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Holland Festival 2016: urgent, challenging and inviting

Never before has the Holland Festival placed itself at the centre of society as it is today. The 2016 programme is steeped in the turbulent times in which we live. The Netherlands holds the presidency of the European Union this spring. Artistic director Ruth Mackenzie has taken this fact unflinchingly to give 'Europe' a wide place in the programming. In presenting... 

Erik Voermans 'From Andriessen to Zappa': enthusiastic plea for elitist music

Erik Voermans (1958) is one of those people who writes down what you think yourself, but would never air publicly. The music editor of Het Parool likes to pose as your unsuspecting neighbour's boy, watching the music world with amazement. Take the phenomenon of opera: 'That's when someone with a knife in his taas walks around for half an hour singing that he's going to die.' If he... 

Music journalist Erik Voermans: 'I keep interviewing composers whether they want to or not'

On 4 February, music journalist and musicologist Erik Voermans' latest book was presented: From Andriessen to Zappa. After twenty-five years of writing for Het Parool, Voermans has collected his conversations with the greats of modern-classical music in a chic edition. Paul van der Steen's detailed drawings inspire listening to the music discussed. The presentation in the Great Hall of the Muziekgebouw... 

Hermitage gets 'first' Outsider Art Museum in the Netherlands

The Hermitage Amsterdam has something 'new': a new museum space in the museum on the river Amstel will be home to the 'first' Outsider Art Museum in the Netherlands from 17 March. With artworks by national and international Outsider artists. Excuse me, new? Does the museum not know at all that Zwolle once had a similar museum, with an extensive collection of outsider art? Outsider art returns with this... 

#IFFR Tigercheck (2): unconvincing feminism and fascinating misery

Festival director Bero Beyer found it difficult to choose eight films to nominate for the Hivos Tiger Award. After all, what makes a film special? According to Beyer, Elisabeth Subrin's film drama A Woman, a Part evokes a sense of nostalgia and is also outspoken, bold and above all human. The #IFFR check by Culture Press is that A Woman, a... 

Depot Mauritshuis, The Hague, Photographer: Ivo Hoekstra

Mauritshuis reveals secrets of the depot

A mythical aura often surrounds a museum's depot. How many works of unparalleled value does a top collection like the Mauritshuis let gather dust on its shelves? And more importantly, why? And as a museum, wouldn't it be better to sell them? In the exhibition Highlights from the Depot, the Mauritshuis answers such questions. At the same time, new questions arise,... 

wu wei

Wu Wei: 'Eastern and Western cultures can enrich each other.'

Chinese musician Wu Wei plays sheng. For him, the four-thousand-year-old instrument encompasses more than just music. 'Sheng means hope and hope is life,' he says during the dress rehearsal on the eve of the Saturday Matinee on 31 January where he performed with the RFO conducted by Edo de Waart. Confucius ' "A human being has two... 

Jury NK Slam 2016, flnr: Stefan Hertmans. Ellen tten Damme and Erik Jan Harmens

Flemish wins legendary NK Poetry Slam final

A female Johnny Cash, powerful, deeply personal and with a political commitment you don't often hear. Flemish poet Stefan Hertmans was full of praise for Carmien Michels' performance at the final of the 2016 NK Poetry Slam. The writer with two novels and a couple of collections to her name was indeed in a class of her own: her poems made the... 

Singing Gustav Mahler and stammering Beat Furrer touch the soul

Mahler on a programme by Asko|Schönberg - the face of avant-garde atonality, is that possible? For regular guest conductor Etienne Siebens, this is no question: in his programmes, he likes to explore the boundaries between beloved classics and composers still alive. On Thursday, 4 February, he places the ensemble version of Mahler's romantically singing Fourth Symphony - performed with... 

Upcoming round of grants will be disastrous for artists, but there is a solution

By March 1, every artist who wants government support must have submitted their application. Funds, municipalities and the state will then deliberate in committees. The quadrennial tombola will be even more dramatic this year than it was four years ago, when the massive cuts were made by CDA, PVV and VVD. Because virtually no money is being added now, and in fact, often more... 

'TV has lost touch with reality'

"Let's have a Magna Carta of British Broadcasting." With those words, celebrated actor Idris Elba (Luther, The Wire) began his closing remarks in the British Parliament. For the past half hour, he has been speaking to the Lords and Ladies kindly yet persuasively about the need and opportunities for diversity in British television. The timing of this speech was perfect because... 

Musicians pay to save their orchestra. TV programme Maestro helps a little.

The Orchestra of the East is cutting its coat of arms, focusing primarily on Overijssel and has applied for collective redundancy. This - and a whole lot more - can be read in the new business plan. It is enough for the province to release a one-off €1.1 million and make 3.5 tonnes of annual subsidy available again from now on. The... 

