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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

Boulevard experiences second Corona edition: 'It's organising a festival in the middle of a natural disaster. Nothing is business as usual'

Theatre festival Boulevard is going ahead this summer, just like last year. Everything is adapted to 'corona': safe at one-and-a-half metres, placarded, with registration for catering, but still just about a hundred performances. In this podcast, I speak to Nina Aalders and Tessa Smeulers, responsible for Boulevard's programming. They remained at the helm after the much-loved and... 

Read More "Boulevard experiences second Corona edition: 'It's organising a festival in the middle of a natural disaster. Nothing is business as usual'

'Minister bans art!' - How dangerous propaganda gets a chance in cucumber time

Down to the union, the message was shared: outgoing culture minister Ingrid van Engelshoven had allegedly gone overboard with her diversity policy and now wants to ban non-diverse art from universities. It was big in the Telegraaf and former cabaret artist Hans Teeuwen got a few hundred thousand likes with it on Instagram. Meanwhile, it has also reached the columns of Het Parool thanks to 'artist' 

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The NUT delivers splendour with Never Work Again.

On the day that Mark Zuckerberg, CEO of the world's Facebook, announced his launch to the 'Metaversum', in order to trounce his collegatechies Bezos, Musk and Branson, who had only had a little sniff of the Universe, I attended the performance 'Never work again' by the Nieuw Utrechts Toneel in Utrecht Leidsche Rijn. In these times of lockdown and... 

Read More "The NUT delivers splendour with Never Work Again.

Nerd podcast #15 with Dick Zijp: 'Humour usually follows power, and is more effective in it than serious expressions.'

With his opinion piece in the Volkskrant, he drew the ire of gein manufacturers like Bert Brussen and Hans Teeuwen. In no uncertain personal attacks, 'Suck My Dick Zijp' was accused of having a 'gender-neutral rotten head', which showed that 'woke' people had no humour. Reason for the woke nerds, Marijn Lems and I, aka the... 

Read More "Nerd podcast #15 with Dick Zijp: 'Humour usually follows power, and is more effective in it than serious expressions.'

Dear Hans Teeuwen, art has nothing to fear from boring men.

It is a great thing that there are comedians who keep a finger on the pulse of society. Hans Teeuwen, for instance, has once again made himself angry. He has joined the small chorus of (mostly) men who see the end of the world coming because of a rebuttal. That is the rebuttal that now comes via social media 

Read More "Dear Hans Teeuwen, art has nothing to fear from boring men.

Ilay den Boer pushes boundary between theatre and journalism with 'Solomon's Judgement'

Je Maintiendrai. Holland's motto of arms ('Ik zal handhaven') adorns the beautiful hall of Utrecht's old Post Office, now Library. The motto also watched over the premiere of the performance 'Solomon's Judgement' with which Ilay den Boer now returns to the public. After all, he was not here for a while. He worked for just under a year at the IND, the Immigration and Naturalisation Service,... 

Read More "Ilay den Boer pushes boundary between theatre and journalism with 'Solomon's Judgement'

Nerd podcast 14: These two reviewers remarkably agree on Catholic theatre, the Holland Festival, ITA and the upcoming summer

We once started this series because we disagree horribly about some things, but in practice things turn out differently. In episode 14 of this fascinating series of insider conversations about theatre and whatnot, we talk about a few Holland Festival performances and look ahead to the festival summer. As it turns out, the... 

Read More "Nerd podcast 14: These two reviewers remarkably agree on Catholic theatre, the Holland Festival, ITA and the upcoming summer

Rijksmuseum puts names to our slavery past and the effect is stunning

It is very easy not to dwell on things. For instance, I learned at school that we sailed to the East to get nutmeg and pepper. Stuff that just rolled off the trees into the boats there and that we could sell very expensively here. Sugar, another thing. That came to us from plantations just like that,... 

