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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

'You don't know where you stand.' Non-visitors of theatre make it clear where art goes wrong

The vast majority of Dutch adults never go to the theatre. Interestingly enough, the question among theatre people is never really about why people don't go to the theatre. After all, our arts sector is a supply market. At an art school, you are not trained to please the public, but to express your most individual emotion. And then preferably... 

For comfort in these dark times, you need John Buijsman. And Kees. #tfboulevard

Bosses start to look like their dogs. Or vice versa. Or owners like dogs who look like them. Or vice versa. Either way. If you want proof of this statement, rush to Theatre Festival Boulevard where John Buijsman plays the gem 'Cosmic Cowboy', assisted by Kees, a labradoodle. Or something that should pass for that. John Buijsman is one of the... 

Nerd podcast #s2e1: On the necessary lightness of something heavy. A conversation about reviews and witches with Club Gewalt #tfboulevard

There is a huge amount happening in theatre, this summer, as many summer festivals have special corona editions where they show a lot of what was made in attic rooms last year during the forced closure of theatres. One such show was Die Hexe, by Club Gewalt, a fresh point theatre band/theatre collective that is/was showing at Theatre Festival Boulevard this summer. Nerd... 

Why laughter is best left to us more often: Joseph Toonga teaches theatre rage #tfboulevard

Think Pussy Riot, think Rammstein, maybe think Nina Hagen before she found Jesus and mix that up nice and fierce. Then you get something that is basically an insane festival act. Raging female punk in a beer- and smoke-soaked nightclub, ferocious moshpits full of people who really have something to dance out of their souls. It's all in there... 

Spielberg, #metoo and corona: Ivo van Hove's West Side Story does not survive crisis

Het moest dé grote doorbraak van Ivo van Hove worden op Broadway. En dat driegde het ook te worden, maar het lot heeft anders beslist. Vandaag werd via het Amerikaanse shownieuws van Variety bekend dat West Side Story, in de moderne, rauwe versie van Ivo van Hove, niet weer zal worden hernomen. Ondanks een juichende ontvangst en vrijwel uitverkochte zalen… 

Better listening, watching, feeling, smelling and tasting thanks to Theatre Festival Boulevard #tfboulevard

We don't look upward enough. Maybe we do a quick glance at the horizon to see if that shower is really going to ruin our terrace afternoon, but that's not looking for the sake of looking. And I was able to do that thanks to the people of BLOOS. In Bossche Zuiderpark, they have a... 

PODCAST - Guilherme Miotto: the wait is always for it to start flowing. #tfboulevard

Guilherme Miotto is artistiek leider van Corpo Maquina, een bijzonder dansgezelschap dat is gevestigd in Breda en Tilburg. Dit jaar staat hij, onder andere, met de voorstelling Tak. op Festival Boulevard in Den Bosch. Een voorstelling, voortkomend uit een eerder project in een stadswijk van Den Bosch. Zes vrouwen met wie hij daar werkte, vormen nu een ensemble waarmee hij… 

Boulevard makes you feel what white balls cause #tfboulevard

White balls are quite in the news, lately. For instance, they molest compatriots as a holiday pastime. Or they shout 'Snollebollekes' at a black champion. So the fact that white balls can also be fine is news. You can experience it at Festival Boulevard, where in a small, narrow tent, thousands of white Styrofoam balls, driven by huge fans, give you a fine massage shower,... 

Unaccustomedness was to be expected at this rare summer festival #TFBoulevard

For a year and a half, there was hardly any playing, festival tents remained in mothballs and artists were busy doing living room concerts or attic sessions on Zoom. Now everything is allowed out again and the discharge is just barely there. Unaccustomedness characterises the fresh start of Theatre Festival Boulevard, which has moved to a park south of downtown Bossche for the next few years,... 

PODCAST: Joseph Toonga at Theatre Festival Boulevard: 'My daughters help me bring empathy to Hiphop' (English)

This podcast is recorded in English. For those who do not speak the language, or who do not have time to listen to the full podcast, here are some quotes. 'Originally I didn't have a title. Someone came up with 'Born to' and then I thought it would be nice to put 'manifesto' after it. After all, it is about appearing,... 

'Vanished talent and manpower will break up culture sector as it relaunches in September'

The uncertainty of the events sector and cultural institutions, after 17 months of lockdowns and one-half-meter openings, is not only disastrous for the mood of executives, artists and spectators. According to the Creative Sector Taskforce, much more is being lost. In fact, a 'Marshall Plan' is needed to help the cultural and creative sector get back on its feet,... 

PODCAST - Naomi Velissariou's permanent quest: 'I wonder if I should do interpretation or connection as an artist.'

Naomi Velissariou (1984) zou tijdens het Bossche Festival Boulevard 2021 eigenlijk met meer voorstellingen staan. Dit jaar zou haar hele trilogie ‘Permanent Destruction’ in een setting als clubrave worden uitgevoerd. Woest muziektheater, gebaseerd op toneelauteurs Sarah Kane en Heiner Müller, en afgesloten met het meer ingetogen werk ‘Pain against Fear’. Alle delen zijn lovend ontvangen door publiek en pers, maar… 

Boulevard experiences second Corona edition: 'It's organising a festival in the middle of a natural disaster. Nothing is business as usual'

Theatre festival Boulevard is going ahead this summer, just like last year. Everything is adapted to 'corona': safe at one-and-a-half metres, placarded, with registration for catering, but still just about a hundred performances. In this podcast, I speak to Nina Aalders and Tessa Smeulers, responsible for Boulevard's programming. They remained at the helm after the much-loved and... 

