News arrived this week that Andreas Fleischmann, the highly esteemed director of Amsterdam's DeLaMar Theatre, has now officially become director-director of Stichting MusicalMakers, the foundation he had set up last year, a day before the deadline for grant applications for four-year state funding. And that is not allowed.
Cinecitta Tilburg gets 280,000 euri a year from the province of Brabant, or rather, the founder's mother. Despite there being quite a lot wrong with the application.
Nederland is niet groot genoeg voor twee grote musicalproducenten. Dat is de enige conclusie die getrokken kan worden uit het vertrek van Albert Verlinde bij Stage Entertainment.
As a professional art visitor, I rarely find myself in empty halls. Premieres are always full, press viewings and vernissages too. Full is of course very cool. Although those full rooms I am in then usually cost more money than they bring in, because the tickets are free and the drinks on the house. Outside the premiere, but especially outside the premiere city, the...
There I stood. Next to THE RED LOPER. In THE PRESS box. Everything you must have done once in your life and this was MY MOMENT. THE BOOKBALL at THE CITY BURY which was renamed ITA because of the boss' career. To my left TEAM VOLKSKRANT, to my right a cute KRULLENBOL from the LINDA and in between them a journalist....
I wrote this story in 2003, following the publication of a major historical study on theatre attendance. I return to it often, this research. Because it keeps me with both feet on the ground while screaming for culture. And because it underlines the need to overhaul the system anyway. 'Nothing so constant...
'The experts have written an inspiring guide, which demonstrates the importance of good music education and also makes clear which steps need to be taken to achieve this. The experts spoke to representatives of primary education, teacher training institutes and the cultural sector. The guide has broad support. Like the experts, I believe that good music education is a responsibility of...
We can make a long story short. September and early October are raining awards. Every performing art form celebrates its own party. Theatre does it with Theo and Louis, cabaret with the Poelifinario, a Cricket is awarded somewhere, and then you have the Musical Awards and of course the Swans and the Dioraphte Prize. You can already feel it hanging: there...
In various studios around the country, for almost a year, many boys took dance classes at the Billy Elliot sCOOL to qualify for one of the most coveted roles on the dance stage: Billy Elliot. Eventually, these participants were brought together for lessons at Stage Entertainment's beautiful new building at Zuidas in Amsterdam. Under the watchful eye of admirer Joop van den Ende, six young dancers were eventually selected by professionals from England, among others. Vanafrom 4 November in Scheveningen in the compelling ballet musical Billy Elliot with music by Elton John.
Saturday, June 14, went off in a flood of evening gowns, dinner jackets, Dutch celebrities and Gooische Tanks War Horse premiered. A play about a war in which the Netherlands was neutral, and of which there are memorial stones in every village in the rest of the world. You can go and see it. Or not. We have listed six arguments.
No, the company is not afraid of competition. Nor of cooperation, as evidenced by the jubilantly received Fairy queen with Veenfabriek and Combattimento, the orchestra led until recently by Jan Willem de Vriend.
A gala should be festive. So the Ballet Gala of Dancers' Fund '79 Foundation celebrates. On Monday 20 January 2014, the fund's 17th gala took place at the DeLaMar theatre in Amsterdam, Joop van den Ende's glamorous stronghold.
A few tips for a successful gala.
How can a usually very ordinary, amiable theatre director suddenly come out with the notice That a few orchestras can go away and the National Ballet should be outsourced? We wondered so and headed to the car park at the Concertgebouw yesterday.
Holland Festival
Meeuw, een vroeg toneelstuk van Anton Tsjechov, gaat over toneel zoals zijn al even beroemde toneelstuk Kersentuin over kersenteelt of vastgoedfraude gaat. Niet dus. Het lijkt een fout die toneelkunstenaars wel vaker maken en die Tsjechov in zijn 115 jaar oude stuk aanhaalt: denken dat alles altijd over jou gaat. Daarom is het Thomas Ostermeier, gelauwerd Duitsch regisseur, niet zo kwalijk te nemen dat zijn regie van De Meeuw bij Toneelgroep Amsterdam over theater gaat.
Tjitske Reidinga, our favourite actress, who is in the middle of her golden years, is coming up with a new summer comedy: 'An Ideal Woman'. The blonde who theatre people have known for a long time, but ordinary people only got to know through the TV series Gooise Vrouwen, gets to decide what she does at the New Delamartheatre for three years, and so she is now going for Mad Men....
'Everseller' author Arthur Japin is to make a stage adaptation of his novel Vaslav, about the legendary Russian dancer Nijinksi. He is making the adaptation at the request of theatre patron Joop van den Ende, who is a big fan of the book. The theatre production goes into
Het grote publiek kent haar als de keiharde advocate Claire uit Gooise Vrouwen. Toneelliefhebbers kennen haar al langer als die actrice met die markante stem. Een diplomatendochter, geboren in Afrika, later opgegroeid in Bussum. Tjitske Reidinga durft er nu wel voor uit te komen:
Vorige maand werd bekend dat Erwin van Lambaart, ooit door Joop van den Ende bij zijn bedrijf Stage Entertainment binnengehaald als troonopvolger, vertrekt als CCO ‘om meer tijd te besteden aan zijn gezin’. Vorige week verscheen een persbericht waarin het concern meldde een zogenaamde clubdeal van 75 miljoen euro te hebben gesloten met ABN-AMRO en ING.
Anyone who was still left wondering what the vision of the governing VVD party on art is now out. For that vision is simple. Art is sport. According to the VVD. So said the alderman of Rotterdam, so said the spouse of top wrestler Albert Verlinde, the as mayor of Maastricht ancillary runner Onno Hoes. During the opening of the Dutch Dance Days, he gave...
The Dutch Theatre Festival opened with combative speeches by its director, jury president and patron. Joop van den Ende called for a big lobbyist. We wonder who is strong enough for that.
The opening images are striking: Joop van den Ende among men in togas, behind a real Pedel (the man with the bells), apathetic. And rightly so, of course. Because the once head man of cultural-entrepreneurial Holland, who started out in a party goods shop, achieved academic status without ever studying. For the man who always felt somewhat disadvantaged by the cultural and intellectual...
It was predictable. Now that the Culture Council has given the secretary of state a go-ahead for massive and very deep cuts in dance, the first press releases are appearing with the outraged reactions. The National Ballet and Nederlands Dans Theater are aggrieved: 'How
English (UK) 
Nederlands 
Français
You must be logged in to post a comment.