Things we do for members and partners.
With the lockdown in full swing and the curfew shackling us to our homes, the theatre performances at Concordia Film | Theatre | Visual Arts in Enschede continue as usual. With no less than three diverse, musical performances in the coming week that can be followed via a livestream, so you can still get your much-needed dose of culture.
Animation came under accelerated attention as a replacement option for live-action in early 2020 thanks to Covid19 measures. While many film productions came to a standstill, several animation productions continued to work solidly 'just at home' on series, short and longer films. Of course, in the industry, we very much encourage the idea of using animation more, but how simple is it really to just switch...
Every writer dreams of being translated. Into English (world language), Chinese (big market) or, if necessary, into Icelandic (always wanted to go there on holiday). Sometimes it is necessary to give that dream a helping hand.
Yesterday, I finally saw 'Away with Eddy Bellegueule', the theatre hit of the previous broken and devastated theatre season, and saw that its creators had effortlessly bridged the gap between youth and grown-up theatre. The show is a nineties grunge concert with brilliant actors and intense visual direction by rising star Eline Arbo.
It is no coincidence that I am rereading The Twelve Year Wedding just now. Because the tightness in the story resembles the tightness of our own time. Like Delia and Martin Bagot, we are trapped in a suffocating existence. Shun contact with fellow human beings. Miss the fresh air of visits to cafés, museums, film houses and theatres. Dublin 1917 is the Netherlands 2021.
It is remarkable to see two productions bringing together dance and faith in a short time. Dancer Marijn Rademaker (former soloist Het Nationale Ballet) portrays the suffering of the apostle in Di Lasso's Tears of Petrus by Nederlands Kamerkoor and Dance Company Nanine Linning, dancer and recently assistant artistic director of The Dutch Don't Dance Division Kiran Bonnema portrays the change in the life of the still-young patriarch Jacob in EO's National New Year's Blessing.
Can you experience magic at home the way the Dutch National Ballet promises with its online stream of the Christmas Gala? If the comments during the stream are to be believed: yes.
Germany has 80 million people, the Netherlands 17 million, so we can multiply the Dutch aid by five if we want to test the German claim. Still, we arrive at an amount three times higher.
Four years ago at the Winternachten Festival in The Hague, we spoke about it with Egyptian writer Alaa al Aswani, who was disarmingly upbeat despite the fact that he can barely publish in his own country. On lack of freedom of expression and fiction in times of fake, this year's theme, Al Aswani could have a word. 'Freedom of expression is even worse now than under dictator Mubarak.'
With The Home Show, we want to provide our visitors with a cool programme no matter where or with whom they are. TivoliVredenburg is a place that connects people. If that's not possible in real life, we do it virtually. A moment like New Year's Eve, especially after a bizarre year like this, is then extra important'.
I have come to realise that guilt creates a distance. To others, I sometimes come across as cool and reserved; this is because I unconsciously shut down to suppress my feelings and desires. I don't want to get in the way of others with my emotions. But that also means I rarely let the other person get close.
In this podcast, I talk to Marjolein Verhallen and Paul Adriaanse from Public Administration, Nanna Verhoef from Media and Iris van der Tuin from Philosophy, and artistic directors Lars Ebert and Jente Hoogeveen about what that is: leadership. And we talk about how you can learn it.
The awarding of the Boyer Trophy took place at Theater Bellevue in Amsterdam during A Theatre Author Thing You Must Attend, following the Boyer Lecture organised by the Authors' Union, which this year was delivered by Jetse Batelaan.
For a while, corona seemed to throw a spanner in the works, but thanks to the flexibility of the makers, speakers and artists as well as the crew, we recorded the Night Mass coronaproof. With extra intimate footage and beautiful atmosphere, for the Night Mass feeling at home on the couch.
These actors sit at their kitchen table and we fly through space with them. Art can be that simple, because we, the viewers, actually make the story.
Earlier this year, Cinekid was in danger of dropping out of the basic cultural infrastructure due to a 'no, unless' advice from the Culture Council. An updated application has now changed the Council's mind. If the minister adopts it, Cinekid can go full steam ahead for four years. An interview with Cinekid director Heleen Rouw.
When it talks about 'some adjustments', of course, you have to be careful. They know that at the province, so they don't mention details. And those details include a cut of 1.3 million from previously promised amounts.
Are you looking for a corona proof Christmas outing? Have you ever thought of Christmas in the theatre? Around Christmas, you can safely enjoy various Christmas performances in De Kleine Willem and the Music Centre's Kleine Zaal with appropriate distance. In an intimate setting with 30 visitors, you will enjoy to the full.
Thirteen young composers have been selected for the Final of the Dutch Wind Ensemble's (NBE) composition competition Towards the New Year Concert. This Finale will take place on Sunday 20 December in TivoliVredenburg in Utrecht.
Every year during the Christmas holidays, it's party time at the Plein Theatre! This year, from 19 December to 3 January, Plein Theater presents the new theatre production Nietsnut! (6+) by theatre group Who Whale!
This video by Thomas Oliemans is really fun to watch, it lasts 1 hour and 14 min. That's how nice streaming can be. So much nicer when you are there!
From over 100 entries, 24 young composers have been selected for the semi-finals of the Netherlands Wind Ensemble's (NBE) composition competition Towards the New Year Concert with the grand prize of a performance with the NBE at the New Year Concert on 1 January (19:00 NPO 2).
With the saving of Frascati and at least a Chamber that does understand the importance of the sector, the most depressing event of the year - the culture budget debate - still ended with a few bright spots.
Today opens IDFA's The DocLab, perhaps my favourite part of the festival. With its own competition, commissions and exhibition, this is the realm of digital experimentation.
Fortunately, the Groninger Museum also puts enough focus on the aural aspect; not only are visitors treated to the various Stones songs, culminating in the concert in Cuba in 2016, but they also pass by fragments of der band members themselves and (popular) cultural figureheads such as director Martin Scorsese.
English (UK) 
Nederlands 
Français
You must be logged in to post a comment.