Read More "Rijksmuseum puts names to our slavery past and the effect is stunning

ITA leaves exactly the wrong things to the imagination in Age of Rage. #HF21

In Electra, one of the finest tragedies handed down to us by the ancient Greeks, there is at least one piece of text that made history. It is the account of a horse race. You see nothing, but the language puts your imagination to work. 25 centuries later, they tried to turn the images described into real images for the... 

Read More "ITA leaves exactly the wrong things to the imagination in Age of Rage. #HF21

Arnold Schoenberg sounds out of an endearing piece of kindergarten drama. #HF21

There is a direct, inverse, link between musical talent and acting ability. The techniques needed to play a musical instrument are completely different from the registers you need - physically and mentally - for acting. So the better you master your instrument, the worse the acting. The musicians of Klangforum Wien master their instrument at the very, very... 

Read More "Arnold Schoenberg sounds out of an endearing piece of kindergarten drama. #HF21

The myth of Europe, you need a Greek for that anyway (and a better theatre) #hf21

'...this (final) image, in which really I saw what I never saw before. That was so insane where I started to doubt my own perception. Interesting sensation that for me is separate from interpretation.' I quote here a visitor I know from the performance Transverse Orientation, one of the toppers of this year's Holland Festival. She was sitting three metres... 

Read More "The myth of Europe, you need a Greek for that anyway (and a better theatre) #hf21

TIME by Ryuichi Sakomoto: how five quarters can flash by in a thousand years. #HF12

In a legendary episode of the SF series Star Trek, The Next Generation, for fans like me, Captain Picard is hit by a strange light signal from an empty probe. We then switch to a village to which the captain seems to have been teleported and see how he leads quite a life as a village wise and gifted flute player. At the end, he dies... 

Read More "TIME by Ryuichi Sakomoto: how five quarters can flash by in a thousand years. #HF12

The bands were dead, but Kukangendai breathes life into everything. Be it inimitable. #HF21

Someone cried the other day that bands were dead. That in a world of digital convenience, loop apps and samples, there was no place left for boys and girls with a guitar, a rickety drum kit and possibly a piano. Last night, while real men were watching football, I sat in Amsterdam's BIM house watching a band. It made me overjoyed. Kukangendai, on... 

Read More "The bands were dead, but Kukangendai breathes life into everything. Be it inimitable. #HF21

A new layer of management is not going to solve Theatre Rotterdam's problems

Rotterdam and theatre, quite tricky. I should know, I was born there and it was a subject of several working groups during my Theatre Science studies in the 1980s. Since the last theatre reform, a merger in which independent performers would work together to provide all the special theatre in Rotterdam, but... 

Read More "A new layer of management is not going to solve Theatre Rotterdam's problems

To blaat or not to blaat. FC Bergman puts the sheep on a nice pedestal in The Sheep Song #HF21

Those blessed with the surname 'sheep' not only know that they come from a rich and honourable lineage, but also know by heart all the proverbs, sayings and name jokes, offensive or otherwise. Up to and including comradely blathering chiefs of art. Then the fact that Flemish theatre company FC Bergman is producing a show titled 'The Sheep... 

Read More "To blaat or not to blaat. FC Bergman puts the sheep on a nice pedestal in The Sheep Song #HF21

La Codista is an endearing ode to waiting, with a fine layer underneath #HF21

It is always nice to know that someone is waiting for you. Companies offering rare things, officials who have highly sought-after stamps to put up, all owe their happiness and income to people willing to wait for them. Waiting itself, of course, is also something you can build a life around. There are people... 

Read More "La Codista is an endearing ode to waiting, with a fine layer underneath #HF21

Ine Aya: Wodan's state visit to Kalimantan raises quite a few questions #HF21

After three centuries of colonial oppression and exploitation, it is now pay-back time. However, we, the progeny of the navy that came to get nutmeg there, are not so good at it. Because we come back to Indonesia with mass tourism, cheap clothing dyers and multinationals like Unilever. We do little else but drain the place further. Economically, but also culturally. This can be subject... 

