and materialists proclaimed the end of art subsidies. We therefore look back on a festival in which we had a great time with our new... 

A few solid misses, interspersed with plenty of indispensable beauty in week 3 of the Holland Festival #hf11

The Dodo was busy, this third week of the Holland Festival. Thankfully, again with an exciting mix of beautiful, weird and extraordinary. As it should be, really. What makes the Holland Festival all the more exciting is that such extremes can sometimes take place within one programme, as with the National Ballet, or even within one performance, as with The Russians... 

#HF11 Audi makes Ayres' funny-grim animal opera 'The cricket recovers' layered and edgy

Eindelijk: de opera The Cricket Recovers naar het dierenverhaal De genezing van de krekel van Toon Tellegen is in Nederland! Het Holland Festival presenteert ruim zes jaar na de wereldpremière in Aldeburgh het werk van Richard Ayres, uitgevoerd door Asko|Schönberg en VocaalLAB onder leiding van Etienne Siebens. Pierre Audi tekende voor de regie: hij maakte de voorstelling gelaagd en gewaagd.… 

#HF11 'The select' is neat and well behaved and on stage lacks the raw emotion of Hemingway's novel

Could Prime Minister Rutte cum suis's anti-advertising by dismissing art as destined for leftist types and other idiots already be having an effect? You would almost think so when you see the rather poorly filled halls during the performances at the Holland Festival. There are more than ten people in the front row, yet it all doesn't hold... 

#HF11 Thomas Adès sails his own ship and steers across familiar waters with new compositions

The ark as the earth, as a spaceship carrying us through the chaos of the universe to a safe haven. The pole star as the apparent magnetic centre of the universe around which all the stars revolve. No, this is not woolly new age chatter, these are the starting points for Tevot and Polaris, two major orchestral works by Thomas Adès, which had their Dutch premiere under the direction of the composer himself.

#HF11 Dromerige cultpop en visueel feest van The Irrepressibles

Op verzoek van het Holland Festival maakte Jamie McDermott van The Irrepressibles een nieuw programma: Human Music Box. De tienkoppige Britse band begint zijn wereldtournee in Amsterdam. De première op vrijdag 17 juni in het Muziekgebouw aan ’t IJ werd een ingetogen, muzikale avond die vooral visueel aantrekkelijk was. In het midden van de Grote Zaal stond een groot, ronddraaiend… 

#HF11 The National Ballet opts for aesthetic wandering and exotic pictures

'Labyrinth' is the name of Sidi Larbi Cherkaoui's choreography. Mazes intrigue because you can get lost in them and then insist on finding the exit. Along the way, a person then has all kinds of revealing experiences about himself. But Cherkaoui does not get to this passage. He immediately starts with symbolism. A dancer holds a wide band that goes from the stage house to... 

#HF11: They're going to make another big cut to the Russians at Toneelgroep Amsterdam

Cologne and Paris may not have been built in a day, but it took less than three days to fly to the moon. A warped comparison to say that a show that rattles three days before its premiere can turn out to be an unimaginable hit on the premiere itself. So something like that could happen with The Russians, the latest show 

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