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Thirty thousand euros for young top talents

The concentration is enormous, the mastery great. The boys and girls standing here dancing can do something. The apparent ease with which these 12-year-olds demonstrate their dance moves shows at the same time how difficult ballet is. After all, the movements have to be performed perfectly, and splashily. Moreover, of this group, only a few will make it to the world's top: The National Ballet. Students of the... 

'Everyone is happy to be part of something so beautiful.' Stut Choir and Irish performers sing together for the first time. #vvu

Radiant faces and swinging bodies filled the rehearsal room of the Utrecht-based Stut Choir in Overvecht. For the first time, the members collaborated with Irish singer Lorna McLaughlin of The Henry Girls and conductors Neil Burns and Anna Nolan of the Inishowen Gospel Choir. On 21 June, the two choirs will join the three Henry Girls sisters on stage at the Stadsschouwburg Utrecht.

Disbanded Tilburg dance innovators go into fitness for parkinson's patients

Sat another note in the post. One of many, these weeks. About a club that had only just been set up by the government. With the accompanying millions, which because of the PVV's vindictiveness have now been dumped in the local ditch. Its creators have already found a new purpose for themselves a few months ago: to improve the well-being of Parkinson's patients. But Dance House Station South is now thus a thing of the past. We quote:

Another necro. Sort of: Theatre Institute Netherlands to continue as TIN Foundation

We are just reporting the press release in full. For your information. Every now and then, more news like this comes along. We don't post them all, because that would make the world very bleak. The world as many people knew it, and thought it was the pride of the Netherlands, is coming to a squeaking halt to make room for. Well. We will report on that in the years to come. Of what comes in its place.

First post Culture Press at Press Group

Developing new models on the internet takes time. We have found that out with the Cultural Press Agency by now. With more than 7,500 followers on Twitter and 400 visitors a day to our website, we have now become a factor of importance in cultural journalism. But we are also very happy that four years after the first plans took shape and one year after the start-up subsidy from the Ministry of Education, Culture and Science ended, our first publication can be read on the sites of De Persgroep, publisher of Trouw, Volkskrant and Parool.

'In STUT I process what I experience' Community Arts Lab is exciting as well as relaxing. #vvu

STUT is a household name. The neighbourhood theatre group has been putting on performances with and about ordinary people from ordinary Utrecht neighbourhoods since 1977. In 2010, the theatre group gave birth to the Stutkoor, which is now taking part in the exchange project of the community art lab for the Treaty of Utrecht celebrations in 2013.

Theatre tour Eefje de Visser: tears, looks of love and seated dancing

The music of Eefje de Visser comes in. In the silence of the theatre even more so than in clubs, where enthusiastic fans sing along to her words out loud. One spotlight and her guitar, that's all this 26-year-old singer-songwriter needs to touch the room. I see tears, gazes of love and attempts at seated dancing during the official premiere of her theatre tour in the Melkweg.

DUS retains grant, leadership leaves

The Netherlands' most striking company when it comes to handling grant money has been saved. The Theatre newspaper reports that the central government has agreed to the new adjusted budget, which had to be prepared after earlier this year a loss of over 2 million euros had arisen. So the company keeps the one and a half million euros and artistic director Jos Thie and his business partner Jelle Snijder are chased out of the city with pitch and feathers, where they can join the Supervisory Board that had already turned a little too blind eye. After all, putting in an overpriced production to make up for the deficit from an earlier run of that same overpriced production: no entrepreneur would ever allow that.

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