Anything for which people enter a stage.
For the first time in almost a year, I feel like going to the theatre again. I am eager, soon, when the theatres are full again. That's thanks to this site's newsletter that I received in my mailbox yesterday. Until now, I was not looking forward to returning to a full theatre. Afraid of...
Wopke Hoekstra, would-be boss of the Netherlands, stood on the ice of an ice rink closed to all but Sven Kramer last week. Because of Corona. The CDA frontman received a justified storm of criticism. After Grapperhaus, the country's second top executive who thinks his own rules only apply to others. Last week, Laura van Dolron, played...
Shall I just start straight to the point? I am angry with my sector colleagues. Not at all of them, but at a very large proportion. I am angry at all those big youth theatre companies that have figured out from their marketing departments with fat subsidies that a registration for youth theatre is only worth 2.99. So taking the whole family to watch...
The best works of art are failures, and it is up to the public to give them a meaning over which the artist has no control, argued comedian Micha Wertheim in an essay for De Correspondent. We thought that was a good topic for our fourth geek podcast. Marijn Lems (NRC,Theaterkrant) does sometimes clash with people who give him too much in his reviews,...
Movementalist and Plein Theatre present 25, 26 and 27 February Aceleratio Sneak Peek Streams as a sneak peek of the performance installation Aceleratio that will be on show at the NDSM Fuse in May 2021. In the last three of the series of six 'sneak peek' live streams from the Plein Theatre, viewers get a look 'under the skin' of the performers. Intimate, fragile...
That Shakespeare is still relevant after four centuries doesn't even require putting him in modern clothes, but of course it helps. The worldwide success of Ivo van Hove and his 'Internationaal Theater Amsterdam' is therefore partly due to his Shakespeare adaptations 'Kings of War' and 'Roman Tragedies'. Marathons, hours of theatre with food in between. Valentine's Day 2021...
Today we are talking about youth theatre. A genre I myself first encountered in 1994, thanks to 'Mirad, een jongen uit Bosnië' by Ad de Bont, performed by Theatergroep Wederzijds. Marijn Lems got his love for youth theatre from his mother, who, like his father, was a librarian in Tilburg. What we agree on, in this podcast, the...
Maybe it's the snow, and my little dog that made me so happy. Maybe it's the sledding children in 'The Pit' of Lunetten, and maybe it's the lameness that creeps up on me after so many valiant attempts to keep up the fun of art in times of Corona. But I sat through the first minutes of VPRO's Onstage...
Critics by default have a different opinion than the average audience. That, says Marijn Lems, theatre journalist at NRC and Theaterkrant, is what this research shows. Reason for us to take a closer look at this in the Culture Press Nerd podcast on the deeper details of the art journalist's profession. Another three-quarters of an hour for anecdotes and exciting revelations about the private life of the...
For a while, not making performances as if nothing happened, but developing concepts, experimenting, boldly going where no one in this sector has dared to go so far (sorry, I watch a lot of Star Trek during the lockdown). That strikes me as an excellent use of grant money and could also bring back some momentum in these crappy times.
People will not be eager (in large numbers) to go to packed halls again. Many 'old' culture visitors can be considered lost. The cultural sector faces a twofold challenge: to minimise this loss and to look for new audiences even more than usual.
More than 1,500 hours were spent by theatre critic Marijn Lems last year in theatres, in front of TV and, most importantly, with games. That's a lot of time and it raises questions. Questions especially about how you organise your time as a journalist, and how you divide it between watching art for work and what we will call 'normal life'. That's what this podcast is about, for just under three quarters of an hour.
Good news from Friesland. The five larger theatres in the Netherlands' most independent province are going to cooperate intensively to tackle the corona crisis together.
Yesterday, I finally saw 'Away with Eddy Bellegueule', the theatre hit of the previous broken and devastated theatre season, and saw that its creators had effortlessly bridged the gap between youth and grown-up theatre. The show is a nineties grunge concert with brilliant actors and intense visual direction by rising star Eline Arbo.
Listening away, does the word exist? I did. And still do. For music. Just as you can look away from something, I listened away from the CD that was so thoughtfully sent to me. Here's the thing. This autumn, I received CD Wounds & Brutality through the post as a gift from Tom America- composer, musician, quirky creator. I've been a fan of America since 2011. He...
Moniek Merkx will step down as director of Maas Theatre&Dans on 3 February this year. She co-founded this Rotterdam company in 2013, which makes theatre for people from small to large. A forced merger with two other youth theatre houses from the Maas city developed under her leadership into one of the most successful and interesting theatre groups in our country. In our podcast, I talk to her for an hour about how that came to be.
It is remarkable to see two productions bringing together dance and faith in a short time. Dancer Marijn Rademaker (former soloist Het Nationale Ballet) portrays the suffering of the apostle in Di Lasso's Tears of Petrus by Nederlands Kamerkoor and Dance Company Nanine Linning, dancer and recently assistant artistic director of The Dutch Don't Dance Division Kiran Bonnema portrays the change in the life of the still-young patriarch Jacob in EO's National New Year's Blessing.
Can you experience magic at home the way the Dutch National Ballet promises with its online stream of the Christmas Gala? If the comments during the stream are to be believed: yes.
Ik snapte het dilemma. Als de violiste afstand deed van haar oude viool handelde ze in strijd met haar zuivere karakter. Het voelde als ontrouw.
The awarding of the Boyer Trophy took place at Theater Bellevue in Amsterdam during A Theatre Author Thing You Must Attend, following the Boyer Lecture organised by the Authors' Union, which this year was delivered by Jetse Batelaan.
Splendid Isolation is about the happiness of loneliness, but, Elgershuizen stresses, it is best experienced together. 'It needs to be performed, because as humans we need to be able to be together'.
If all goes well, it can be experienced on Saturday 19 and Sunday 20 December.
Dutch theatre is thriving, despite frantic attempts by various Rutte cabinets to bring it down. And even though money is always short as a result: a lot of new theatre is being made. More than ever, even. But.
There is a but.
Bent u op zoek naar een corona proof kerstuitje? Heeft u weleens gedacht aan kerst in het theater? Rond de kerstdagen kunt u veilig met gepaste afstand genieten van diverse kerstvoorstellingen in De Kleine Willem en de Kleine Zaal van het Muziekcentrum. In een intieme setting met 30 bezoekers geniet u optimaal.
Thirteen young composers have been selected for the Final of the composition competition Towards the New Year Concert of the Nederlands Blazers Ensemble (NBE). This Finale will take place on Sunday 20 December in TivoliVredenburg in Utrecht.
Every year during the Christmas holidays, it's party time at the Plein Theatre! This year, from 19 December to 3 January, Plein Theater presents the new theatre production Nietsnut! (6+) by theatre group Who Whale!
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