Read More "Ine Aya: Wodan's state visit to Kalimantan raises quite a few questions #HF21

Mailles remains in the Holland Festival a closed oyster that does not reveal its pearl.

Something about roots, and that they are cut off and that this is inconvenient. Or not, because it gives freedom. Something about men and women, but what exactly didn't quite become clear in Mailles, which I got to experience at the Holland Festival on Thursday 10 June, after another curious test-for-access episode. The great hall of the building that I just don't... 

Read More "Mailles remains in the Holland Festival a closed oyster that does not reveal its pearl.

Theatre festival Boulevard changed the DNA of Den Bosch, even the Netherlands

Whether we want to speak only of 's-Hertogenbosch from now on. Apparently, a last vestige of decency has bravely survived in the provincial capital of Brabant. Nazmiye Oral, master of ceremonies at a party at Den Bosch's citadel on 9 June, forgot right the first time. City marketers and old nobility fight hand in hand for a respected name to trump the vernacular.... 

Read More "Theatre festival Boulevard changed the DNA of Den Bosch, even the Netherlands

Culture Council to investigate cross-border behaviour across cultural sector

We are a bit done with sex, drugs & rock'n'roll in culture. At least, not in what is presented through our galleries, film screens and venues, but in how that comes about. Minister Ingrid van Engelshoven has asked the Council for Culture for advice, and the Council is going to set up a commission to do so. This was just announced via... 

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The Council for Culture has a sense of purpose. And it's about time.

'To strengthen the position of self-employed workers, a regulation could be revisited that would make it easier to enter into several short-term contracts throughout the year with interim retention of benefits.' There is a lot of useful stuff in the Culture Council's advice published today, but this sentence made me the happiest. Not so happy yet... 

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At Giselle Vienne's L'Etang, I feel again what I have been missing all this time.

England is closed. The culture minister happily reports that artists can tour Europe again, as long as they do not go outside Norway, Iceland and Liechtenstein. We've always taken an ambitious approach in negotiations on touring artists, including in my meeting with @AbidRaja last month. Delighted that our new trade deal with Norway, Iceland and Liechtenstein will allow musicians, performers... 

Read More "At Giselle Vienne's L'Etang, I feel again what I have been missing all this time.

After a year and a half at home, Boogaerdt/VanderSchoot's Fremdkörper with testing access is pretty tough

There are reasons not to live in Belgium, but yesterday I was intensely longing for an evening with my southern neighbours. After all, they have 'testing for admission' in the cultural sector just a little better regulated than here. When I attended a 'testing for access' performance in Antwerp, there was a tent in front of the theatre entrance where I walked in, with a time appointment, a... 

Read More "After a year and a half at home, Boogaerdt/VanderSchoot's Fremdkörper with testing access is pretty tough

Nerd podcast #13: Emily Ansenk (Holland Festival) is all set: 'Until a week and a half ago, we didn't know if it could go ahead.'

'Are we ready? Yes. Is everything ready? No, far from it, because it is all very complex. But in the end the jubilation now prevails, because until a week and a half ago we didn't even know if we were allowed.' In this Nerd podcast, Emily Ansenk, director of the Holland Festival for the second year, tells Marijn Lems and Wijbrand 

Read More "Nerd podcast #13: Emily Ansenk (Holland Festival) is all set: 'Until a week and a half ago, we didn't know if it could go ahead.'

The 74th edition of the Holland Festival kicks off on 3 June

The Holland Festival kicks off on 3 June with Rudi Stephan's performance Die ersten Menschen by De Nationale Opera, a stream of async at the Park Avenue Armory by Ryuichi Sakamoto and Stephen Nomura Schible, and the first episode of the podcast Soft Valkyrie by David Kanaga. State government permission Last week, the Holland Festival received permission from... 

Read More "The 74th edition of the Holland Festival kicks off on 3 June

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