Leo Bankersen has been writing about film since Chinatown and Night of the Living Dead. Reviewed as a freelance film journalist for the GPD for a long time. Is now, among other things, one of the regular contributors to De Filmkrant. Likes to break a lance for children's films, documentaries and films from non-Western countries. Other specialities: digital issues and film education.
A survey shows that Dutch filmmakers are very concerned about the production conditions and quality of Dutch feature films. The Filmmakers Initiative wants to spark discussion and propose solutions. A symposium as a kick-off.
Rabbit Hole is the name of the programme with which the International Film Festival Rotterdam dives into the world of internet memes. With a Meme Café, vlogging Chinese and the dazzling feminist pamphlet Make Me Up.
'Feel IFFR' is the motto of this year's International Film Festival Rotterdam. The emotion behind the image and with the viewer as a guide for our interpretation. The opening film Dirty God is a nice test case. Director Sacha Polak explains why she wanted to make a film about a scarred woman.
The cinema industry presents its 2018 annual figures. Visits stable at 35.7 million, but Dutch film's market share dropped again, now to 11%. Half of the peak year of 2011.
The riveting, Golden Lion-winning Roma immerses you in the Mexico of filmmaker Alfonso Cuarón's youth. Are we going to see it on Netflix, or in the cinema? Viewers have a choice that Netflix did not offer in our country before. In addition, the exclusive cinema window is also in flux.
IDFA 2018 is a great opportunity to take a look at what you can do with documentary in film education. Documentaries can resonate very well with children, is the experience of Meike Statema, head of education at IDFA.
DocLab 2018 is no longer about the latest technology, but about the human experience. What menu can artists serve us with digital media and artificial intelligence. Examination of reality, playful installations, the Humanoid Cookbook and collaboration with MIT
The trans-drama Girl, Belgium's Oscar entry, is on a veritable victory lap. Filmmaker Lukas Dhont on the struggles of trans girl Lara, who is mostly an ordinary adolescent. On his personal struggle with stereotypes, and on his love of dance. "A place on the Oscar shortlist would already be very nice," he says.
Until now, film education has mostly been a grab bag of initiatives. But now that the minister mentions it in her policy plan and extra money has been allocated, new steps can be taken. Towards a permanent place in the classroom? We ask Florine Wiebenga, head of education Eye, and Jeroen Stultiens, Film Teacher of the Year.
Dutch film's market share threatens to be dramatically low for 2018. At the NFF conference, Film Distributors Netherlands presents the plan to create a think tank to turn the tide.
Small-scale film festival Film by the Sea specialises in book adaptations. It celebrates its 20th edition with an award for Sophia Loren and a Bergman retrospective. Artistic director feels it is now time for rejuvenation and is handing over the baton.
Voted best VR experience in Venice, Laurie Anderson and Hsin-Chien Huang's Chalkroom is now available to experience at Eye. A flying dream in a beautifully designed labyrinth of worlds constructed out of language and characters. Anderson herself is coming too.
Human rights organisations from around the world and thousands of filmmakers and artists express support for Oleg Sentsov, sentenced to 20 years by Russia. This Ukrainian filmmaker has been on hunger strike since 14 May. His life is in serious danger, according to the European Film Academy.
Dutch Director of Photography Robby Müller could paint with light. Averse to rules, he made an important contribution to international cinema. 3 July, he died at the age of 78 in his hometown of Amsterdam.
The Film Academy presents the graduation films of the 2018 batch. Feature films and documentaries with many small, personal subjects. Awards for best documentary and feature film, for best screenplay and commercial, and for best film score. Frans Weisz appointed Officer in the Order of Orange-Nassau.
Alejandro González Iñárritu's Oscar-winning virtual reality installation Carne y Arena is coming to the Netherlands. Share the experience of illegal migrants clashing with US border police.
At the film sector's traditional Spring Consultation, the panel at the Ketelhuis shed its light on the video on demand explosion, among other things, and on the advice of the Council for Culture. Will operators support the film sector with levies on sales?
EYE Film Museum has a robot filmmaker connecting old archive footage with trending topics from social media. Experimental filmmaking in the internet age. Watch and marvel at Jan Bot's work.
In 1968, paving stones flew through the air in Paris. EYE Film Museum is packing big with the celebration of the 50th anniversary of that revolutionary year that unnerved and inspired filmmakers worldwide. But hadn't that wave of innovation started much earlier?
In the documentary 'It is seen', they read and discuss Gerard Reve's defence against the charge of 'narrow blasphemy' 50 years ago. On the basis of their own experiences, they examine the state of freedom of art today. In anticipation of the later broadcast, film theatres will organise screenings followed by discussions.
With Utoya 22.July, Norwegian filmmaker Erik Poppe reconstructs as respectfully as possible the assassination attempt by Anders Breivik on youngsters at a labour party summer camp. A striking Berlinale title.
Jonas Smulders is among the ten most promising young actors in Europe this year, the so-called Shooting Stars. At the Berlin Film Festival, he talks about his first steps and his ambition to direct.
Berlinale 2018 opens with Isle of Dogs, a new stop-motion animation by Wes Anderson. An open letter signed by over 70 German filmmakers raises discussion about the future of the festival as director Dieter Kosslick steps down in 2019.
Indonesian filmmaker Mouly Surya on her feminist western Marlina the Murderer. The image of the heroine trudging around with the head of her rapist proved quite confrontational. It is a film that also says a lot about men and women in today's Indonesia.
The 47th Rotterdam Film Festival opens with Jimmie, a flight story upside down. Director Jesper Ganslandt on filming with his infant son and the connections with his debut Falkenberg Farewell.
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