ACTUAL
All about politics, policy, society and how those things relate to culture and art.
Marie on a string: Anja Röttgerkamp stars as an unknown soldier in Gisèle Vienne's The Pyre @HollandFestival
'The Pyre', the latest show from internationally rising star Gisèle Vienne, initially seems less disturbing than her previous work. Pieces like 'Jerk' (2008), based on the true story of a young serial killer, and 'This is how you will disappear' (2010), starring a dark forest, were only seen in a few places in the Netherlands. Hopefully, this performance at the Holland Festival will change that. Gisèle Vienne once studied harp, then philosophy and eventually trained as a puppeteer. But Vienne sees herself primarily as a visual artist working with time, on a stage, where different rhythms, motifs and figures come together.
Things were well wrong with Halbe Zijlstra, Jet Bussemaker reveals
Jet Bussemaker, minister of culture since last autumn, is slowly but surely starting to repair the damage done by the previous cabinet, supported by the Dutch culture-hating party PVV.
5 million back for culture card, 2 million for museums, something more soon
Desdemona in black and white
Is the kingdom of the dead in the opera Sunken Garden by Michel van der Aa a 3D garden full of brilliant colour, director Peter Sellars chooses in Desdemona by Toni Morrison and Rokia Traoré for sober black and white. On the stage of a sold-out Muziekgebouw aan 't IJ are glass bottles and jars, sometimes lit from below, sometimes from above, with hanging light bulbs like flickering candles. On the left are a number of ngonis (Malian lute) and two koras (Malian harp lute), played by black musicians.
'What do Belgians have that we don't?" was the question at the spring meeting on burning film issues
Is it because of the ice age? Is it a question of money or guts? Last night, the Amsterdam cinema Het Ketelhuis hosted the so-called Spring Consultation for the tenth time.
Call: please share your views on Bussemaker's vision
Ah, what the heck. We can, of course, study the piece for ourselves first and then come up with a peppery response and interpretation to it, and it will certainly come. But why
It's official: Bussemaker dist Council for Culture in battle for art-loving voter
We saw it in March already been coming, but now it is official: culture minister Jet Bussemaker is ignoring the Museum Council's advice. So the advisory panel led by Joop Daalmeijer has not done its homework properly: its idea
Escape from Guatemala's hidden war for a while
Crushingly good: Nine Rivers by composer James Dillon, with conductor and percussionist Steven Schick @HollandFestival
From the mild, everyday cacophony around the Muziekgebouw in the afternoon, on the terrace by the IJ, you'll get into the silence of the concert hall in a few steps. For three and a half hours (with over two hours of breaks in between), Asko|Schönberg, Slagwerk Den Haag and Capella Amsterdam will play and sing your ears off. Steven Schick (a.o. once Bang on a Can), not only conducts, but also takes charge of the middle part of the concert, at the Bimhuis, as a percussionist. Under his inspired direction, 'Nine Rivers' navigates between spectacle and purism: a battle between complex form and the simplicity of raw sound matter.
What else are we looking forward to at @hollandfestival?
This month is all about the Holland Festival. Culture Press reports almost daily. What are we most looking forward to?
First children's book ambassador @jacques_vriens on the breach for reading pleasure: 'Frighteningly few Dutch children enjoy reading'
Reisopera 2.0 presents itself and blows dust off gala
With a real gala, the Reisopera 2.0 presents itself. And immediately strips the gala of its stuffy image. With thanks to the Nederlands Blazers Ensemble.
Keren Levi at Theatre Kikker with unique documentary and smart performance.
Culture minister Bussemaker promises investment in young artists
Today, the Dutch pavilion of the Venice Biennale was opened by culture minister Jet Bussemaker. And she did so with a speech that the culture sector will appreciate. No longer the harsh and cold tone of Halbe Zijlstra's neo-conservative vacuousness, but a
Peter Blok does a Don Draper
Tjitske Reidinga, our favourite actress, who is in the middle of her golden years, is coming up with a new summer comedy: 'An Ideal Woman'. The blonde who theatre people have known for a long time, but ordinary people only got to know through the TV series Gooise Vrouwen, gets to decide what she does at the New Delamartheatre for three years, and so she is now going for Mad Men....
Dutch dance acrobats stand a chance at final Britain's got talent
The booking agency is sending around enthusiastic emails, and some British newspapers don't seem to like it, But still. Martin and Mariëlle are through to the semi-finals of the ITV show Britain's Got Talent. And that seems to be quite an achievement. Judge for yourself.
Sharp, comic and vulnerable: Kris Verdonck and A Two Dogs Company do Daniil Charms at Spring Utrecht
Victor, beautiful duet about contemporary male danger
Putting a man and a boy on stage together - upper body bared; in today's times, that means asking for trouble. Our gaze, saturated by paedophilia scandals, leaves little in the way of intimacy between what could also be father and son, brothers or friends. But 'Victor' by choreographer Jan Martens and director Peter Seynaeve is no good, politically correct repartee. In their search for a loving look at the relationship between husband and child, they also consistently push the boundaries of what is permissible.
No work by Kylián at NDT: a masterstroke?
The French are coming, but are these choreographers that good?
Cannes opens with The Great Gatsby, but the novelty is already off
Would Gilles Jacob, the director of the Cannes Film Festival, see it as a godsend or a knee-jerk reaction to American studios? That Baz Luhrmann's The Great Gatsby Wednesday's opening film certainly means spectacle and a lot of attention. But it is not a world premiere,
World country the Netherlands: Rotterdam, Delta Works, Cows, Tulips, Flatboats and Mills.
We are quite happy with the Netherlands, if only because of the language. After all, we can write in Dutch here, and then there are quite a few people who can read us, and understand us when we speak. In Thailand
For some artists, people are scary
As an art journalist, art makers give me VIP treatment: free tickets, separate desks, they say YOU to me and hang on my every word when I tell them something. That's a
Selection Theatre Festival 2013 marked by audience-friendly performances
De Verleiders, last season's big theatre hit, heads the jury selection of The Theatre Festival 2013. The by a group of actors and cabaret artists, including Pierre Bokma and
Wagner in Düsseldorf: opera jewel or publicity stunt?
When both nu.co.uk, BBC news and virtually every German newspaper simultaneously cover an opera, something must be going on. And there is: Nazis! Wagner! Outraged spectators! More than that: doctors had to be called in!