When it talks about 'some adjustments', of course, you have to be careful. They know that at the province, so they don't mention details. And those details include a cut of 1.3 million from previously promised amounts.
Three weeks back, the Plein Theatre started a petition, asking the City of Amsterdam, and in particular Alderman for Art and Culture Touria Meliani, to provide financial support to preserve the theatre. On Thursday 22 October, the petition with more than 1,600 signatures was handed over by director Berith Danse and chairman Bert Barten to alderman of Art and Culture Touria Meliani.
Things can change. In 1979, Iran changed from a Western-oriented secular state to a spiritual dictatorship, where Islamic leaders call the shots. Women must henceforth go through life veiled and music is banned as extremely sinful. Four decades later, three women founded the Iranian Female Composers Association. In America, though. 'Music is like a drug, those who feel...
The dance film occupies a unique place among the film offerings. Not driven purely by psychologising or text, it offers every opportunity for experimentation in form and content. But that also means it is difficult to place. And therefore difficult to make. The second part on the growing pains of the dance film features 2 dancers and performance artist....
Our government leaders, united in Europe, have come up with something to combat the masking of corruption. It is called UBO register. The Netherlands is also going to introduce it in the near future. This has consequences, also for cultural foundations and associations. Because every organisation has to determine who is a UBO (Ultimate Beneficial Owner). This causes some complications. In the cultural sector, it is...
The art world needs to be more entrepreneurial. The VVD thinks so, D66 thinks so, in fact the entire Lower House thinks so. But how do you get that combined with the 'intrinsic value' that the last two culture ministers say it should also be about? The Council for Culture has now, in response to a question from minister Ingrid van Engelshoven in March last...
A Quattro Mani's pop-uprecent Afke Bohle takes on the challenge of reading a book with her sons. After good experiences with Suzie Ruzie, The Green Hand series by Susan van 't Hullenaar and Tori by Brian Elstak in collaboration with author Karin Amatmoekrim. This time they plunge into Lobke and the Light, a read-aloud book with a mission. Finding words 'Where can...
This is an extraordinary story about crowdfunding avant la lettre and an urban 'bourgeoisie' that for once does not vote by refendum against throwing money at modern art. In Switzerland, no less. Kunstmuseum Basel made a small, fine, penetrating exhibition about it, still on show until 18 August, 2018. Ideal for a stopover on the way to Italy. If you do have a moment...
Dissatisfied with the city's art policy, visual artists are leaving Amersfoort. Not physically, but with their work. In the coming year, they will exhibit together in numerous places in the Netherlands. They largely leave their own hometown behind. They have little faith in the municipality's newly developed cultural vision. Why? You can read about that below. And also that their own...
A strong cultural protest storm has been brewing in Amersfoort in recent weeks. The trigger was the municipality's decision to award the home of cultural breeding place DE WAR to a property developer after a tendering procedure. DE WAR has been renting the former Warner & Jenkinson dye factory for about ten years. Artists and inventors find a workshop, knowledge and a place for...
Good news for anyone who also thinks the Dutch film world could use a bit more spice. On 29 September, film theatre Springhaver in Utrecht will host the Evening of the Burning Calf organised. Rounded off with the presentation of the Brandend Kalf, the new film award for the most sensational, daring, cheeky or inspired Dutch film initiative. At least, if enough crowdfunders are those who want to support this project by film journalist Karin Wolfs and writer A.H.J. Dautzenberg.
Yes, you see, this event takes place, not entirely coincidentally, on the evening preceding the presentation of the Golden Calf awards. And no, the Brandend Kalf is not a side-programme of the Dutch Film Festival. When we ask Karin Wolfs to explain, she first of all wants to emphasise that it is a completely independent project. Nor a private party of Wolfs and Dautzenberg. Hence also that crowdfunding. If it succeeds
The misery in Groningen is a bit bigger than we thought. Meanwhile, the Grand Theatre appears to be at least 250,000 in the red. And counting. Money that the theatre subsidised by the city of Groningen owes mainly to artists. Choreographer Dunja Djocic, for instance, had received €90,000 in subsidies to create performances at the Grand for 2 years. Theatre-maker Andreas Denk had received...
82% cut in Overijssel's culture budget No, the VVD did not become the largest party in Overijssel in the last provincial elections, the PvdA attracted 1.6% more voters, but if there is a province where Halbe Zijlstra's nationally initiated policy had an effect, it was that province. Residents soon noticed this, but research by consultancy firm
"Of course I don't have to get rich from it..." It's pretty much the most frequently heard comment when you hang out with artists and creatives a lot. "Why not actually?" I then ask. Startled, they look at me. Appalled that you dare to question this universally held truth. In reply, something extraordinarily vague like "Well, just.... money isn't the most important thing, is it?" comes in.
Use arts funding for research&development, attracting venture capital and crowdfunding with public money. In this way, according to the Scientific Council for Government Policy (WRR), the same public money can yield more. In an 'exploration' presented to the government today, this advisory board breaks a lance for more daring and commitment from the government to strengthen the Dutch cultural sector: 'Increasingly,...
On Monday 27 October, "The Culture Congress" took place. A cleverly chosen name that suggested that this congress was unique in its kind and that there was a big organisation behind it. All the more surprising that this was only the first edition. And that the initiative came from one person. During his opening speech, Job Gerlings took us through...
Since the Amsterdam Uitmarkt is no longer run by the Uitburo but by a separate foundation, things have become a tad more commercial. The folder-fair-with-bands that has become the national opening of the cultural season over the past decades has to. The government has found art scary for a while now, usual suspects are pulling out as sponsors, and malaise is hitting...
Being able to write nicely is fine, but the journalists at Culture Press can do more. They have studied to be art experts, have spent thousands of hours in rooms and halls that even you did not know existed and possess enormous drive. How else could this website exist?
Do you remember? The band-aid Halbe Zijlstra offered the cultural sector in the form of the Giving Act? Tax breaks would definitely lead to more sponsorship, so the impact of the austerity measures would not be nearly as dramatic as the sector itself cried out.
450,000 euros they need to raise, the 15 culturally optimistic signposts of Public. All but a few were born well past 1980, so they don't suffer from any baby boomer arrogance or generational nit-picking: these are real, young, happy Amsterdammers.
Pretty tricky, marketing in the cultural sector. In part, you work in a market where these days people think that what is beautiful will sell itself, and the rest of the time you have to compete with a plethora of suppliers. And this is despite the government's attempts to drastically decimate cultural offerings. Or perhaps thanks to it. The market...
Still competing at the top and successfully entering Europe with 60 per cent less budget. Impossible, cries many. Only with a new stadium, argues another. And with extra investments in the winter break. But it can be done, according to a few.
With paper, you never know ('0.3% of newspaper readers read the reviews on the art page'), and with TV it's always a bit of estimating and extrapolating too, but the internet is rock hard. We know how many times you read one of our pieces, and how long you lingered at our videos. Well: we were already proud last year, now we are well over 200,000
Perhaps expectations were simply too high at the premiere of George Sluizer's 19-year-old, and now completed Dark Blood. Because, of course, it is entirely appropriate that the Netherlands Film Festival has taken the opportunity for a fine retrospective of Sluizer, one of the Netherlands' most distinguished filmmakers with the world as its purview. Maker of the blood-curdling...
There are funny answers in the way people sometimes try not to answer a question. Dirk van Delft, as director of Museum Boerhaave bring in a sloppy €1 million from the market.
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