'Minister bans art!' - How dangerous propaganda gets a chance in cucumber time

Up to and including the union, the message was shared: outgoing culture minister Ingrid van Engelshoven had allegedly gone overboard with her diversity policy and now wants to ban non-diverse art from universities. It was big in the Telegraaf and former cabaret artist Hans Teeuwen got a few hundred thousand likes with it on Instagram. Meanwhile, it has also reached the columns of Het Parool thanks to 'artist' 

The NUT delivers splendour with Never Work Again.

On the day that Mark Zuckerberg, CEO of the world's Facebook, announced his launch to the 'Metaversum', in order to trounce his collegatechies Bezos, Musk and Branson, who had only had a little sniff of the Universe, I attended the performance 'Never work again' by the Nieuw Utrechts Toneel in Utrecht Leidsche Rijn. In these times of lockdown and... 

Nerd podcast #15 with Dick Zijp: 'Humour usually follows power, and is more effective in it than serious expressions.'

Met zijn opiniestuk in de Volkskrant haalde hij zich de gramschap op de nek van geinfabrikanten als Bert Brussen en Hans Teeuwen. In niet mis te verstane persoonlijke aanvallen werd ‘Suck My Dick Zijp’ verweten een ‘genderneutrale rotkop’  te hebben, die aantoonde dat ‘woke’ mensen geen humor hadden. Reden voor de wakkere nerds, Marijn Lems en ik, ook wel de… 

Dear Hans Teeuwen, art has nothing to fear from boring men.

It is a great thing that there are comedians who keep a finger on the pulse of society. Hans Teeuwen, for instance, has once again made himself angry. He has joined the small chorus of (mostly) men who see the end of the world coming because of a rebuttal. That is the rebuttal that now comes via social media 

Ilay den Boer pushes boundary between theatre and journalism with 'Solomon's Judgement'

Je Maintiendrai. Holland's motto of arms ('Ik zal handhaven') adorns the beautiful hall of Utrecht's old Post Office, now Library. The motto also watched over the premiere of the performance 'Solomon's Judgement' with which Ilay den Boer now returns to the public. After all, he was not here for a while. He worked for just under a year at the IND, the Immigration and Naturalisation Service,... 

Nerd podcast 14: These two reviewers remarkably agree on Catholic theatre, the Holland Festival, ITA and the upcoming summer

We once started this series because we disagree horribly about some things, but in practice things turn out differently. In episode 14 of this fascinating series of insider conversations about theatre and whatnot, we talk about a few Holland Festival performances and look ahead to the festival summer. As it turns out, the... 

Rijksmuseum puts names to our slavery past and the effect is stunning

It is very easy not to dwell on things. For instance, I learned at school that we sailed to the East to get nutmeg and pepper. Stuff that just rolled off the trees into the boats there and that we could sell very expensively here. Sugar, another thing. That came to us from plantations just like that,... 

ITA leaves exactly the wrong things to the imagination in Age of Rage. #HF21

In Electra, one of the finest tragedies handed down to us by the ancient Greeks, there is at least one piece of text that made history. It is the account of a horse race. You see nothing, but the language puts your imagination to work. 25 centuries later, they tried to turn the images described into real images for the... 

Arnold Schoenberg sounds out of an endearing piece of kindergarten drama. #HF21

There is a direct, inverse, link between musical talent and acting ability. The techniques needed to play a musical instrument are completely different from the registers you need - physically and mentally - for acting. So the better you master your instrument, the worse the acting. The musicians of Klangforum Wien master their instrument at the very, very... 

The myth of Europe, you need a Greek for that anyway (and a better theatre) #hf21

'...this (final) image, in which really I saw what I never saw before. That was so insane where I started to doubt my own perception. Interesting sensation that for me is separate from interpretation.' I quote here a visitor I know from the performance Transverse Orientation, one of the toppers of this year's Holland Festival. She was sitting three metres... 

TIME by Ryuichi Sakomoto: how five quarters can flash by in a thousand years. #HF12

In een voor fans zoals ik legendarische aflevering van de SF-serie Star Trek, The Next Generation, wordt kapitein Picard geraakt door een vreemd lichtsignaal uit een lege sonde. Daarna schakelen we naar een dorp waar de kapitein heen schijnt te zijn geteleporteerd en zien we hoe hij een heel leven leidt als dorpswijze en begenadigd fluitspeler. Aan het eind sterft… 

De bandjes waren dood, maar Kukangendai blaast alles leven in. Zij het onnavolgbaar. #HF21

Iemand riep laatst dat bandjes dood  waren. Dat in een wereld van digitaal gemak, loop-apps en samples geen plek meer was voor jongens en meisjes met een gitaar, een krakkemikkig drumstel en eventueel een piano. Gisteravond, terwijl echte mannen naar voetbal keken, zat ik in het Amsterdamse BIM-huis te kijken naar een bandje. Ik werd er dolgelukkig van. Kukangendai, op… 

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