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Ruben Brugman

writing ex-dancer

Joop van den Ende sets high bar for Dutch Billy's

In various studios around the country, for almost a year, many boys took dance classes at the Billy Elliot sCOOL to qualify for one of the most coveted roles on the dance stage: Billy Elliot. Eventually, these participants were brought together for lessons at Stage Entertainment's beautiful new building at Zuidas in Amsterdam. Under the watchful eye of admirer Joop van den Ende, six young dancers were eventually selected by professionals from England, among others. Vanafrom 4 November in Scheveningen in the compelling ballet musical Billy Elliot with music by Elton John.

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dance education

Dance course explodes. Sudden vacancy management dance course Royal Conservatoire

The dance course at The Hague Conservatory of Music has exploded. Sort of. Nancy Euverink, director of dance education is in fact stepping down from the Royal Conservatoire (KC). And not only that. Deputy director Tom Bosma is not staying on either. Who will take over after the final performances and in the new season is still unclear. An international vacancy has been posted.

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Kylian

Kylián Festival. 8 ways to stay on top as a choreographer

Jiří Kylián is not at the Holland Festival. He has his own festival. The small Korzo theatre hosted ten days of intimate works by the great choreographer. Varied and still impressive. Next year, Kylián will have been a choreographer for 45 years. How do you keep performing at the world's top for so long? 

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Red, Yellow and Blue (photo: Bob Karman)

Isabelle Beernaert is successful. Four reasons why it's not just down to SYTYCD.

The dance industry is not doing very well at all, people say. I spoke to a dance marketer who told me that venues are often only a quarter full. And that includes dance makers who have a  Oscar for dance have won. What does attract a lot of audiences are fairy tales. And Isabelle Beernaert.

What explains the success of this Belgian choreographer?

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Young Talent Performance (Fugaz Floor)

Talent development new buzzword in dance world: 3 encouraging initiatives

The fact that it is difficult to get a job after graduation is also well known in the dance world. Therefore, partly at the government's insistence, companies are putting in on talent development. They also hope to A better connection with schools. Jun dancers are now more likely to be on the front line of ballet: the theatre, and that is good news for audiences. Because the energy is fresh and the level has shot up considerably.

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Bonnie Doets (photo: Antoinette Mooy)

Modern dance wins prizes at Dutch Dance Days

During the 16th edition of the Dutch Dance Days, several dance awards were presented: the 2013 Dutch Dance Days Prize, the Swans and the Dioraphte Dance Award. Respective winners are choreographer Giulio D'Anna, dancer Medhi Walerski, Club Guy & Roni for Midnight Rising, dancer Bonnie Doets of Scapino Ballet Rotterdam and Keren Levi with The Dry Piece.

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The Red Piece - photo by Maarten Vanden Abeele

Oppressive (audience) manipulation in The Red Piece

'Don't let anyone leave the room without having experienced or felt something.' That is surely and surely the mission with Flemish Ann Van den Broek's work. If the mood swings in The Red Piece don't do much to you, your retinas will burn out from the changes in lighting design. You might just think you are being manipulated as an audience. But you gladly allow it.

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Armando Navarro (1930-2013): Scapino Ballet for more than just children

Armando Navarro (Argentina, 1930 - Amsterdam 2013), former artistic director of Scapino Ballet, passed away last Sunday. Together with his wife Marian Sarstädt formed Navarro one of the Netherlands' best-known dance couples, alongside Han Ebbelaar and Alexandra Radius (Het Nationale Ballet) and Jiří Kylián and Sabine Kupferberg (Nederlands Dans Theater).

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Departure of business leader Nederlands Dans Theater Van Leer for personal reasons

On the day that a vote was to be held in The Hague on the new Spui Forum, it has been announced that Robert van Leer is leaving as business director of Nederlands Dans Theater. Van Leer is resigning for purely "personal reasons", according to the press officer of the renowned dance company.

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NDT opens door to future without Kylián with 'School of Thought'

Programme V is NDT1's last programme this season. It seems to be a final chord in more ways than one.

On the premiere day, an official announcement went out that choreographer and former artistic director Jirí Kylián is washing his hands of NDT after 36 years of involvement. In addition, from September 2014 to 2017, no work by

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Chamber - Medhi Walerski

NDT in motion: on stage, the silver screen and behind it

Being active on social media like Facebook or Twitter is now a must for any dance company. But broadcasting a dance performance (live) via 600 cinemas worldwide is no mean feat either. NDT (The Hague) has been chosen by Pathé theatres to join the illustrious list of The Metropolitan Opera (New York), The National Theatre (London) and the Bolshoi Ballet (Moscow) as a partner in high-level performing arts.

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Odedra engages wide audience in Indian dance

Emerging British-Indian dance idol Aakash Odedra manages to hook top choreographers with the programme Rising. The dance diptych premiered in London earlier this year and was shown at the India Dance Festival at Korzo dance theatre in The Hague on 14 October 2012. Rising consists of four solos danced by Aakash Odedra himself. In the first choreographed Nritta (A. Odedra), the young dance prince starts inconspicuously with... 

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The Second Detail

Shock and awe ballet in Bill & Mr. B overflows with quality on all sides; there is no stalling

In the production Bill & Mr B, the Dutch National Ballet dives thematically into history with reprises of works by George Balanchine and William Forsythe. Balanchine's Symphony in Three Movements (1972) is considered the breeding ground for Forsythe, who then went 'the extra mile' with Steptext (1985) and The Second Detail (1991). From protocol to photocall: dance as a photo session. Movement - click,... 

Read More "Shock and awe ballet in Bill & Mr. B overflows with quality on all sides; there is no stalling

No-nonsense audience does not care for tour de force of anti-pale dance in Révolution

Eleven poles are atmospherically lit like a nightclub. Dancers enter and make their way to their work stations. They will walk around their poles in a two-hour shift. They are not the only ones: audience members also start walking, towards the exit. Yet the dizzying repetitions of the hard-working ladies are effective. However, the transcendental minimalism will turn into a... 

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