Bussemaker's response to income alert on arts sector is totally wrong

The SER today confirmed what we already predicted in 2012: the income position of workers in the arts has been seriously weakened. Amid all the positive news about rising income and attendance figures, this is a harsh confrontation with the reality behind the numbers. Permanent staff have been replaced by freelancers to a much greater extent than in the rest of the business world. And. 

Krzysztof Penderecki: 'In chamber music you can't gloss over anything'

In 1961, Krzysztof Penderecki (Dębica, 1933) put his name on the map in one fell swoop with Lament for the Victims of Hiroshima. This avant-garde, expressionist piece for string orchestra flogs the ears with heavily dissonant harmonies full of microtones. With this uncompromising orgy of sound, the Pole struck the mental and physical inferno caused by the atomic bomb on the Japanese city in 1945 in the... 

Start-Again

Nominations for Dance Audience Award pour in

It is quite a unique prize, this Dance Audience Award. You see, as a spectator and enthusiast, you can nominate a dancer or dance piece yourself. No jury decides that for you. You nominate it yourself. And you can do so until 1 February. What nominations are already coming in? Dans Publieksprijs 2015 The Dans Publieksprijs is a sought-after prize among dancers and companies, and it provides... 

Stefan de Walle and Joris Smit (Kurt van der Elst photo)

The reviewer, for anyone whose flesh is occasionally weak

Anyone who wants to credibly transfer a historical play to the present had better be radical, director Theu Boermans must have thought. And anyone who sees his adaptation of Nikolaj Gogol's The Revisor at the Nationale Toneel cannot help but agree with him. With references to asylum seekers, cubicle snoopers, data espionage and subsidy fraud, the play seems written yesterday. Yet Boermans remains... 

susan neiman

The Access. Winternachten chief guest Susan Neiman on David Bowie (among others) #wn16

The last bit is always the most exciting. After a nice conversation with festival presenter Francis Broekhuizen, chief guest Susan Neiman suddenly joined us. It was nearing twelve, quite a bit of wine had actually already been poured into presenter and guest, but still. Suddenly you find yourself talking to a great philosopher and writer about David Bowie. This was the last session at Winternachten.... 

connie palms

A Saturday night with Connie Palmen, Adriaan van Dis and Socrates. #wu16, #wn16

Next time, there will be 10 people queuing for a hotseat, 100 online viewers and dozens of live spectators in the foyer. At least I hope so, because only then will experimenting with new forms, apps and devices make sense, of course. At the second Winternachten night, Saturday 16 January at the Theater aan het Spui, we had slightly fewer viewers than... 

Queues to the door for Knausgård at Winternachten #wu16 #wn16

Lots of audience and wonderful stories made the Saturday of the literary festival Winternachten a party. For the visit of Norwegian writer Karl Ove Knausgård in the afternoon, queues stretched from the auditorium to the front door of the Theater aan het Spui. The festival's evening programming was also well attended. While American-German philosopher Susan Neiman spoke in... 

Storioni Festival: champagne bottle whose cork almost pops off

Thursday 21 January sees the start of the ninth edition of the Storioni Festival, dedicated to the five-hundredth anniversary of Hieronymus Bosch's death. Free after his famous triptych Garden of Earthly Delights, the musicians of the Storioni Trio and Frank Veenstra, artistic manager of Muziekgebouw Eindhoven, chose the theme 'Dreams and Demons'. Composer in residence is Poland's Krzysztof Penderecki, who became famous... 

blab.im

Forget Jinek. The conversation about art can go to a new dimension: blab.im at #wu16

On Friday 15 January, we conducted a first experiment with the platform 'blab.im'. During festival Winternachten, we reported live, via the internet. We did so in English, because most of the viewers we had were English-speaking. We could see that. That is already the most striking difference between something like Blab.im, and ordinary television. Blab.im in the Netherlands is still... 

Winternachten: a fascinating and amusing evening of talking about Evil #wu16

Literature is not a means to bring about political change, but to change people. That is exactly what he aims for with his books, Egyptian writer Alaa al Aswani said yesterday at Winternachten, where his new novel The Automobile Club of Cairo was presented. That is probably how visitors to the literary festival at the end of the evening also came to... 

winter nights on blab

On the sofa with The Signature Hunter, The Translator and Abdelkader Benali

Three and a half hours of streaming video from a seating area at The Hague's Winternachten festival. I won't blame you if you didn't follow everything. I wasn't quite there myself at the end. Still, it was a success. If only because it hasn't been done here in the country before. Blab is so new that... 

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