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"It is currently not possible to reliably predict the development of these characteristics of the cultural sector, let alone the impact of budget cuts on them. Movements in the things mentioned in the question depend on many factors. First, there is no
Last night the awards for best short films were presented at festival Go Short in Nijmegen. Winner of the Dutch competition is Woensdagen by Aaron Rookus, a small feature film that approaches the heavily charged subject of sexual abuse in the most subtle way. What begins as an emotionally stunningly well-struck impression of eight-year-old Kris' weekly outing...
Peter de Graef is not only a wonderful actor, he can also tell compelling stories. He also brings that talent with him as a writer. So in Boiling Frog, the show now on tour in the Netherlands, there are six Peter de Graefs on stage, and that is no punishment. Especially not because those six Peter de Graefs also...
For the unions, it is not all that bad: because of the mega-cuts to the arts, they have to 800 people laid off will be. That is almost nothing compared to, say, the bankrupt Nedcar, where redundancies at a single location may be double or more.
To bring in an extra five tonnes, the Netherlands Symphony Orchestra and the Gelderland Orchestra are pulling together. And with success: the provincial governments of Overijssel and Gelderland are absorbing the state's subsidy cut. However, it now turns out that the plans used to rake in that bailout are dubious. Politicians have hardly looked into it. Questions about the business plan came mainly from the PVV in Overijssel, but in Gelderland that same party enthusiastically agreed to the injection of millions after a - remarkably damning - counter-expertise.
Nearly thirteen million The Gelderland Orchestra (HGO) asked for the province of Gelderland. It got three-and-a-half. Just enough to absorb the reduction in the state subsidy for the next two years and to work towards a new organisational structure and a new revenue model, as described in a very ambitious business plan, which...... wait for it. We have already written about this, haven't we?
The last opportunities for grant applications for 2013 and beyond closed today. Numerous mergers have been announced, new collaborations, high-profile relocations (Amsterdam in particular is emptying out). Many arts media now also carry news about those plans. News that is often presented as fact, while in almost all cases these are wishes. Applications are even fewer than ever...
Copper is expensive, and bronze, the material from which many statues on the street are made, is largely copper. And if it's on the street, you take it with you. Even if it is bolted down. Rodin's Thinker in Laren was sawn down and partially melted down, and the same happened to Simon Carmiggelt and his wife. At Boris van der Ham's request,...
They were great days, the four days we reported on Writers Unlimited (v/h Winternachten) in The Hague. We saw a new self-aware generation of writers from Africa, experienced debates and played - in the foyer of The Hague's Theater a/h Spui - for VJ during the salsa dancing class. Daniël Bertina and Wijbrand Schaap did their best to attend as many...
On 28 February, Pierre Audi will present the programme of the 2012 Holland Festival at the City Theatre. As in 2010 and 2011, we will follow that festival closely with our online festival daily newspaper at www.dedodo.nl. That daily newspaper has now proven its right to exist, as more and more festivals want to collaborate with the Cultural Press Agency on this unique initiative. To the 'product-range'...
You can hardly claim it was a surprise result, because for weeks - what shall I say, months - The Artist had been mentioned as a surefire Oscar favourite. Still, the crowning of this largely silent French black-and-white film that pays tribute to the end of the silent film era in Hollywood is proof that originality still counts in...
We already wrote extensively about the name change of the Orchestra of the East in the Netherlands Symphony Orchestra (NSO). The curious opera grant application based on a business plan that carries huge risks had our full attention. Regular partner the National Travel Opera was not amused.
It looked like it was going to be something. With a church of huge Lego blocks and a programme that seemed to matter. But alas, Grenswerk, the festival that was supposed to bring the region around Enschede together, is no more. After three years. And it won't stop until 2013, like most arts institutions, but already in 2012. Too much had to change for that to happen. The municipality suggested...
Connoisseurs know: often actors spend two months rehearsing a play with only one goal in mind: to recover the freshness and surprise of the 'first reading'. After all, at that first reading, actors hear the text for the first time from their colleagues, read the words aloud for the first time, and everything sounds new and unexpected....
Towards the end of this Berlinale, it could be heard in the corridors that the Danish costume piece A Royal Affair about a nipped-in revolution was surely going to win the Golden Bear. However, the jury did not care about that and designated Caesar Must Die by the Taviani brothers as the best film. The jury chaired by...
Dutch film Hemel was chosen as best film in the Forum section for young cinema by the jury of international critics at the Berlin festival. This is a fine success for director Sacha Polak who delivers her first feature-length film with this drama about a young woman who has lost her way in search of love. Heaven, after a...
Would today's revolution makers even study Shakespeare? In Cesare deve morire (Caesar Must Die), the competition entry by the Italian Taviani brothers, we witness the preparation and performance of Shakespeare's Julius Caesar. Anyone watching this with the world's noise in mind will often feel a shock of recognition. The tragedy about a coup in ancient Rome shows...
He barely showed his face in recent months, rarely engaging in debate with artists or the public. Now that the mega budget cut on culture is law, and nothing can be changed about it until 2016, we can follow Halbe Zijlstra's victory lap again. Also on twitter.
It was a 'roundtable discussion', so that is extremely informal. Lower house members of the ministry of OCW's 'lead committee' listen to people from the field. In this case, all people who are involved in, or lead, arts education. It was an awkward meeting.
It happens regularly that you see or hear something, in the tram, on the train, on the road, on holiday. But also on the street, in your own home. And that you think: what is that? Chances are you are dealing with 'Art'. And that can have all kinds of side effects: pleasure, chills, confusion, sadness, or even indifference, and depression. Art can,...
We were somewhat mildly ironic about it, but hats off, meanwhile, to Toneelgroep Amsterdam's PR department and the audience, who responded remarkably well to the 'choose the reprise' campaign the company launched a few weeks back. We have the hard numbers we feared we would never see. And they are credible. We quote the press release: From 2 to...
Can a filmmaker born and raised in West Germany strike just the right tone in a film set in the former East Germany? I hadn't given this question much thought, but the Berliner Zeitung raised it in response to Christian Petzold's Barbara, about a Berlin paediatrician who, after requesting to go to the West,...
It saves Liverpool's GGD millions on dispensing antidepressants. And it only costs them a tonne and a half. They spend that much hiring Royal Liverpool Philharmonic Orchestra musicians for workshops in addiction clinics. So, no idealistic preaching, as in the countless columns and reactions to Halbes culture cut, but hard pecunia and proven effects. In England,...
The 62nd Berlinale opened tonight with Benoït Jacquot's Les adieux à la reine, a French costume piece that does not play by the rules. The dresses worn by Queen Marie Antoinette's servants get dirty and one of the main characters stumbles in her haste and passes out twice. As the film begins we write 14 July 1789, and the...
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